Loopy Pro: Create music, your way.

What is Loopy Pro?Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.

Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.

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GSDSP MagicFilter by GSDSP (Released)

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Comments

  • edited November 17

    @magnusovi said:
    How innovative is this, and is it really a game changer?

    I think the main benefit from this app is how it can make blending between complex filtration easy. With some thinking, I’m pretty sure you could do most of what this app does with a combination of other apps and automation, but it would be complex to set up and you probably wouldn’t bother. I sometimes have fun combining apps to set up complex interactions, but when an app comes along that makes certain things easier, then it’s worth a look in my book. The thing is though, that most people don’t really make music with complex interactions. For those that do, they have probably bought this already, or like myself, are waiting till after Christmas when cash may be freed up!

    As for being a game changer, that phrase is always difficult to justify. It’s always kinda personal how much any app really changes what you do when making music. Logic for iPad changed my music making process for the better to a degree I have not experienced since AuV3s for iPads - for others, it hasn’t made much of a difference, so its impossible to know how this app could change your music making, but we can guess. So, for most, I would guess that this app won’t be ‘a game changer’. I would guess that many innovative producers and sound designers will get quite a lot from this app and for them, it’s probably more than worth the price of admission.

    Just to add, the real game changers on iPad music making for me have been:

    Audiobus.
    BeatMaker 3 and Rosetta in its original set up before it was changed.
    iBassist and connected Lumbeat drum apps.
    AuV3 audio and then midi apps.
    AUM.
    Logic for iPad.
    Harmony Bloom, Riffler Flow and Possibly Harmonicc.
    Getting a more powerful iPad last year!

    Then I have a long list of apps that I use all the time that I would hate to be without, but haven’t really changed how I make music.

  • @magnusovi said:

    @Darkstring said:

    @magnusovi said:
    How innovative is this, and is it really a game changer?

    You could make music before this, and you can keep making music without it. The crazier filters get, the less useful they are for most people. The parts that are useful can be duplicated or approximated by existing filters. So the real question is, how crazy are your musical needs?

    Hmm, I actually like tools that feel a little out there. Part of the fun for me is figuring out how to make them work. Even if something seems over-the-top, it can spark ideas that simpler tools wouldn’t. I get that not everyone likes that kind of complexity, but for me, the crazier the app, the more rewarding it feels when I make something out of it.

    One of the beauties with their apps are that if you have learned one you will easily adapt to another, their in-app automation is really cool and versatile. When they first came out I was a bit annoyed by the similarities and thought they could have made one app of them all (a bit like Cem Olcays apps). But, they are special and, if not unique, pretty close.

  • @Fruitbat1919 said:

    @magnusovi said:
    How innovative is this, and is it really a game changer?

    I think the main benefit from this app is how it can make blending between complex filtration easy. With some thinking, I’m pretty sure you could do most of what this app does with a combination of other apps and automation, but it would be complex to set up and you probably wouldn’t bother. I sometimes have fun combining apps to set up complex interactions, but when an app comes along that makes certain things easier, then it’s worth a look in my book. The thing is though, that most people don’t really make music with complex interactions. For those that do, they have probably bought this already, or like myself, are waiting till after Christmas when cash may be freed up!

    As for being a game changer, that phrase is always difficult to justify. It’s always kinda personal how much any app really changes what you do when making music. Logic for iPad changed my music making process for the better to a degree I have not experienced since AuV3s for iPads - for others, it hasn’t made much of a difference, so its impossible to know how this app could change your music making, but we can guess. So, for most, I would guess that this app won’t be ‘a game changer’. I would guess that many innovative producers and sound designers will get quite a lot from this app and for them, it’s probably more than worth the price of admission.

    Just to add, the real game changers on iPad music making for me have been:

    Audiobus.
    BeatMaker 3 and Rosetta in its original set up before it was changed.
    iBassist and connected Lumbeat drum apps.
    AuV3 audio and then midi apps.
    AUM.
    Logic for iPad.
    Harmony Bloom, Riffler Flow and Possibly Harmonicc.
    Getting a more powerful iPad last year!

    Then I have a long list of apps that I use all the time that I would hate to be without, but haven’t really changed how I make music.

    Thank you for the great reply man. I like the idea of originality. And being a preset guy, effects that can help me create rather unique sounds “easily” are a welcomed addition to my app arsenal haha.

    @Pxlhg said:

    @magnusovi said:

    @Darkstring said:

    @magnusovi said:
    How innovative is this, and is it really a game changer?

    You could make music before this, and you can keep making music without it. The crazier filters get, the less useful they are for most people. The parts that are useful can be duplicated or approximated by existing filters. So the real question is, how crazy are your musical needs?

    Hmm, I actually like tools that feel a little out there. Part of the fun for me is figuring out how to make them work. Even if something seems over-the-top, it can spark ideas that simpler tools wouldn’t. I get that not everyone likes that kind of complexity, but for me, the crazier the app, the more rewarding it feels when I make something out of it.

    One of the beauties with their apps are that if you have learned one you will easily adapt to another, their in-app automation is really cool and versatile. When they first came out I was a bit annoyed by the similarities and thought they could have made one app of them all (a bit like Cem Olcays apps). But, they are special and, if not unique, pretty close.

    I will give it a try!

  • That’s your answer then :smile:

  • Magic Filter sure does sound good!!

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