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Wow... If you've never tried multi-channel/quad, give it a shot!

For shits'n'giggles I set up a multi-channel output using my Behringer interface (Behringer UMC1820) that has lots of outs that can be seen by AUM.

Set it up as basically two stereo pairs
FrontLeft
FrontRight
RearLeft
RearRight

Each source track had 2 sends with CC mapping with one send's cc inverted, thus creating a cross-fade.
2 tracks were set to fade stereo front to rear and 2 tracks were set up as right or left mono that faded front to rear.

Also set up some FX sends and did the front/back crossfades.

Set some LFO's to automate the crossfades slowly.

Sooo... Stereo speakers in front, stereo speakers behind, let 'er rip... It was REALLY cool!

Gonna try leveraging even more of the outs and have busses for each individual channel in mono as opposed to stereo for more "control".

Comments

  • edited February 3

    seems like you've invented sort of quadraphonic sound – a technology that commercially failed back in 1970s but is interesting anyway.
    i've experimented with that some (long) time ago. might be worth the effort if i had more spare time.

  • @chaocrator said:
    seems like you've invented sort of quadraphonic sound – a technology that commercially failed back in 1970s but is interesting anyway.
    i've experimented with that some (long) time ago. might be worth the effort if i had more spare time.

    Quad is still used today, Steven Wilson of Porcupine Tree is the industry go to guy for remixing classic albums in 5.1, atmos, Quad etc etc

  • Pretty sure Logic on the ipad comes with the atmos panner etc so you set up mixes for atmos and can easily do 5.1, 7.1 etc

  • I went to a Suzanne Ciani show last year presented in quadraphonic and it was really epic. I hadn't thought of trying this at home but I even have spare outs in my audio interface. Great idea @MonkeyDrummer!

  • @Syn said:

    @chaocrator said:
    seems like you've invented sort of quadraphonic sound – a technology that commercially failed back in 1970s but is interesting anyway.
    i've experimented with that some (long) time ago. might be worth the effort if i had more spare time.

    Quad is still used today, Steven Wilson of Porcupine Tree is the industry go to guy for remixing classic albums in 5.1, atmos, Quad etc etc

    Yea, it's not like I said I invented it... Just that it's pretty easy to mess around with...

  • My wife wants me to mix our new song for atmos. I only have stereo monitors so I'd have to use apple airpods to check the mix on. I bet an atmos mix would be fun to hear, but I can't even mix a stereo version of our tracks that sounds good and I struggle the whole time.

  • @Syn said:
    Pretty sure Logic on the ipad comes with the atmos panner etc so you set up mixes for atmos and can easily do 5.1, 7.1 etc

    Nope. It doesn’t. On the Mac - yes , but not on the iPad.

  • @MonkeyDrummer said:
    For shits'n'giggles I set up a multi-channel output using my Behringer interface (Behringer UMC1820) that has lots of outs that can be seen by AUM.

    Set it up as basically two stereo pairs
    FrontLeft
    FrontRight
    RearLeft
    RearRight

    Each source track had 2 sends with CC mapping with one send's cc inverted, thus creating a cross-fade.
    2 tracks were set to fade stereo front to rear and 2 tracks were set up as right or left mono that faded front to rear.

    Also set up some FX sends and did the front/back crossfades.

    Set some LFO's to automate the crossfades slowly.

    Sooo... Stereo speakers in front, stereo speakers behind, let 'er rip... It was REALLY cool!

    Gonna try leveraging even more of the outs and have busses for each individual channel in mono as opposed to stereo for more "control".

    Nice setup for live playing potentials. 😎 Sounds like a lot of fun.

  • @Mountain_Hamlet said:

    @Syn said:
    Pretty sure Logic on the ipad comes with the atmos panner etc so you set up mixes for atmos and can easily do 5.1, 7.1 etc

    Nope. It doesn’t. On the Mac - yes , but not on the iPad.

    my mistake

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