Loopy Pro: Create music, your way.

What is Loopy Pro?Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.

Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.

Download on the App Store

Loopy Pro is your all-in-one musical toolkit. Try it for free today.

Finer points of timeline alignment when using modulation sequencers + long cycle times

(... or even just tempo-synced LFO's)

Supposing you crafted 2-bar modulation sequence in an AUv3 FX that you'd like to align to your song structure.
Now, unless your structure perfectly follows a rigid 2-bar timeline grid, there will be a mixture of instances where the sequence should start on even versus odd bar numbers. That's a simple example.

I wonder if anyone experienced this, and what are the most preferred solutions / workarounds out there, other than falling back on host / DAW-based automation - if any.

Of course the whole premise is that we're talking about cases where any such misalignment is immediately and clearly discernible, so imagine some strong FX with sharp edges in its mod sequence / LFO for example.

Comments

  • I would personally use some kind of 'offset' function.

    Think of it like adjusting the start-phase of an LFO waveform or shifting the value points of the modulation sequence left or right to match it to the host grid.

Sign In or Register to comment.