Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.
Download on the App StoreLoopy Pro is your all-in-one musical toolkit. Try it for free today.
Comments
Will be half price first 48 hours after release
I like an audio mangler, must keep my eye open and catch this when it's released.
@monzo Is there not too much in the mangling department already and what's the difference between a mangler and a wringer anyway? Why are we not wringing our sounds? Maybe a US/UK language thing, although I don't remember any breasts in a mangler back in my grandma's house...
I think there are 'too many' in the sense that I can do everything I need to do in my limited fashion, but more sophisticated users will/might argue. In the same way that there seems to be -to me- far too many different kinds of amps/cabs available for guitarists. Surely they're all pretty much the same, no?
This gives amazing feedback, I love it
It's not the bs disco thing
@lala Today's pejorative to anyone who annoys me: would you just stop it with the bs disco thing already
The same could be said for almost any kind of gear and app that's released...How many VA synths have been made? How many apps where you swipe across a string to replicate a guitar strum? etc. etc.
For the "manglers", I find these to be great in sound design and capture.
Amazing Noises and ApeSoft have been my favorite app developers over the last year. I'm excited to try this and love they added LFO's. Their last reverb app is bonkers awesome.
So was I. I find it odd to single out apps which "mangle" as somehow not being creative. There is so much music and apps which are celebrated but don't break any ground, whatsoever...A majority , as a matter of fact.
An app which is trying to change a sound in an unexpected way, to be called out as somehow not creative, doesn't make sense to me.
Oh dear
there's two more must haves !
@Flo26, soundscaper looks interesting. Submitted for review today (6th) so should be available around Valentine's Day. Hope my missus appreciates me spending my hard earned on this app instead of chocolates!
I’ve been thinking of the crucial difference that I can’t put my finger on and identify between apps that heavily effect; twist; shred; reiterate; defenestrate or generally make a sonic salad. I was very much hooked on Sector a while back last year when it came out, it was exactly what I was looking for for vocals, and then I noticed there were a lot of ‘slicers’ that I basically missed because they looked like samplers therefore tedious. Wrapping a straight line into a circle sold it to me for some reason.
There’s a huge amount of music apps on my iPad that I refer to as “wanking apps” in that they’re hugely satisfying to play with, most often by myself, to my own gratification. At first sight, I’d assume I’ll make a lot of use of them, but it turns out they can never produce anything I can actually use in a song, so they’re not really productive after all.
As a refinement of what I state above, there are apps that impart stochastic randomy chance-driven lotteryness to the execution of the effecting. I noticed that when I wanted to use the result in a song, I would run the effect on a recording over and over and over until I found one that fitted satisfactorily, and even then I’d tweak it by chopping a bit here and putting it before that bit there, because it worked better. Well, if I’m going to do that I might as well customise a bespoke candidate result directly. In which case, I didn’t really need the app to perform its stochastic lottery circus act, all I need to do is fake it, and it would be an exact fit for purpose, and probably quicker than choosing and rejecting hundreds of ‘not quite but nearly’ takes. In other words, maybe these randomish effect sequencer sample chopper surprisers are also merely wanking apps[1]. For actual production, I can make it sound random quicker than a real random app can.
[1] the exception being if one wanted to perform live (how does that work? where do audiences come from? How do you get them to stay?) then it’s not wanking, isn’t it?
In my mind, there's no differentiation between "wanking-" and "serious production tool"-Apps (when it comes to usefulness, I mean). A lot of those weird sound mangling things on ios just tend to give me the final hint to new possibilities, sonicwise. I, for one, love to slow sounds down to the extent of unrecognisable mrhsjhdfjhfsduh, and I just looove, when an App gives me the opportunity to really slow it down, not caring about "does it still sound natural/good enough for a production". For me, there's no unusable sound in this Universe, at all. But then again, I mostt of all like experimentation, and being taken places I myself never would have thought of, in the first place... . The greatest thing about ios just now, is that all those different weird new "things" are sprouting up everywhere, and make me want to PLAY, not WORK. I guess this opening up of possibilities on ios won't last forever, sometime the playground will be shut by professionals who define usefulness for the rest of us, in the meanwhile I dooooo looove the experimental kindergarden (in the bbest sense of the word) I find myself in. Maybe that's whats called wanking, but it's the best of joy to me... .(sometime in the future I might even be able to finish some projects, too, who knows...?) I also use these "playthings" live for performances, but, of course, there's a limited audience for that. Thanks to sector/bitwiz/differentdrummer/noatikl/dfx/turnado/effektrix/wow/flux (I could go on...), I am in weirdness heaven!
Cheers!
they are all very different it just depends on how close you want to look.
turnado, csspectral, wow, flux, dfx, live fx…. just because something falls under a catagory of fx or whatever doesn't mean there aren't considerable differences, that's why all of the manglers spoken about on this forum so far have something to offer…… all the samplers are considerably different as well as are the slicers in apps like egoist, gadget, the impc pro, and bm2 …..all offer something different.
This has certainly peaked my interest, I was looking around for a chip sound emulation here on iOS, now this with added sonic mayhem, lovely, anybody have a release date?
+many
double unintended etc
I'm not an expert, I just like the way they make my things sound funny. I guess I've always done this sort of thing - from the old days when I put my MS20 through a Watkins Copycat echo with a dodgy spring that made the echos wobble up to my current obsession with iOS manglers, wringers and danglers...I JUST CAN'T LEAVE IT ALONE.
I don't think you can have too much of a good thing - generally each app adds it's own flavour to the general porridge of sound that is, what I laughingly call my 'music'.
Playing, jamming and generally mucking about is probably the most effective way to learn and create, and spark new ideas on a subconscious level. It's unlikely you'll get the best from your music by plugging straight in and recording without a bit of practice and experimentation first.
https://aqusmatiq.com/
Coming to desktop
Woo hoo...👍