Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.
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Man, I can't wait for this synth to come to the iPad!
Who else would love to see this on iPad?!
Comments
We're going to need Hazel for this one....
not for me thanks.How many edit pages would you need for this monster?
I would prefer this one...interface works great,it"just"needs a sound engine now
....
I'll bet a good UI designer could do this in only about 30 or 40 edit pages. Piece of cake!
Personally, I'd build my own lemur controller.
30 or 40 edit pages...
Lol
It be cool if Auria or Moog did the Moog Modular for iPad. Then there is the Roland System 700...Then again I'm still trying to wrap my head around the iVCS3.
No way.....
But i must think f.e. of Mitosynth. "Synthesis without the spaghetti". Funny, i still know not much if nothing which can use limitless LFO's to modulate the modulation of the modulation of the modulation etc... You need no cables for things like this in the virtual world. You just need a clever developer and/or UI designer....
The other way are endless popup menus.Be them on a seperate page (called"modulation matrix")or direct at the sources/destinations (like Tera).No clever designer needed,both is available for decades now ;-)
That's true... but i find the way with the dials and the visual feedback which Mitosynth does just easy and awesome. You can't do a normal modulation matrix if you don't limit the modulations. Serum (and some other) makes it easy too with drop and drag. This should work great on a touch screen too. I saw Omnisphere 2 will have always an extra window now with the modulation beside if you add one.... that's also a great way to see what you need when you need. So, yes there are a few clever ways there.
Any excuse. ;P
I kind of feel like the entire iOS experience is so modular that I don't really need that, and even if I did, there are a number of modular apps that I own that I haven't programmed much yet that would do the same thing. What I need is time and ambition, which are much harder to program.
I kind of feel like the entire iOS experience is so modular that I don't really need that, and even if I did, there are a number of modular apps that I own that I haven't programmed much yet that would do the same thing. What I need is time and ambition, which are much harder to program.
I kind of feel like the entire iOS experience is so modular that I don't really need that, and even if I did, there are a number of modular apps that I own that I haven't programmed much yet that would do the same thing. What I need is time and ambition, which are much harder to progr
are you sure that's not part of Cape Canaveral control center? :-)
I'm playing with Tera right now and it's easy to get lost in what is connected to what and where sound is going en route. I think Tera can probably produce sounds in ways I can't even imagine. Would be nice if perhaps there was color coding or some way to keep track of how one is patching things.
Nah, Tera's straightforward enough. Kids today. Did I ever show you my first sequencer...?
The System 700 is how I learned synthesis in the 70s (and Odyssey and Avatar). I didn't own one of course, i was only 16 or 17, I just used to constantly hang out in a music shop in Melbourne that had a full one set up.
a sound synthesis book might help. i have a link.
http://www.soundonsound.com/sos/1997_articles/jun97/synthschool1.html
https://documentation.apple.com/en/logicexpress/instruments/index.html#chapter=A§ion=3&tasks=true
Ah, cheers. Funny thing is I've been going over sound synthesis for years but it still seems a challenge. Like sometimes I go through presets and I'm like...How the hell was that sound imagined? Or I'll have a sound in my head but don't know how to fully realize it. Like if you look at the Special FX: Synth Pop preset in Tera...That sound breaks apart the second you start twiddling with certain parameters. Which means there was a certain exactitude in it's design. Which makes me think that certain sounds are only achievable if you really know what you are doing.