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Great Albums

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Comments

  • edited July 2015

    @RockySmalls said:

    My electro band was four of us on MS20's. This was in Basildon, Essex. We knew the Depeche Mode crew and there was a bit if an interchange between equipment and gigs. Obviously we didn't do quite as well....

    My mate's coming to stay in a few weeks so I'll pick his brains over the SHW connection - he was a sound engineer and did some gigs with a couple of them and 'played' the mixing desk - he gave me a tape of it so I'll have to see if I can dig it out. This was in the mid 90's. I remember first meeting Matt and being surprised how 'normal' he seemed, then I went to their house and discovered the madness....

    Hairballs is great, I like Organ Transplants too.

  • @syrupcore said:
    Live albums probably deserve another thread but since I saw a few mentioned I have to add The Name of This Band is Talking Heads.

    DB the big suit, three hundred, sixty five degrees, was it the first live digital video recording? But the audience seemed so contained, still love it in so many ways, had it on VHS and DVD but they cut some of the Tom Tom Club on the DVD. To think they asked fellow CBGB Debbie Harry to front them, Atomic!

  • @knewspeak Love that movie. One of the best things about The Name of This Band is Talking Heads is that it's actually from four different tours (originally a double LP, tour per side, basically). You get to hear how good they sounded in living rooms and CBGBs with all sorts of 'are we good?' nervous energy and by the end of it you hear them on a world tour with a 10 piece band with people like Bernie Worrell, Adrian Below and Nona Hendrix in the mix.

  • @syrupcore said:
    knewspeak Love that movie. One of the best things about The Name of This Band is Talking Heads is that it's actually from four different tours (originally a double LP, tour per side, basically). You get to hear how good they sounded in living rooms and CBGBs with all sorts of 'are we good?' nervous energy and by the end of it you hear them on a world tour with a 10 piece band with people like Bernie Worrell, Adrian Below and Nona Hendrix in the mix.

    Lordy, should be up on my attic, here, was it Chris and Tina's Living Room? Can't listen to it no turntable though, aahhhhh, memories, I was mixed up, with the latter concert I think it was filmed in LA. Loved DB tentative raw vocals, especially on 77. My houses are in motion, war during lifetime ......

  • edited July 2015

    @monzo said:
    There was a bit of a ND resurgence in the 80's when the 'Heaven in a wild flower' compilation was released, that's when I first heard if him. I was lucky enough to work on his photographer friends website a few years back, and got to scan all the negs of the ND photo sessions, which was amazing as only about 10% of this has been made public.

    Interesting monzo! So there are a lot of Nick Drake pictures which aren't published? About 90% (of a few photo sessions) ? This must be some sort of news. At least to me it is. I love his music. Fruit Tree, one of my fav songs.

  • @knewspeak said:
    Lordy, should be up on my attic, here, was it Chris and Tina's Living Room?

    No, don't worry, it was just a radio station for side A. I meant it was of that era.

  • JMJ - Oxygen

  • edited July 2015

    @Marcel said:

    I got to see all the shots from the sessions as I checked through the negs. The photographers family were lovely, they gave me an original photo print. Interesting for me, but not sure how useful they'd be in a commercial release, but for putting the sessions into perspective they were very revealing.

  • edited July 2015

    @knewspeak said:
    …Loved DB tentative raw vocals, especially on 77.

    I didn’t realise just how good and coherent an album ’77 actually was until about ten years ago. I mean, at the time (more like ’78-’79), I listened to it a lot, as did everyone, and later MSAB&F was one of my constantly played favourites, but I think it all just blurred together with B52’s, Blondie, Numan, Ian Dury, Television, Devo, The Cars (really superb first two albums) that my friends and I were all submerged in. It took a lot later for me to re-appreciate ’77 and MSAB&F as truly enduring statements (same with The Cars first two albums).

  • Muddy Waters Folk Singer

  • edited July 2015

    OK it> @syrupcore said:

    And +10 at Marquee Moon. Every single moment. Speaking of mid-2000s templates: they were basically the Strokes' template, no?

    @syrupcore I was living in New Jersey and used to hang out in the Village in NYC in late 1990s early 2000s. The music and style of late 70s CBGBs had a comeback then so you had The Strokes and bands like the Yeah Yeah Yeahs.

  • Woah..u guys are too eclectic for me...great stuff tho

  • Just saw Morrisey tonight. Still not the same magic without Johnny Marr but man oh man does the old bag still have pipes.

    In honor, I need to add The Queen is Dead. It's not my favorite Smiths record but it certainly had the biggest influence on me. It was the first one I bought, in 1988 trying to impress a girl in my English class. She wasn't all that impressed but I was. Still can't believe that band put out that much great music in four fucking years.

  • All men have secrets, so here is mine, Owl City, Of June.

  • These have left a lasting impact on me:

    ABC 'The Lexicon of Love'

    Rise Robots Rise (debut)

    XTC 'English Settlement'

    Fee Waybill 'Read My Lips'

  • @syrupcore said:
    .....but man oh man does the old bag still have pipes.

    +1 Some girls are bigger than others....

  • New Order's Power Corruption and Lies. Still remember being blown away when my 10th grade biology partner let me hear what was leaking from her Walkman headphones: You're Silent Face. I don't think I had ever heard anything so beautiful. Went directly to the record shop after school and bought PCL and Low-Life.

  • @JohnnyGoodyear said:
    +1 Some girls are bigger than others....

    From you, deft arranger of words, I expect better Moz quotes. Maybe:

    I crashed down on the crossbar
    And the pain was enough to make
    A shy, bald, Buddhist reflect
    And plan a mass murder

  • edited July 2015

    @syrupcore said:

    Ah, I dunno (as Anthony said to Cleopatra and so forth...), that song's got some pretty damn good words in it. Long list.

    Late nineteen eighty something I was working in Chelsea and he worked out (yes) in a gym I used to bunk off to during the day, but by then he was well-known, unlike the evening my sister came back from Kingston Poly well before and told stories about a bloke wandering about the stage fiddling with gladioli. We didn't quite know what to make of it all, but then we didn't realize we had the 21st century breathing down our neck either....

  • ^ And, back to winning the entire written Internet.

  • Ode's to Moz, bereft of Keats and Yates, a mouthful of tongue, foliage in back pocket or to Mr. Marr 'he should go out and just get laid', as time progresses you realise, some girls mothers ARE....

  • edited July 2015

    Favourite Morrissey Lyrics:

    And when I'm lying in my bed

    I think about life

    and I think about death

    and neither one particularly appeals to me

    (Nowhere Fast)

    So I broke into the Palace

    With a sponge and a rusty spanner

    She said: "Eh, I know you, and you cannot sing"

    I said: "that's nothing - you should hear me play piano"

    (The Queen is Dead)

  • Nice work fellas. There would be a bucktoothed girl in Luxembourg swooning right now were she to see those.

  • Oddly, I think my favorite Moz line isn't from a song and the intention of it breaks my heart. When asked about getting the Smiths back together he said: "I would rather eat my own testicles than reform The Smiths, and that's saying something for a vegetarian."

  • edited July 2015

    “Because the music that they constantly play
    It says nothing to me about my life”

    Wait, didn’t I already start a different thread, re: bands that say nothing to me about my life?

  • @richardyot said:

    So I broke into the Palace

    With a sponge and a rusty spanner

    She said: "Eh, I know you, and you cannot sing"

    I said: "that's nothing - you should hear me play piano"

    There's often something of the music hall/seaside postcard lurking in the background of him....he's also in that grand British line of surly/melancholy/eccentric....

  • edited July 2015

    @mkell424 said:
    With all this talk about about different genres of music and now we have the Sally Caster album to look forward to hearing it made start thinking about albums again. Digital downloads of singles of singles have become the norm.

    The critics always put Sargent Pepper at the top of the list and The Wall and Tommy are considered to be great concept albums. I was wondering what people what they thought their favorite or most influential album of all time is. What I mean is writing a collection of songs that complement each other not a greatest hits.

    I grew up in the LP era and I still like to buy entire iTunes releases so I get to hear the full picture of where the artist is and what they are doing in this particular time in their career.

    Full album releases that influences me were things like below:

    • Steely Dan, Royal Scam & Aja .. those records got me into appreciating jazz more. I didn't really like jazz before that. After hearing those records I got into the LA jazz sound and the likes of Larry Carlton Herbie Hancock e.t.c.

    • Radiohead - Ok Computer - after listening to that one i started to appreciate more experimental music into my usual bag of alternative pop/rock music. great concept record.

    • Prince - Sign of the Times.. a record that is actually a mix of a huge bunch of his styles and influences but has a cohesiveness to it. His own stamp of Minneapolis pop/funk/rock

    • Led Zeppelin., Houses of the Holy -- british hard rock and british mysticism. i didnt know what was so great about them until i heard this one.

    • Todd Rundgren - No World Order. I had always been a Rundgren fan. But this one blew me away because he took on the 90s drum machine heavy dance music format and made it sound very interesting and creative IMO. The release was also accompanied by 3 versions of the record and a very interesting CD-ROM concept idea that never took off. (I still have it!). basically software with different versions of a few of the better songs off the record and you got to create your own personalized mixes of them on your computer. It never took off as an idea but it was interesting.

  • @telecode101 Agree on Sign O' The Times. Not my bunch of donuts (especially then when everything on my turntable was Cabaret Voltaire or Killing Joke), but his effrontery, mastery, chutzpah. Talent will out etc.

  • @telecode101 damn, I forgot Sign O' The Times as well! Although I don't play it much now, that album was a big moment in my musical education. Still play Ballad of Dorothy Parker occasionally, an all time favourite there.

  • Just doing the ironing listening to Spokes by Plaid. I forgot just quite how much I love and admire that album. So dense and texturally complex and so delightful on the ear.

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