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I'm moving this to "Other Music Content". It'll now be back in the main Recent Discussions feed.
Saw this on Reddit and thought this crowd might appreciate it.
Attribution us at the bottom of the image.
“When you love music,” he says, “there’s absolutely nothing that can prevent you from making your own music. My parents were devout Protestants. They absolutely hated artists. There was absolutely no way I was going to pursue a career in music. But once I turned 18, I had the right to do so. When your real passion is music, it’s like a tide that absolutely nothing can stop.”
https://www.theguardian.com/music/2025/feb/17/serge-gainsbourg-alcoholic-jean-claude-vannier-mandolins
Extensive (over 50 years worth) archive of film and media material/essays. Somewhat academic, but an interesting observation of the time going by etc:
https://ejumpcut.org/archive/index.html
Love this thread.
I do find myself more listening to albums and songs I already know instead of new publications.
Maybe because I still buy cd”s I listen on my discman.
Mouse on mars- iaora tahiti I can’t get enough from.
On the other hand I do love everything from the caretaker.
RIP Éliane.
https://www.theguardian.com/music/2026/feb/24/eliane-radigue-french-composer-dies-aged-94
I’ve been playing guitar for two decades. It’s gotten harder and harder to be impressed by guitar techniques, though sometimes guitars still hit just right. Can’t tell you how many times the guitars in Hotel California move me despite hearing it countless times.
While an individual rarely blows my mind with something new on guitar, I appreciate every guitarist more - both new and seasoned. While I rarely hear something that makes me wonder “wow how did they do that?!”, I can appreciate a new guitarist naturally hitting clean notes as much as Van Halen tapping at Eruption. The nuances of the instrument and players shines through more than the musical technicality.
I’ve been playing guitar for over 40 years. Last month - totally by accident - I discovered a new way to express notes, and at the same time, a better/easier way of playing scales.
Completely improved my playing, after all this time! I guess the lesson there was that we never stop learning, and we never know what might suddenly click into place.
I tell yah, I’ve had the Hal Leanord Jazz Guitar book for over a decade. I can still crack it open and learn something new. I’ll finish the thing front to back before I die haha. It’s been the ultimate slow burn, but it’s great to have when I feel I’ve hit a plateau.
@oldsynthguy, @FizzyLizzy27
Gentlemen, well done. We are alive, let's get amongst it.
"your posture is bad”
Sorry my wings are heavy...
Nothin to do with music, but still……
I make music as a creative outlet- a big energetic/artistic egoskeet. I don't make it for anyone else, if I did- I doubt it would be as therapeutic or enjoyable as it is for me, so I don't trip when people don't vibe to it- but yet I still feel compelled to share it. Makes me feel both giving and needy- diabolical stuff.
Of course Mister Kant did mention: "You only know me as you see me, not as I actually am," which seems relevant and also "Look closely. The beautiful may be small," but I think most germane, in light of our fine neighborhood right here might be: "Out of the crooked timber of humanity, nothing straight was ever made!"
Makes me feel both giving and needy- diabolical stuff.
You Sir are very obviously my wife!
Same here. Got my first electric for my birthday in 1982 IIRC. To this day, it seems there’s always something new to learn as far as techniques and the way you approach the instrument.
Some times I’ll learn new things on the guitar without ever touching the guitar (if that makes sense to anyone)
A few weeks back, I was talking to a young lady who works with us, who said she got a new guitar. She’s still in school (a lot of my staff are minors 17-18) and taking music. I asked “so how’s it going with the music theory?”
She goes “umm ya, I already know music theory”
I had to stop her and explain that while she might have passed the semester; music theory is a LIFE LONG study!
The same here, except for the feeling compelled to share it.
In the more than 25 jears I’ve been making music I never had somebody listen to it.
My sharing I do through my paintings.
Having a good guitar really helps. My first guitar at 16 was a second-hand electric Kay (Woolworths), nicknamed ‘The Cheese Grater’, due to the effect it had on the tips of my fingers. Made it very hard to play and get into, and I didn’t really start playing properly until I upgraded to a Columbus LP copy (which I stupidly tried to strip back - revealing a loosely held together jigsaw of plywood).
20-odd years ago I bought a Strat, and that’s been my companion ever since. Still need a decent acoustic though…
I also find I play completely differently, when I play someone else’s guitar. It seems to snap me out of old habits and my usual riffs.
That last bit is very true. I got a classical/flamenco guitar that my dad had lying around when he moved out of his last house. I’ve never had a nylon string guitar and it’s really helped break out of a rut.
I should get a new electric at some point. I love my Ibanez Artcore but I’ve wanted a Danelectro with some lipstick pickups for ages.
I don't spend enough time on this forum anymore. I really got into listening to Radigue a couple of years ago while writing. A bit like Jan Jelinek's 'Loop-finding-jazz-records', at first I wasn't sure anything was really going on (which isn't a bad thing when you're writing) but the more I listened, the more I found.
I love the sound of a nylon string guitar, though need a steel strung at some point. I need to stop spending all my money on laptops (ordering an M5 Air for work next week).
There’s a dangerous shop near here for guitarists, he stocks lots of really interesting, cool obscure models at eye-watering prices. I bet he either has, or would get in a Danelectro for you.
Jeff is the wise Canadian.
nylon Strings cause frisson in a lot of people. I think strings specifically, but nylons reverberation is so penetrating.
Éliane Radigue Trilogie De La Mort, and Jan Jelinek Loop Finding Jazz Records would both likely be in my top 10 electronic albums of all time. Especially the latter, sheer masterpiece!
Yes! It's an incredible piece of work. Like nothing else I'd ever heard.
I feel fairly certain I have just received my homework from two of the more esoteric schoolmasters etc and for that I think I thank you
I prefer nylon strings because they offer so much more dynamic and tonal expression in response to RH technique.