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Purgatory’s Light by FizzyLizzy27 (ambient guitar)

Comments

  • FizzyLizzy27FizzyLizzy27

    I’m bumping here to see if anyone has notes on this one. I really like building guitar atmosphere but after a while it’s easy to get lost in the sauce and over engineer the soundscapes.

  • jwmmakerofmusicjwmmakerofmusic

    Glad you bumped this. :) I'm giving it a listen right now, am about halfway in, and I'm just vibing out.

    What kind of notes and tips are you looking for precisely? :) With Ambient, sometimes it's tough to tell what's intentional in a mix and what's not intentional.

  • DrrabbitfootDrrabbitfoot

    I like what you’re putting down there Fizzy

  • FizzyLizzy27FizzyLizzy27

    @jwmmakerofmusic said:
    Glad you bumped this. :) I'm giving it a listen right now, am about halfway in, and I'm just vibing out.

    What kind of notes and tips are you looking for precisely? :) With Ambient, sometimes it's tough to tell what's intentional in a mix and what's not intentional.

    I don’t listen to all that much ambient, and I’m not necessarily trying to adhere to any particular genre by technicality.

    This was all done in one go with two parallel guitar chains. One is shown in the video, the other is similar but built inside motto fx, and then I have MIDI guitar controlling Dark Park. All of these are run into Bleass Granulizer to blend them up, placed in Ambiente, and run through one of the Aurora DSP limiters.

    For future creations, I’m not sure if it needs something grounding like percussive hits here or there or Skaka.

    Would more structure to the guitar parts take away from the dreamy sound? Or maybe some motifs and riffs here or there would keep it from getting boring.

    At times I wanted a big distortion on the guitar. Something where I could build up some pulsing waves of reverb, then hit my MIDI pedal and activate something really crunchy like a Rat distortion. I’m not sure if a Rat is right for the job.

    I tried bringing Nave in via MIDI guitar, and wondered if Mariana might add some depth on the bass end. I also considered SWAM double bass sections but I really liked keeping it to one go using just the guitar. If i added much else, maybe I’d dedicate a few notes from MIDI guitar to activate a kick/percussive hit here or there. This is where the over engineering can get out of control though.

  • FizzyLizzy27FizzyLizzy27

    @Drrabbitfoot said:
    I like what you’re putting down there Fizzy

    Thanks! Kind of trance inducing to play.

  • jwmmakerofmusicjwmmakerofmusic

    @FizzyLizzy27 said:

    @jwmmakerofmusic said:
    Glad you bumped this. :) I'm giving it a listen right now, am about halfway in, and I'm just vibing out.

    What kind of notes and tips are you looking for precisely? :) With Ambient, sometimes it's tough to tell what's intentional in a mix and what's not intentional.

    I don’t listen to all that much ambient, and I’m not necessarily trying to adhere to any particular genre by technicality.

    Fair enough. :) That's perfectly legit to not adhere to just one genre.

    This was all done in one go with two parallel guitar chains. One is shown in the video, the other is similar but built inside motto fx, and then I have MIDI guitar controlling Dark Park. All of these are run into Bleass Granulizer to blend them up, placed in Ambiente, and run through one of the Aurora DSP limiters.

    For future creations, I’m not sure if it needs something grounding like percussive hits here or there or Skaka.

    Would more structure to the guitar parts take away from the dreamy sound? Or maybe some motifs and riffs here or there would keep it from getting boring.

    At times I wanted a big distortion on the guitar. Something where I could build up some pulsing waves of reverb, then hit my MIDI pedal and activate something really crunchy like a Rat distortion. I’m not sure if a Rat is right for the job.

    I tried bringing Nave in via MIDI guitar, and wondered if Mariana might add some depth on the bass end. I also considered SWAM double bass sections but I really liked keeping it to one go using just the guitar. If i added much else, maybe I’d dedicate a few notes from MIDI guitar to activate a kick/percussive hit here or there. This is where the over engineering can get out of control though.

    Not sure you'd need anything grounding like percussive hits unless you're trying to stick with some sort of time signature. Hoping that whatever you make in the future is something you like making. :)

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