Loopy Pro: Create music, your way.

What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.

Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.

Download on the App Store

Loopy Pro is your all-in-one musical toolkit. Try it for free today.

What? You can’t do full production on iOS? Really?

2»

Comments

  • richardyotrichardyot

    @Cib said:
    Don’t know sbout Reaper but it’s at least 10 times slower than Logic...

    We must have very different workflows :)

  • TelefunkyTelefunky

    Which is not unusual - I do a lot of audio cut/edit, which is a pita with Auria.
    Aside from that aspect one shurely can do a full mix with this app, at least I like the mixes of @theconnactic a lot. He's frequently posting his work across multiple genres.

  • [Deleted User][Deleted User]

    @richardyot said:

    @Cib said:
    Don’t know sbout Reaper but it’s at least 10 times slower than Logic...

    We must have very different workflows :)

    Sure :)
    Nothing wrong with this. I mean of course Logic can do a lot more.
    Auria is too much like a desktop DAW for me and fails to be fast and nice to use on a multi-touch device.
    But actually i don‘t use any iOS DAW since the only one i (at least i‘m pretty sure) can imagine to use for a full iOS music production isn‘t released yet.

  • espiegel123espiegel123

    I think sometimes people obsess too much about what “real studio quality” is. Some of the greatest music ever recorded was recorded and mixed with equipment that pales to what is available on the lowliest of devices. No automation. Good-sounding but simple consoles. From reading this thread, I get the feeling that for some people it isn’t real if you aren’t using the most state-of-the-art tools and techniques. In 50years, no one will care about that. They will care about the actual music. There are recordings from the 50s, 60s and 70s that people will be listening too alongside everything else and considering it real and probably not even noticing the primitive equipment,

    Not saying that mobile devices are more convenient than desktop. But one could certainly record and mix a record that sounds great with these tools even if desktop would be more convenient and has better bells and whistles.

    The one thing you can’t do on the cheap if you record non-electronic stuff is microphones and the instruments you use.

  • [Deleted User][Deleted User]
    edited November 2018

    @espiegel123 said:
    I think sometimes people obsess too much about what “real studio quality” is. Some of the greatest music ever recorded was recorded and mixed with equipment that pales to what is available on the lowliest of devices. No automation. Good-sounding but simple consoles. From reading this thread, I get the feeling that for some people it isn’t real if you aren’t using the most state-of-the-art tools and techniques. In 50years, no one will care about that. They will care about the actual music. There are recordings from the 50s, 60s and 70s that people will be listening too alongside everything else and considering it real and probably not even noticing the primitive equipment,

    Not saying that mobile devices are more convenient than desktop. But one could certainly record and mix a record that sounds great with these tools even if desktop would be more convenient and has better bells and whistles.

    The one thing you can’t do on the cheap if you record non-electronic stuff is microphones and the instruments you use.

    While i agree and you are right we also have options on our virtual environments which were not possible at all in the past. We have genres, not possible in the past. Creative FX, not possible in the past and so on.
    In 50 years people don‘t care at all for musicians since the average A.I. will create it by random and people expect it anyway to be free and like water coming out of their shower, they don‘t care from where it comes and what work was involved to get it there.
    Oh man....my dark future visions.
    Or maybe we have holophones or just creating music by imagination translated into code.
    But in 50 years we have other problems to solve anyway :)

  • espiegel123espiegel123

    @Cib ;)

    My only point really is that not taking full advantage of all the possible bells-and-whistles doesn't make music not "real" of "professional".

  • [Deleted User][Deleted User]

    @espiegel123 said:
    @Cib ;)

    My only point really is that not taking full advantage of all the possible bells-and-whistles doesn't make music not "real" of "professional".

    And you are right! Music is music!
    While i find my old tracks sounds terrible in terms of mixing, FX and so on i found a few of them more creative in some ways since i did things i never would do in my current set-up but they came out very nice and unique.

Sign In or Register to comment.