Loopy Pro: Create music, your way.

What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.

Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.

Download on the App Store

Loopy Pro is your all-in-one musical toolkit. Try it for free today.

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Comments

  • JohnnyGoodyearJohnnyGoodyear

    @wim said:
    I think that it's mainly that after 30 years, I'm really tired of hearing myself play. And that includes all the standard guitar FX as well. So, anything new that can mangle up and spit my tone back out in ways that I think, "Whoa, who played that?" Gives me hope I won't continue to bore myself the rest of my days.

    More to the point - I can distort a sound any time, but then it's still just the same old flavors of distortion. When something like this comes along where there are all kinds of ways to mangle sound and you can get such a variety of twists without even understanding what you're doing, it's really fun. Most FX are predictable and tweaking things you pretty much know where you're going and how to get there. Well and good if you're looking for a particular sound, but if you're just hunting for inspiration or trying to entertain yourself, it's nice to have something that surprises at each turn. That's the best I can explain.

    Besides, Caramel has more to chew on than most FX. (Sorry, couldn't resist)

    Great explanation and makes utter sense. What's more valuable than a fresh coat of paint on the possibility of inspiration....?

  • wimwim

    Daaaammmmmm!
    I just messed with the rest of these (Crystalline, Johnny, and Swoopster) for a bit and am just floored. Except for Crystalline, which I'm not sure I'll find that much use for, these are a treasure trove of messed up, totally twisted inside out mayhem. They can be tamed or totally let loose. I never realized I had an inner Robert Fripp thing goin' on. Swoopster is especially fine - basically a Flanger on acid. I'm gonna have fun with these. I need to grow another arm though since the fun really begins when you tweak 'em live but I already got both hands busy on the guitar. Can you control an iPad with your toes?

    They might not be much use for others unless you're looking for ways to rip your sound to shreds - which it turns out to my surprise ... I am. B)

  • ThomasThomas

    @wim said:
    I think that it's mainly that after 30 years, I'm really tired of hearing myself play. And that includes all the standard guitar FX as well. So, anything new that can mangle up and spit my tone back out in ways that I think, "Whoa, who played that?" Gives me hope I won't continue to bore myself the rest of my days.

    More to the point - I can distort a sound any time, but then it's still just the same old flavors of distortion. When something like this comes along where there are all kinds of ways to mangle sound and you can get such a variety of twists without even understanding what you're doing, it's really fun. Most FX are predictable and tweaking things you pretty much know where you're going and how to get there. Well and good if you're looking for a particular sound, but if you're just hunting for inspiration or trying to entertain yourself, it's nice to have something that surprises at each turn. That's the best I can explain.

    Besides, Caramel has more to chew on than most FX. (Sorry, couldn't resist)

    very well put. :)

  • wimwim

    I've also found that these apps can be used to double instruments in new ways. I may not have the right term for that, but what I mean is taking a mono part and making it sound like two parts by panning to one side and adding a slightly delayed copy in the other side. Stereo designer and many other apps do this. You can EQ the right and left separately to add some more differentiation, but that's about as far as it usually goes.

    These guys let you do radically different things to the left and right channels. So, without even adding delay you can get much more interesting doubling going on. Modulate each separately and it gets even richer.

    Of course, the best solution is just to record two separate takes in the first place, but if you're in a hurry, lazy, playing live, or just want to try stuff out, it's a lot more interesting than just dub delay.

  • rickwaughrickwaugh

    Picked up the package. The demo looked good, and I'm looking for some differences as well. I love the fabfilter stuff in Auria, but I'm still looking for more. I'm most definitely not an appaholic, but these look like things I can use.

  • JohnnyGoodyearJohnnyGoodyear
    edited May 2016

    @rickwaugh said:
    Picked up the package. The demo looked good, and I'm looking for some differences as well. I love the fabfilter stuff in Auria, but I'm still looking for more. I'm most definitely not an appaholic, but these look like things I can use.

    Glad we cleared that up, guess we can stop worrying about you now....wanders off cackling....

  • rickwaughrickwaugh

    @JohnnyGoodyear said:

    @rickwaugh said:
    Picked up the package. The demo looked good, and I'm looking for some differences as well. I love the fabfilter stuff in Auria, but I'm still looking for more. I'm most definitely not an appaholic, but these look like things I can use.

    Glad we cleared that up, guess we can stop worrying about you now....wanders off cackling....

    I'm not he whines. Really. Honestly. Well, occasionally.

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