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Comments
I also seriously dig the vibe and idea of this piece and I want to play along, although I'd generally prefer a bit more structure and less jam before putting it into heavy rotation. That live guitar lead, though! Nice. And tell me more about those drums...they came from GB? I never use it myself but now I wonder if that isn't a mistake. Finally, thanks for the kind words on my track...inspiring you to go play something similar brings me much joy!
@oddSTAR hahahHHHa
Poems can be fine things, but have a tendency to the two-dimensional, which in and of itself (if you 'get' them), is part of their power. Mainline into the heart and head. But I've also spent a good amount of time explaining the feeling or meaning behind a poem and by then you're back in the classroom rather than a field (be it force or flowers). Not so good.
Putting poems to music can be a struggle, properly answering the question of 'is this a song or a poem'. Easy enough if you speak the words, as I have often done, but more uncertain if you choose to have a bit of a sing as well.
One of the puzzles of (romantic) love is the tremendous and certain power it elicits in people; not always suitably manifested or reciprocated. I hope the music here helps to suggest where the character in this poem is coming from....
Love At First Sight
Consider the cornea,
the shin bones and the thighs.
The sound in her ears,
the look in her eyes.
The heart as it beats,
her liver in function
breathing and lungs
as they meet at the junction
of all that has happened
and all that will be
and none ‘til this minute
involving of me.
It's love
at first sight.
Really loved the song and the voice. I'm very new at this but I wonder if you did a final mastering like the Final Touch app to balance things out a bit more?
JohnnyGoodyear Love At First Sight
Wow, what a fine combination of idea, music, words, and emotional voice. This really "spoke" to me in a moving way... Thanks!
@LostBoy85 I am impressed by overall quality of the sound and vocals. I played the track 3 times though it's not my favourite "style" and except thumbjam I can't even notice it was really iOS made
@theconnactic I can imagine this track longer, I enjoyed your style. As for me, I would be tempted to put some more effect stuff on the solo guitar
@deltAdata wow... great video too. this is how touch interface should be utilized
the track , maybe together with the video, connects me somehow to metaphysical realms which is I do music for. thanks for feedback, I see myself comparing to this one somewhere at the beginning 
thanks @oddstar.. Yeah, the new Drummer feature in GB is definitely worth checking out. I wrote it off at first, because the old drum machine generator GB used to have (still has too i think) where you rolled the dice to get different beats kinda sucked. But i'd have to say, the Drummer(s) have really grown on me. Quite dynamic in what you can achieve.
hey @trackedout
My little story. First, I was not sure what to comment. I played it over few times, then I put it on hold for later. Now I listened to your 2nd take and my first impression was "Oh now I see". Like the intention is clearer by better mix balance, I was not so overloaded. I kept listening and to the end I suddenly switched back to the first one. And yes I like more the vocals burried or overdriven in the mix.
Thank you for the review. Yes, I wanted the guitar theme to be harsh and moody like a wild cat, and the improvised solo to have a softer, fluid tone. After all, the margay gat is fierce, but also agile and cunning. Also, I want my songs to be short, so you won't really be bored - not everyone can connect with a pure instrumental song. But a friend of mine asked yesterday for a "DJ Friendly" version, so I see the point.
Dimitri.
Thanks so much. I have been looking for my target audience. I think I've finally found you
@LostBoy85 Brilliant effort Leo. You have definitely raised the bar for this forum both in terms of song writing, performance and production. Reminded me a bit of the symphonic metal band Kamelot, which, believe it or not, is a compliment. Great stuff.
@theconnactic Great playing and production as always. I particularly liked it from when the bass riff came in at about the 1.36 mark. A challenging scale for the main theme but after a couple of plays I think it works.
@oddSTAR definitely a bit of a U2 vibe going on at the start, and some great guitar sounds considering no real guitars were used. Ultimately I think its going to need those vocals so get writing those lyrics.
@deltAdata Great combination of video and music, I particularly enjoyed the middle segment where the beat dropped out. Only complaint really was that I thought the drums were a little too loud in the mix at some points.
@fRAS not really my sort of thing and the first few minutes sounded like a lot of other dance music from the 90s. However from when the beat dropped out at about the 3.48 mark and things started getting funky I really enjoyed it. Great use of the vocal samples as well.
@trackedout its great to here all that fuzz guitar man
@Halftone nice atmospheric opening and some great guitar playing from your friend.
@JohnnyGoodyear I am going to be honest here and I do not mean to offend. This track is either brilliant or a bunch of pretentious arty shite and I still haven't decided. I am going to give it a few more plays, perhaps after a couple of glasses of red. I apologise if I have over stepped the mark.
Thank you very much indeed, @orchardman!
@orchardman Hey man,thanks very much for your feedback,although I do feel you were being rather generous with me this month!!
I think it's so cool that you and your wife make these songs together.Do you gig? Does she play or write or just sing? Anyway enough 20 questions.
"Flying Henry home" sounds great to me.The singing is lovely and good work figuring out the harmonies.The title is a good hook in the song and it's a good lyric that doesn't spoon feed you the story,there's room for the imagination...god,I'm boring myself here!!
Bottom line well done on what I thought had shades of "the beautiful south" about it.
@fras hey thanks for listening, i can sit here imagining my music playing in diferent countrys and i dont know why that trips me out so much.. im not surr what u meant.. did u mean you liked the first mix afterall?
Hey, @Halftone: your friend is really a fine guitar player with probably a great instrument - that made the difference, not so the shortcomings of Geoshred. In fact, hadn't I read the text that explains the track, I'd have thought it was a real guitar, just with another set of effects. Nice song and nice mix: congrats!
First of all, @JohnnyGoodyear, I really loved the lyrics of this rather short song of yours. Your vocal performance was better than ever, with kind of a Leonard Cohen way of singing/speaking. The spacious and laid-back instrumental is very good and appropriate to the mood suggested by the lyrics. Congrats!
Thanks ! I appreciate those comments about my Geoshredding
I don't have a problem with you thinking it's shit, we're all grown ups etc. Not the most polite way of expressing disapproval, but no offense taken. Pretentious always puts me in mind of pretend, things dressed up to appear -falsely- one way or another. That riles me a little bit. This is a simple poem about limerence, a thing I find genuinely interesting and one I've suffered from (and enjoyed) in my past. That to one side, I've always said I would prefer people to either really like or dislike what I do, to feel strongly about it rather than be somewhere in the middle, so I can hardly start complaining now.
Appreciate the listen.
Thank you. I'm pleased you liked the lyrics. That's pretty much always my beginning and end, and perhaps especially with this kind of thing. Technically I'm not on a par with so many people here when it comes to writing music, and as a result I seem to end up focusing as much as I can on a mood. If I can get that to at least 'soundtrack' what I think the feel or meaning of the words is then I'm happy enough. It's for this reason I think, in the end, I'm probably a suitable candidate for collaboration, but that brings its own challenges of course
Thanks again.
You're welcome, @JohnnyGoodyear ! I really liked this one, so much that I listened to it a few times, and I'm listening to it again right now. In fact, there is nothing in this song that I didn't like and, if it sounded like criticism when I mentioned that the song was short, rest assured that it's one of its strengths in my opinion.
Hey, @fRAS! Interesting song. Indeed I didn't understand the words, but it is kind of expected, I suppose... what language is that? Nice choice of loops and sounds, specially those treble, percussive ones, that indeed sounded a little like glass. Good job!
@JohnnyGoodyear sorry to have been so abrupt, it had been a hard week at the coal face. I did say it was either brilliant or shite. Ultimately all music/art is there to provoke an emotional response and this certainly did. I liked the the musical arrangement and I think it was the lyrics/poem that I was struggling with but hey what do I know I'm writing songs that were inspired by a silly picture of a duck. Sorry once again.
@theconnactic thanks for the feedback, I'm glad you enjoyed the song. The drums are GarageBand but they are Mason not Darcy. The chord progression for the verse is d2, a2, g. I have purposely being trying to keep things simple for the last couple of songs but I like the sus2 chords when strumming.