Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.
Download on the App StoreLoopy Pro is your all-in-one musical toolkit. Try it for free today.
Comments
You see the title of this thread, right?
You know you can't tease with a screenshot like that and then answer "this year", right?
You know that we know you are playing, right?
You are playing...
Right?
An EQ with spectrum analyzer that's not Auria Pro exclusive. Should be a gimme for any major developer.
I'll finally finish a song that doesn't sound like a dustbin full of old, broken alarm clocks being kicked down the stairs.
Korg release a new hardware synth made from eggs.
What about some demo sounds.....not allowed? C´mon, please us and don´t tease us.

But i learned that deadlines or "soon" can be stretched a lot in the dsp world
Impea_...uh...lots of good things!
I guess I'm looking forward to Zeeon then.
Definitely looking forward to Quantum.
Oh, and it would always be nice if iSymphonic had an IAP sale...
this ones really exciting
Zeeon, Quantum? Blimey I'm way out of the loop these days...
Too bad, that would be refreshing.
I second all these proposals.
If it's actually good modelling of analog oscillators, this can be heard best without effects and filter only brought in later.
First keep it open, then a slowly closing 24dB lowpass with middle to high resonance setting.
Just two slightly detuned saw waves, maybe in an octave setting after this.
Would be perfect test for me.
The raw tone of two slowly beating oscs often gives it away already. I heard large differences once between a earlier and later VCO model from M.F.B., the later introduced more stability with less musicality, to my ears.
And I returned a DSI Tetra because its DCOs sounded flat and lifeless in comparison.
For a proper test you need to check both the individual elements of a sound and also how they work together. That's how all the pros like Nick Batt or Mark Doherty are doing it, every time.
There are many different kinds of 'fat' sound.
I really don't like the digital supersaw fake fat like often used in EDM.
But listen to what a single VCO can do in a TB303 or SH-101. That's the kind of fat I'm still mostly missing from emulations.
So I'm not holding my breath.
Hard Sync is a good test. For filters rapid filter sweeps are also a useful test.
Modelling analog drift is pretty trivial. It's not a particularly good test. A better modeled synth would give you control over that anyway.