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Behringer NOT Re-introducing an EMS SYNTHI and More, Much More
http://www.matrixsynth.com/2017/12/behringer-to-re-introduce-ems-synthi.html
Who else feels a bit faint..?
Comments
Sounds great except that when I did have a studio, everything I had made by Behringer broke very quickly after the one year warranty was up. To say I don’t trust their stuff is an understatement lol. They were not alone though.
I’ve heard mixed reviews about Behringer. I have had nothing but good experiences with Behringer. Beat the crap out of some of their mics and they still work great. They have outlived other brands that I thought were built to last. I guess it just depends and you don’t always get what you pay for
Yeah that’s true. It’s really just pot luck mostly. I have bought far more expensive gear that was problematic too.
Nah. Same experience here. With everything of theirs I've ever owned other than the FCB-1010.
staggeringly amazingly cool, i will take one of each
I’ve been very impressed with my Behringer gear. I can’t speak for eveything they make, but their interfaces, mics, mixers, and personal monitor boxes have all been solid for me.
Only ever had one Behringer mixer fail (it was treated badly though) out of the hundreds of pieces of kit we have used live over the years.
Got an original Wasp for sale if this has made anyone interested
This has got to be a wind up..........? ! However i do have a 12 channel Behringer mixer that i have had for twenty years.......never had a flight-case....has been all over the place, and used as a sub-mixer in the studio + live. Still works perfectly..........never been serviced......bloody amazing..........!
Had an MX8000 and MX9000 for several years and only had 2 pots break / lose contact. At a third of the price of a comparable Mackie though, you can't really complain
"2600
Legendary Semi-Modular Analog Synthesizer with 3 VCOs and Multi-Mode VCF in a 6U Rack-Mount Format"
Oooouups!!
(...i feel a bit week now)
I'm excited about the WASP emulator. World, get ready for my Whitehouse tribute act! An evening of shirtless and foul-mouthed fun for your dining and dancing pleasure.
I can’t see a 2600 emulation being in my current price range even by Behringer lol
pending announcement on price(s) and release date(s), i am kinda stoked
Me, from the colors of that website.
I think the rules are that you have to take a drink every time they say “legendary”.
Cool! (And I’m in the ‘good luck with Behringer gear’ crowd. Though I get the ‘hit or miss’ argument: my first pair of ‘Truth’ active monitors croaked after a week: the replacement pair has worked perfectly for 10 years...)
Mmm, I sure love this Sam’s Choice. Although I kinda wish I had a Coca Cola...
Bloody Nora.
I’ve wanted a 2600 ever since I missed out buying one for a hundred quid 25 years ago.
Great now I'm drunk lol
I've played with the real deal in a vintage shop, but the going rate for a refurbished one is like $6000, so that won't ever happen. I'll take whatever Behringer makes, because this this is my Holy Grail.
Well, I’ve got a real Arp 2600, but I still haven’t got round to fitting the rebuilt 4016 vca I’ve built on veroboard yet - other work is getting in the way (and wife - need a scenario where she’s not here so I don’t have to put stuff away at the end of the day, every day). I’d always wanted an Arp 2600, then I got one in the late 90s - turned out to be Roger Glover’s old one (his name stencilled on the outside of the case), but it was partly nonfunctional until the beginning of 2017. Knowing what I now know about it, having studied the circuits in depth, I have a lot of praise for Alan R Pearlman and his team, in terms of technical prowess. I consider they did some superb design work, possibly ahead of what Moog were doing at the time.
However, as a synth, I think I’d veer toward an Odyssey (another synth I have a lot of affinity for), as it kind of encapsulates what people invariably used to patch their 2600’s to do — two VCOs and the third set to low frequency as an LFO. The ring mod on the Odyssey is only an XOR gate arrangement, whereas on the 2600 it is a true analogue balanced four-quadrant modulator, which is nice. The VCF in mine is the “rare” version. The VCF in Odyssey’s might also be this one if you’re lucky to find one. The Odyssey’s two env gens are the same kind of thing as the two env gens in a 2600. The VCA in a 2600 is, however, quite different to the Odyssey VCA. The Odyssey VCA is fairly simple, and uses an OTA (which wouldn’t have been available at all when the 2600 was designed). The 2600 VCA is marvellous - two audio inputs, one positive the other negative (ie, in antiphase to the positive), so if you feed two of the same signal in, they can cancel each other out. If you feed a signal and a ring modulation of that signal in, you can cancel out the source signal and only end up with the ring modulation product of it. It also has two CV inputs, one log and the other linear (the Odyssey continues this). In general, there’s very little in a 2600 that you won’t also find in an Odyssey, other than the external input amplifier, patch jacks of course, and a reverb tank, and the sophisticated variety of VCO output waveform types.
My Behringer X air is sick. Sounds amazing too. For price unbelievable
Wow I'd love to see a picture of it! This is amazing info. First of all great story, I bet your wife would gladly take a vacation with her friends if you paid for it lol. I've been told about the Odyssey similarity before, and I love the Odyssey as well. I have emulations of both and I always come back to the 2600. For me at least, I think it's more about the heritage, flexibility of the machine, and distinct creative workflow of the the 2600. Hopefully Behringer's interpretation of it will update and take into account some of the technical advances of the past 46 years.
@u0421793
I found this, and I'm just gonna leave it here:
You all know this isn't real, right? According to Behringer's Michael Lapke it was a website "glitch" and not to be taken as "evidence that we officially intend to develop or deliver these products in the future".
I'm kind of glad it ended up not being true. Although I'm curious what they announce at NAMM. Deepmind seems solid.
Shame. A reasonably priced VCS3 would have been very, very tempting..