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Comments
Yeah, me also
Agree, looks like everything is more and more about the numbers. Still it's strange that StageLight can bypass the Appstore with it's own alternative credit system.
Still their unique licensing model suggests that you can't put their iOS app on more than one device. I'm used to put my apps on all iOS devices I own (6 in total).
Yes it's probably the same trick Adobe and Proppelerhead do with their apps. Online checks when you open your app.
Popped the ‘unlock’ for Stagelight..There are some comings, Ableton Link etc. But I think this is the one for me.. much to learn..
Peace..
Me too... I got the store pass... I think I might use both SL and ns2..
Ditto. Can I call you Bob? 🙂
Very similar situation for me. Other big pro for me vs current options is the promise of a solid workflow on iPhone down the road. (iPad only track building environments are in direct competition with my macOS + bitwig time.) I’ll need NS2 to eventually incorporate the planned extra features, but Matt’s track record so far gives me every reason to think that will happen.
The one small let down ATM is the lack of AUfx automation. I’m sure it will be implemented eventually, but fingers crossed it will be sooner than later. I extensively use AUfx like instruments - “playing” their parameters - so a good workflow for non destructive tweaks to the parameter changes will be huge for me.
Still hugely impressed by NS2.
NS2 save system works really well. The three saves gives you decent options. I would like the option for it not to auto load the last project though, as I don’t like to see all those AU apps loading knowing I’m going to change projects in a second (I don’t think it’s possible to change this behaviour).
Ive had a bit of a play with NS2 now and I’m really impressed.
One of the biggest disappointments for me is there there are no ‘scale lock’ options in the piano roll. That’s a shame, but hopefully that might be coming. Anyway, guess you can’t have everything (on release).
I’m mainly a Gadget on my iphone6S plus guy. Just can’t beat it for getting music made on the move.
So, although I don’t think NS2 will replace that for now, once the iPhone version comes out, you never know.
The really exciting things for me are:
So, I’m pleased I’ve spent £30 on it and will be exploring more on my iPad Air2. Then come the spring - we’ll see.
Sorry for the confusion. The line in question here was written for our desktop version (before we ever launched on any mobile or OS Store based platforms).
We need to update our agreement to reflect the policies of the iOS, Google, and Windows app stores. In short there's nothing to worry about here. You can install and use Stagelight on any device that you own, period. It's as simple as that.
If anyone has any specific questions, I can always be reached at [email protected]
So far stagelight for me is the DAW of choice on iOS, it’s got that Ableton style clip arranger window which I love (and record to timeline as your live jamming between different clips!) - has a great drum sequencer, resizable GUI, able to choose scales on the piano roll, just would like wave/audio editing functions, and on the fly midi to audio clip conversion.
Korg Gadget is also one of the most enjoyable music making apps! Have made more songs on this then anything else, wish it was able to load in au3 synths/effects.
agreed, and a little more control in the wave editing window would be great. such a great DAW for ios
midi to audio clip flattening would be awesome, > @Monoboy said:
Yes definitely need scale lock on the piano roll. I’m a terrible musician so I need all the help I can get to make the noise I’m compelled to produce. Wish I could Frankenstein BM3, SL and NS2 together.
FYI: We'll be working on better wave editing tools for Stagelight, very soon.
Awesome! looking forward to it
The automation is a thing of beauty. In that it actually, you know, works. In so many apps, including in some ways Gadget, it isn’t implemented very well. It’s very imprecise and/or it’s a pain to edit. Whereas in NS2 I can immediately tell an awful lot of thought and user testing has gone into it. You can quantise, duplicate, move whole chunks up, down or left/right. You can even compress or expand your automation curves. It’s great.
And remember you can do this to 10 AU instrument parameters, which you can also of course record live automation from via the macro knobs. Very nice.
I miss:
And of course an iPhone version
oh and MPE support would be the icing on the cake in the future
+1 to what @Matt_Fletcher_2000 lists!
@MatthewAtStagelight thanks for sticking around and answering questions and user concerns, For me I love StageLight and the app could only get better since the developers are listening.
The only thing is to give some UI custom colours so that users could choose what they like.
It’s a funny old place this forum - I haven’t been following the NS2 stuff, but had a read through this one. And instead of tempting me to buy that, it inspired me to revisit Auria - based on the positive comments about it.
I used to use Auria a lot, until AUM turned my head. But had a play with Auria earlier and was reminded how flipping good it is.
I’ll still be using AUM, and now ApeMatrix, but for doing more DAW type stuff on the iPad, Auria’s back in the game.
I used to gravitate toward Auria Pro just because Everything I needed to finis, I mean really finish, tracks, was there in one place. I learned to get along with the clunkiness of some of it because I could streamline things.
Unfortunately, AU midi has become important to me, and it’s just too broken in Auria Pro.
So, I’m still casting about for a the ultimate workflow. I have some favorites, but no clear favorite.
I don't think you'll find it all in one app. Personally I'm perfectly happy to do the writing/composing in any number of apps, from GarageBand, Gadget, Cubasis, and now NS2 (and will probably check out StageLight at some stage) and finish in Auria. Works great. Auria gives you all the desktop class goodies, and the best audio editing on the platform, and you get to use the other DAWs for writing tunes.
Yeah I think that’s why AUM turned my head. What I’ve been doing is creating live jams in that, recording them live and exporting to desktop.
Nice and spontaneous though that is, I think I need to get back to a bit more structured iPad stuff. So I’ll still use AUM for the MIDI stuff and just record this in as audio in Auria. But with less going on so I can build up songs gradually, rather than jamming it all live.
As Richard said there’s no one thing that does it all, so it’s a case of connecting the boxes that do the job you’re after.
After much deliberation, I’ve changed my mind. Due to certain reasons (posted on the NS2 forum lol), I am going to change from using my current selection of DAWs to NS2 + Cubasis + Auria Pro
Why do you need Cubasis if you have NS2 and Auria Pro, I wonder? Perhaps for some stuff you purchased in there?
I am just curious. I don't use it much myself because I don't like the UI at all. But I recognize it can be powerful. Except now that NS2 is out, I don't see why someone would use both.
Fair question. The reasons I’m keeping Cubasis are for:
Hope this explains my thinking
Hi @mannix. Our license agreement needs an update. We have no such limitations in the software, and have no problem with user's installing and running Stagelight on multiple devices they own. We'll be updating our license agreement shortly.
No way i abandon NS1 for NS2.
AS already put in another thread. Thanks for clearing this up!
From reading your writing about your workflow with Rozeta and how you like to compose, I kind of feel that AUM+Modstep (optional AB for ease of use) is going to deliver exactly what you want. It's a combo that I keep coming back to again and again -- maybe the most flexible workflow on the platform!
Ah... this is frustrating. For me there still isn't one DAW without a major flaw for the way I work.
I currently flit around from Beatmaker 3 for sampling, Xequence for midi, cubasis for general starting things off.
For me the (current) NS2 issues that stop me fully embracing it are:
Sort out no.1 and the rest I'll get around. I could make an equivalent list for the other DAWS as well:
E.g Cubasis's lack of grid input for dotted / triplet notes in the piano roll...
However, I think NS2 shows potentially the most promise due to it's elegant workflow and top notch workhorse synth. I'm sure it will evolve but with it being a one man show this could take a while! Does Matt really do all this on his own? Staggering achievement if that's the case!
What does strike me reading this thread is how different everyone's needs are...