Loopy Pro: Create music, your way.

What is Loopy Pro?Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.

Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.

Download on the App Store

Loopy Pro is your all-in-one musical toolkit. Try it for free today.

Reverb/Delay Everywhere how do you manage it.

124»

Comments

  • Different 'sounds' react very different to reverb, what's great on a guitar may be a complete fail on vocals - or vice versa.
    Synths can generate a vast range of sounds on their own, so the same applies.
    You can add some 'ambience impression' with any reverb (and the basic IOS one supplied by Apple is quite a good implementation), but it's rarely the most convincing either.

    It would in fact be no problem at all if the 'switch fx off' part is placed at a reasonable location in an app and the whole fx code section is taken off the CPU.
    Which is not granted by just flipping the switch, as it might still eat cycles in background.
    Reverb is CPU heavy by nature, it permanently moves memory blocks and requires fast control with precise timing.

    Another matter of fact with reverb is it's software complexity - only few developers yield top results. That's the reason why classic hardware boxes are still in use.
    (just as a sidenote for IOS-only experienced readers)

  • I create synth patches for me. If I use reverb in a patch it’s because I like the end result. If I then make that patch available to others, I want it out there dressed in its Sunday best making me proud. Even so, I don’t expect that patch to be used by anyone (including myself) without being tweaked to suit the end purpose. While you’re tweaking the patch, if you want to remove the reverb, feel free, but I’m not going to do it for you. Get over it.

    There are no rules, guys. Make what you want to hear.

  • @TheOriginalPaulB said:
    I create synth patches for me. If I use reverb in a patch it’s because I like the end result. If I then make that patch available to others, I want it out there dressed in its Sunday best making me proud. Even so, I don’t expect that patch to be used by anyone (including myself) without being tweaked to suit the end purpose. While you’re tweaking the patch, if you want to remove the reverb, feel free, but I’m not going to do it for you. Get over it.

    There are no rules, guys. Make what you want to hear.

    Hey, whatever works for you. :)

    In my own case, first thing I do is delete all presets (hate when synths don't let you delete factory presets and my user folder is buried under mountains of presets I'll never use) I then cut the reverbs on all synths unless they happen to sound more interesting than my chosen bus FX (usually two or three nice reverbs among other shaping tools. I'm admittedly neurotic, but I just like maximum control over the space. For the music I'm making, the ability to run more instruments simultaneously is more useful than running fx on every channel, which nearly always causes cpu issues for me.

    My point was simply about cpu spikes from using too many separate reverbs.

Sign In or Register to comment.