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Bad Sax / Or The Bee’s Sneeze

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Comments

  • @rs2000 said:
    Thanks @Daveypoo for these great examples! 😃

    Any time - I got a million more where that came from... 😎

  • @McD said:

    @rs2000 said:
    As if skin color would make any difference.

    Just consider the timeline. Jazz was incubated in Afro-American scenarios where your white musician would not go. Someone like Dr John could show the exception but most non-black Jazzy musicians didn’t create much but studied Bird, ‘ttane, Miles...

    So thinking otherwise just shows disrespect for those milestone giants. I think missing the fact is racist.

    Honor the men that showed the way. It's the least we could do at this point.

    I do have high respect of these guys, no question! And what they added to the music world is huge.
    However that's only the rational aspect of it. Writing music is a mostly emotional thing for me that I don't even try to explain, and I couldn't describe with words the imprint their music has left in my mind. It will influence my music somehow, as much as many other musicians do, but I never know in which way.

  • @LinearLineman said:
    @McD ... honor the Native Americans contribution to jazz! Connie said so!

    I found some interesting details about the History of New Orleans that shows Connie knew her history like she new the keyboard:

    In 1725, the first of many slaves escaped into the bayou, with help from the Choctaw, Seminoles and Chickasaws. They were taught to live off the land in what were known as “Maroon Camps,” and many of them banded together with the Native Americans for the brutal Natchez Revolt of 1729.

    I'll bet Connie could share a lot of insights about what it was like to be a woman playing
    Jazz in NYC back in the day.

    A lot more at:

    https://greenglobaltravel.com/mardi-gras-indians-new-orleans-photo-gallery/#HISTORY OF MARDI GRAS INDIANS

  • Connie knew, @McD. My God, how she knew! I miss her a lot,

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