Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.
Download on the App StoreLoopy Pro is your all-in-one musical toolkit. Try it for free today.
Comments
Now I'm hyped !
Found on the last (great) video of @bcrichards .
https://youtube.com/watch?v=RBdVpfGN-OI
Ahh man, what does OP stand for? 😛
Looks like it's replacing the 'step' button.
Op? what’s that?
Nah,... the ‘STEP’ button is to the right.
It looks like it’s replacing the ‘EDIT’ button. 😏
Maybe a temporary name for a new sequencer heavily inspired by the op-z ?
I hope this means a new update is soon, it’s like a new app every update
Hey guys.
Can any explain this behaviour?
What was your audio source? Was it a feedback loop, where the iPad audio was being picked up by the audio input, and triggering the transient detector??
If so, turning down the volume in that case wouldn't do any good if you were tapping on the iPad screen - the iPad would still hear the taps, and route that to the transient detector. Then when you turn the volume up, its both being triggered by your finger taps on the glass, and by the audio from the speaker. Try placing an amp module after the external input, then route the amp to the transient detector. If turning the amp down solves your problem, then you've got some kind of iPad audio feedback loop going on.
Kinda just wildly guessing here.
Last time I checked the pressure module was monophonic aftertouch ie only one cc number is sent for all notes.
Also, @bcrichards is hella good at low fi/downtempo or whatever you kids are calling that style. Love his stuff.
@drez @Erkin @aleyas @vasilymilovidov @Gravitas some cool stuff that Giku and the rest of the beta crew are working on
I'm just along for the ride these days.
Along for the ride???
That’s what you think...
You’re only on extended holiday. 😁
@drez I thought I was making hip hop
thanks as always buddy.
@supadom thanks. I was informed that it is a bug and that it has been reported to the dev😊
@aleyas
I have tried and amp module before that transient detector and a compressor ( and both )
The audio in this case is just the build in microphone. What makes me crazy ( and what might not be clear in the video ) is that the transient detector is triggering the sampler when there is no sound or clear trancient.
Later i tested the same setup again and it works much better… don’t know why. I still don’t that the treshold has much effect.
Thanks for the reply 😊
@Lorichs Wondering about the threshold too since it basically always works with any input level. I don't even touch it usually 😄
Mmmmm, ok. AFAIK poly aftertouch has never been implemented but fingers crossed you’re right
Beg your pardon. I don’t know anything about any genre’s. All I know is I’m pickin up what yer throwin down! What’s crazy is you wouldn’t think a “modular” app is what is creating it. It’s the most non-MPC thing I can think of.
@drez all kidding aside, it’s the best sampler on iOS in my opinion and I love the workflow. I made a rack which gives SP1200 like control with sliders and everything for a very immediate slicing and tweaking. https://patchstorage.com/sp-flexi/
If we wanted to get craaaazy with an MPC workflow, I requested key locks. It would work like p-locks, but for midi notes. Tweak parameters - sample offset, filter, anything, per individual midi note.
I'm really tempted by the new Fabfilter Timeless release, but I feel like a traitor to Drambo because almost all of its features are available in Drambo as well. I expect Fabfilter is more efficient, the number of modules you'd need to create a 16 tap stereo delay would be pretty excessive, and the fabfilter interface is nice.
I'm curious what y'all thoughts are, especially if you bought timeless already.
I immediately asses new instruments and effects against Drambo as well. As I was watching Dan Worrall's video of Timeless, I was asking myself 'now is this replicable with Drambo?'. Well, most of it is, to an extent.
I love the Delay rack in Drambo. Insane and beautiful delay repeats are possible by adding analog filter models, saturation, and subtle frequency shifting within the feedback path. But.. modulating the delay time leaves a lot to be desired imo. Lots of clicks. Manually adjusting delay time is zippering central, and modulating with a square or saw produces audible clicks almost immediately. I think for the clean delay time modulation, and modulation over tap position, that Timeless is worth it.
I did hear that analog/bbd style delay was on Giku's roadmap, so some of these points may become moot in time.
There are probably more directions you can take delay with the delay rack, custom fx, and chaining the simple delay (for multiple taps) in Drambo. But I think that the sheer sonic quality of Timeless 3 has enormous merit. I haven't gotten it yet, but I've never been let down by Fabfilter before. I think it'll be great on sends hosted in Drambo.
Timeless is extremely good sounding and I’m glad I have both apps. I imagine I could recreate somewhat of a clone of it Drambo but I don’t think I’d get anywhere near as close as a group of developers programming an app dedicated to the purpose. I tend to use Drambo more as a host/groovebox though so I’m sure one of the Drambo wizards on here would have better luck than I would
as much as i love to build stuff in drambo timeless 3 is too good and convenient to try to replicate it.
putting three instances of timeless inside layers crossover module on the other hand…
Yeah, trying to replicate all of Timeless would just be way out of hand. Even if it all could be done, the resulting GUI in a Drambo rack would be so compromised in relation to Timeless, what would be the point?
But replicating individual features - totally doable I think. Multitap + fx per each tap, with fx designated as either inside or outside the feedback path, no problem.
Thanks y'all this is helpful! Pretty sure I'll pick it up soon.
OK...dumb question time......
Anyway for drambo to see the DAW port of the launchpad pros without the help of AUM routing? Just in standalone?
Trying to send midi data to the launchpad on that port.
@AlmostAnonymous Yes, use the MIDI => MIDI Output module.
Doesnt that only select channels 1-16 on the midi port (usb), not DAW?
I need to separate sending midi to it via DAW and USBmidi.
I need to separate DAW from USBmidi.