Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
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Download on the App StoreLoopy Pro is your all-in-one musical toolkit. Try it for free today.
Comments
Nah, we’re all adults here….
WHAT??? Behringer??? How dare you???
Everybody’s gotta eat. But agreed - more access is so important.
Wow! I could never do that, way too small. Too much scrolling. Hats off to you 🎩
Well that’s the last delay I’m ever going to need. Super stoked for this after how awesome Saturn 2 was
I don’t know if it goes deeper and ickier than the surface of copying old stuff and selling it for cut-rates since Behringer is so rich, but even if it does, I don’t truly care. None of their products has ever caught my eye, but they at least have acknowledged and pumped out products for the huge nostalgia market for vintage analog. Unlike say, Roland (how does a modernized-retro Juno not exist, even at a premium price point. Sure, just keep on pumping out generic 88-key workstations.) Again, not sure of build quality, but what they’re doing allowed an old music buddy who barely makes ends meet with wife and kids the opportunity to have a real hardware synth to play with when he can find the time, and he’s thrilled about it.
Can’t wait to modulate that pitch knob with a stepped xLFO for easy guitar arpeggios. Then rig up an envelope follower to quickly duck out the feedback when a new note is played then ramped back up. Ping-ponged of course. Aw yeah. This is the first product I’ve truly been impatient for in years.
@BCKeys i read it was the other way round - that Toneboosters’ DSP was an influence for FabFilter? Might just be rumours though. Even so, Mr Toneboosters has been in the game a long time and is seen as one of the leading DSP developers.
I'm looking forward to UVI releasing Relayer one day. Should be just a matter of time, after Sparkverb 😉
The analogy of Toneboosters and Behringer might be a bit off the mark. TB is not a copy machine. I am looking forward to Timeless making it to iPadOS.
desktop version is out
It looks really really stunning. Insta buy for me when it comes out on ios. The Pitch shift effect alone ist pure genius.
Good lord, I hope this is out within the month. I was close to buying another delay guitar pedal yesterday then I thought, why?
The experience with this plugin is not pedal like
I.e , Timeless 2, it can’t do simple at times
It’s quite involved also
Dub station iOS and echoboy (Mac) are my favs
As an exception to the amazing FabFilter plugins, I found Timeless 2 hard to use and very unintuitive .
I agree, the gui in the new version is much better
Timeless 3 looks way more intuitive though
This delay is a delight !
I do like the option of having all of the FabFilter apps for iOS, but I also find them rather resource hungry compared to other options, so I have to pick and choose depending on the complexity of each project.
Yep! Although it makes my sessions not as dense
I’ve also found that if I try to use more than one instance of a specific reverb or delay (say, the BLEASS delay) within a project it’ll crash my project in GarageBand. But if I use multiple delays or reverbs from different developers, I can get as many as 3 different ones in a project.
Interesting. I find that certain FabFilter apps are so resource hungry they will actually slow down the audio on a track, causing a fraction of a second unintentional delay because it cannot process it fast enough.
Without dropouts/crackles? Not saying that it's not it, but it sounds more like latency such as what you get with look-ahead limiters
Right. No crackling. No dropouts. Just delayed audio as if all processing resources are being taxed to their limits.
@NeuM My iPad Pro was able to run about 200 instances of FF ProQ 3 with 2 filters running in each instance, so i wouldn‘t say it‘s resource hungry. Which of the FFs are we talking about ?
As already mentioned, some of them are using latency compensation, not all AUv3 hosts support this.
AUM correctly delays the output of the other tracks, tap the battery icon for current session latency. For instance Pro L2 will add ~60ms. This doesn‘t mean its resource-hungry, one can add tons of L2 instances - its the algorythm used. With AUM you won‘t notice this look-ahead delay, as AUM compensates it.
The only time you could notice the delay (off all tracks) would be if playing live keyboards. That‘s why some types of plugins should only be added to a final mix.
Some algorythms like compressors or limiters need to analyse the audio, for instance for peaks. Since they already need to react at the time the peak happens, the delay their output buffer - that way they can analyse what ‚will happen in the next xx msecs“ and still react on the instant it is happening (like looking ahead in time).
FF plugins correctly announce this delay to the host, so that the host is able to compensate by delaying the other parallel running tracks. This even works for complicated mixing tree‘s with several plugins producing latency- the overall output is still in sync.
For Pro-C2, Pro-MB, Pro-DS one can toggle the look-a-head, but without it the compressors can‘t act on superfast loudness spikes. Pro L2 doesn‘t offer such a toggle, its needed for its work.
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Garageband doesn‘t support latency compensation - so a track with a plugin using this technique may sound out of sync - so you better switch off the look-a-head.
It really is weird. It’s so interesting that even people with similar setups can experience so many different issues.