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Comments
Look at my comment(just_pierre) on Youtube, Paul replied to my question about 24 bit recording :
I can't see your comment there or anything about 32-bit recording.
@Simon it's there, but it's 24 bit......
Strange. I'm still not seeing your comment.
I've tried with FireFox, Safari & Chrome browsers on a Mac. Still can't see your message.
Odd, I also do not see it now though I do recall seeing your original message earlier on.
That's very strange. Well, Paul will look at the option to record in 24 bit too, besides the default 16 bit. I've told him that a lot of people will find this is a important feature.
Please support my request on Youtube, it will help Paul to decide to add the 24 bit recording!
An AUv3 cannot itself host another AUv3. But since this app seems to be single instance one can of course put any number of AUs behind it.
This is one of the moments in which i wish iOS sandbox was a thing of the past.
Imagine if we could just record in Cubasis or any DAW timeline, load Neon as AUv3, drag and drop your recording into it, apply delay or reverb to certain sections of your audio and drag it back into Cubasis timeline, especially if Paul adds warp points etc !!! I know we could use automation but this would be less messy. Come on apple……
i don’t see your comment on that video about 24 bit recording. what did he say ?
Read this thread back! It's all there
A shame that Segments doesn't let me drop in long waveforms and trim them down though as large waveforms turn to pixel goop.
Considering that Multitrack Recorder never got 24bit recording, I wouldn't hold out hope.
It is quite possible that he hasn’t had enough requests for 24-bit n MT Recorder to decide it is worth the effort.
Correct, Ed. That's exactly wat Paul said to me on Youtube. 'The more requests, the more likely I will add the 24 bit recording option'
So, everybody who wants the 24 bit recording in Neon, contact Paul.
AND ask for it in MT Recorder!
Considering 16-bit CD quality audio already exceeds the range of human hearing, why do people want 24-bit?
24-bit is pretty industry standard for samples these days, and for recording tracks, higher quality is better, because likely you'll re-render those again for a final recording.
For me, there's a perceived loudness / quality difference between 16bit files and 24bit, so I prefer to record in 24bit. 16bit samples need more compression to get to same loudness. But this may be all subjective. 😄
More headroom in case there is a need to adjust the levels after recording.
More headroom for post editing.
Of course! Thanks for adding.
You will find plenty of material about this with a little research. Short-version. More headroom and dynamic range and more bits to work with for DSP when applying effects. Even when 16-bit is the preferred final delivery mechanism, you get fewer artifacts if you have 24-bit (or higher sources).
Required for turning cricket farts into giant robot battles.
Accurate
I thought 32-bit floats were needed for that
With 32-bit FP, you'll be able to boost the volume even more, to hear the farts more clearly, with even less noise.
Or hear the noise generated by the mic pre's even clearer
I could use this if it provides "sample length" control for editing and exporting 2048 sample length wav files, to be used as wavetables.
Ah glad to hear I'm not alone with this. I mean I'm holding back on upgrading my coffee grinder at this point because according to @Michael "Yep, it's in there already"
That seems logical.
"You will find plenty of material about this with a little research"...
You know, you don't need to be smarmy about it. If answering questions you feel are beneath you, by all means, don't respond. I don't care for your opinion because others here are capable of providing brief explanations without the attitude.