Loopy Pro: Create music, your way.
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Comments
This made me chuckle too!
I love this book. I have it on my iPhone, my laptop, and my MacBook Pro. I'm thinking to get the physical book too, as a different way of referencing the content, by thumbing through, rather than linear digital reading.
Some time back, Ableton made the PDF edition of the book available for free. They hid it, but the link is still valid:
https://cdn-resources.ableton.com/resources/uploads/makingmusic/MakingMusic_DennisDeSantis.pdf
I have the PDF on my MacBook Pro and iPad, the Kindle version on my iPhone. The PDF is as lovely as the book in terms of having the same layout as the print edition. The Kindle version doesn't read or inspire so well. The book via Ableton is a bargain compared to the price on Amazon, at least, it is in the UK.
The link I posted has various free options!:
Download for free in the following formats: .pdf, .mobi (for Kindle), .epub (for all devices)
I am about 3/4 thru the audiobook and have the physical copy as well. It was like 19$ on Amazon.
What i will say about this book that initially caught my attention is that his message is about us as individual humans going thru every day actions of creating and creativity.
At work when we are problem solving, that is building our character and showing who we are. The challenge of solving a new problem and exploring the options that lead us to a solution is a practice we can use when working on a piece of music or any other area.
Creating music is like having a conversation. You sit down with a group of friends and just start talking. There might not be any clear direction for the conversation, you might just be hanging out with many random, uncrafted and chaotic topic changes. But you are creating a conversation and an experience.
This seems to be how rubin says great art is born, or the magic moments that happen when you are playing your instrument. You don’t have to be planning out the perfect song… You are just having a conversation with your instrument just like with your friends and it creates itself in many ways.
Let your fingers guide you across the strings, or keys.
Letting go of the baggage, and hard lines of trying to pre-define what you are trying to create… and just letting the art come alive naturally.
I find this to be true for me. When I’m just jamming and noodling, those are my best moments. The bob ross happy accident's. The things i couldn’t have done with intention.
I always wanted to be a hiphop artist, but when i sit down to jam… i don’t make hiphop haha . I end up making some type of ambient dub because that’s just where the sounds take me.
I can and have made hiphop but at the end of the day, what i started out to do… ended up being something completely different and I’ve been trying to accept that…. I try to blend what i like about hiphop and psych rock and jazz and blues into this thing that’s loosely defined as ambient.
Hearing rubins book speak on this, has helped me accept this about my musical self.
Ultimately this book IMO is about personal growth and letting go… feeling free so you are opening up to the art trying to come out of you.
I will read this daily just for that small hit of gentle inspiration from a man who seems to only want to express love and support. He seems a good guy that really enjoys life and wants to share his perspective with others.
Anyway ramble complete 🤣
Loved the Rubin’s book. Reading a second time. I have the hardback but it’s also easy to find the PDF
Nahhh, real post man, real talk
TY for sharing
Fantastic anecdote with an extremely funny perception of a western daoist …. Subtle, but hilarious Gavin…
I’d tag it as boomer regression.
(Must return to this thread later…)
It’s the first result on google or DDG for “creative strategies ableton” so they didn’t hid it very well
The similarities between music and graff are interesting, but in one I've invested over 50 - 100k hours and that's where I prefer a freestyle approach, and the other one where I'm maybe at 5 - 10k hours I'm much more conceptual.
When I started with graff I had no idea about visual guides/grids or any of the stuff that can provide structure, I've just adapted the next letter to the previous one. I did this for over a decade until I met an actual letterer who couldn't believe that I didn't use any layout grid of some sorts, totally blew this guys mind.
Then I got intrested in the conceptual approach and got very obsessed with it, kinda felt like cheating. This made me ralize that many artists who i thought were off limits skill wise just used concepts and computer aids to the max, e.g. Daim. If you can combine both somehow, the organic freestyle and a conceptual approach then you're really off to the moon.
With music I kinda started relying on structure early on, and its very hard to get away from it. I'm just now getting into a workflow that's as destructive as possible by design, so that I can kinda replicate the graff approach with audio adapting the next thing to the previous thing.
I had the "luck" that I had people around me who were already making beats and kinda showed me how to use samplers. Flipping loops wasn't really a challenge, what was the real challenge was digging records and listen through music I did't really like that much apart from the parts I ended up sampling.
I found Techno and House much more like graff and tbh that's also where I had the most fun partying compared to Jiggy club Hip Hop or Trap.