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Comments
Thank you for your answers! Ooda is also interesting.
The thing with Zoa and Ooda is that timing and notes are decoupled.
So not really straightforward if you wanna change a note and it's timing at the same time. All options are great for generative stuff though!
Thank you for taking the time to answer me! It's much appreciated!
Maybe the wrong place, but I have a question concerning Xynthesizr. I like the functionality and the musicality of it very much, but one thing bugs me enormously: how can I scroll the note grid up and down? I see only a handful of octaves/colors, and there are 10 or more. I searched everywhere and nobody seems to have this problem (let alone an answer). How do you input notes above or under the displayed grid???
@mrdrbobo Under the SEQ tab in the 'Key and Transposition' section, you can move the octave to enter notes above or below the displayed grid. However, this only moves the grid, but the input/output is unfortunately limited to a range within the four visible octaves.
Thanks a lot! I saw those controls, but now I understand more what they do:
A) "transposition" doesnt move the notes (green notes stay in the green octave) but makes them sound octave(s) higher or lower
The "move" arrows on the other hand move the notes but doesnt change how every octave/color sounds. What I just now discovered is that when the "move" arrows push a note over the top, they reappear at the bottom. That was confusing. Ehr, I still find that confusing.
My conceptual misunderstanding was that I had the Ableton workings in mind. I thought that what you see on the screen was just a window on a bigger grid. But in fact, what you see is all there is, there are no notes above or below the grid that you see. And how much you see depends on the scale that you choose. So with a chromatic scale you see less then 2 octaves (and you can only play with notes in less then 2 octaves). When you choose pentatonic you can play with a little more than 4 octaves.
Am I right?
Well it's not even 2 octaves when using the chromatic scale.
Anyway, using a scale and MIDI clock, it's a great melodic and chord playground in a setup with hardware gear that sends MIDI clock. It can also control older synths that don't support AUv3, running in the background.
To be precise, the vertical display and input/output is limited to 22 notes. But I still think Xequencer is pretty brilliant. This limitation doesn't really bother me.
Xynthesizr is one of my absolute favourites. Not only great fun to link to external hardware: I have one instance running on an old iPad 2 running iOS 9. It syncs perfectly with the rest of the setup via Ableton Link. And although this is without MIDI, I can still feed the output into my mixer to add some sound to my hardware mayhem.
I have always loved the mood and sound of this synth. There’s a special character about it. I just wish it would mature into v2 with Audio unit support.