Loopy Pro: Create music, your way.

What is Loopy Pro?Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.

Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.

Download on the App Store

Loopy Pro is your all-in-one musical toolkit. Try it for free today.

Who else is using Izotope Trash 3 on IOS?

I’ve not seen anyone excited about Izotope arriving with trash 3 on ios yet?
It was instabuy for me! Hope it all comes over!
https://apps.apple.com/us/app/izotope-trash/id6475314304
19.99 IAP unlocks it

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Comments

  • I have used it a little, but mostly on Desktop so far. It’s definitely really good, and there’s a lot more to it than meets the eye.

    Previous owner of Trash 2, and I’m so glad they brought it back as it’s got so much potential to do more than just distort sound.

  • I've got it and played around (learning) with it some, it's pretty cool. I was a bit reluctant as I have Flux Pro which I think can do pretty much the same, maybe not all but close. It will definitely come to use, but, it was bit expensive - don't you think? (i.e for iOS)

  • I feel like the interface is confusing to me more than on trash 2, but I’m starting to get through it.
    This is exciting to me because I own so many Izotope plug ins on computer, and would love to see them here. Especially Ozone and RX. I didn’t feel like $20 was terrible, initially I thought it would be worse.

  • @MrSmileZ said:
    I feel like the interface is confusing to me more than on trash 2, but I’m starting to get through it.
    This is exciting to me because I own so many Izotope plug ins on computer, and would love to see them here. Especially Ozone and RX. I didn’t feel like $20 was terrible, initially I thought it would be worse.

    $20 seems quite reasonable when you consider other apps with less functionality are more expensive. I think it’s an on target price.

  • I haven't pulled the trigger yet. I'm still stubbornly using my iPhone as my main production environment with the exception of AI mastering in Logic. My Mini only has 256gb space, and my iPad Pro is heavy and best used by a desk, something I don't want to be chained to. 😂

    If I was inclined to use my iPad Pro for production again, you bet your arse I'd get Trash 3.

  • overpriced for ios. just like the fabfilter stuff.
    they just do those prices on ios because there's no way to crack beside jailbreak.

  • @jwmmakerofmusic said:
    I haven't pulled the trigger yet. I'm still stubbornly using my iPhone as my main production environment with the exception of AI mastering in Logic. My Mini only has 256gb space, and my iPad Pro is heavy and best used by a desk, something I don't want to be chained to. 😂

    If I was inclined to use my iPad Pro for production again, you bet your arse I'd get Trash 3.

    Is 256GB not enough space? That’s plenty for me on my iPad. I’m guessing you want space to store samples?

  • @michael_m said:

    @jwmmakerofmusic said:
    I haven't pulled the trigger yet. I'm still stubbornly using my iPhone as my main production environment with the exception of AI mastering in Logic. My Mini only has 256gb space, and my iPad Pro is heavy and best used by a desk, something I don't want to be chained to. 😂

    If I was inclined to use my iPad Pro for production again, you bet your arse I'd get Trash 3.

    Is 256GB not enough space? That’s plenty for me on my iPad. I’m guessing you want space to store samples?

    Oh trust me, Pure Synth Platinum alone is 100gb with all IAPs. 😏 That's not the only rompler I use. And yep, I have a lot of audio samples as well. And when I want to work with Experimental and Ambient again, I'll need that extra space for field recordings and the like. Some folks prefer physical modelling. I prefer sample-based. 😂 Guess I'm "old school" like that.

  • @jwmmakerofmusic said:

    @michael_m said:

    @jwmmakerofmusic said:
    I haven't pulled the trigger yet. I'm still stubbornly using my iPhone as my main production environment with the exception of AI mastering in Logic. My Mini only has 256gb space, and my iPad Pro is heavy and best used by a desk, something I don't want to be chained to. 😂

    If I was inclined to use my iPad Pro for production again, you bet your arse I'd get Trash 3.

    Is 256GB not enough space? That’s plenty for me on my iPad. I’m guessing you want space to store samples?

    Oh trust me, Pure Synth Platinum alone is 100gb with all IAPs. 😏 That's not the only rompler I use. And yep, I have a lot of audio samples as well. And when I want to work with Experimental and Ambient again, I'll need that extra space for field recordings and the like. Some folks prefer physical modelling. I prefer sample-based. 😂 Guess I'm "old school" like that.

    I don’t usually think about how much space PSP takes up as I don’t have all the IAPs.

  • Watched @thesoundtestroom live on it, sold then and there

  • @Birdpie said:
    overpriced for ios. just like the fabfilter stuff.
    they just do those prices on ios because there's no way to crack beside jailbreak.

    An awful lot of people seem to think that FF offers good value. So maybe more expensive than you want to pay. None of these developers is getting rich.

    Fwiw, cracking software is stealing…and makes software more expensive for everyone else.

  • @espiegel123 said:

    @Birdpie said:
    overpriced for ios. just like the fabfilter stuff.
    they just do those prices on ios because there's no way to crack beside jailbreak.

    An awful lot of people seem to think that FF offers good value. So maybe more expensive than you want to pay. None of these developers is getting rich.

    Fwiw, cracking software is stealing…and makes software more expensive for everyone else.

    Yes, and considering how many developers have a presence here I think it’s disappointing to see that any discussion of cracking even gets brought up.

  • edited March 17

    People still ‘crack’ software? Really? Just buy it already. Stop stealing …sheesh. Maybe the place where you work should stop paying you, since you don’t place value in the work of others? It would only be fair eh?

    20 bucks is the price of a shite food combo at a dine in? Why does everyone equate this as too much money. A soda in most places is 3.00…smh. A bottle of beer at the club down the street here is 9.00… smh

    I am happy to pay 20.00 for trash 3.

    Things change, and technology changes faster… Vision Pro/VR and tablets are the future of computing…desktops and laptops will be going wayside. That’s why Apple changed over to their own silicon. New desktops and laptops have tablet processors now in Appleville. I am not saying it’s a change for the better…I’m just stating what is obvious. You would have to pay much more on a desktop or laptop for the same plug in. Fabfilter is 5 times the price on regular computers than on the iPad.

    This rant and other data there in, is my opinion and does not speak for others.

  • @jwmmakerofmusic said:

    Oh trust me, Pure Synth Platinum alone is 100gb with all IAPs. 😏 That's not the only rompler I use. And yep, I have a lot of audio samples as well. And when I want to work with Experimental and Ambient again, I'll need that extra space for field recordings and the like. Some folks prefer physical modelling. I prefer sample-based. 😂 Guess I'm "old school" like that.

    These changing times make me think old sample libraries are gonna be the new analogue 😉
    I miss my old JV1080… back when ROMplers had real ROMs.. 8 megabytes 🤣
    Honestly if Roland released a boutique of that and maybe include the expansions and xp-50s sequencer.. i would be 450 pounds lighter.

    Anyhow, I think I will try Trash. You can’t have too many distortions!

  • @michael_m said:

    @jwmmakerofmusic said:

    @michael_m said:

    @jwmmakerofmusic said:
    I haven't pulled the trigger yet. I'm still stubbornly using my iPhone as my main production environment with the exception of AI mastering in Logic. My Mini only has 256gb space, and my iPad Pro is heavy and best used by a desk, something I don't want to be chained to. 😂

    If I was inclined to use my iPad Pro for production again, you bet your arse I'd get Trash 3.

    Is 256GB not enough space? That’s plenty for me on my iPad. I’m guessing you want space to store samples?

    Oh trust me, Pure Synth Platinum alone is 100gb with all IAPs. 😏 That's not the only rompler I use. And yep, I have a lot of audio samples as well. And when I want to work with Experimental and Ambient again, I'll need that extra space for field recordings and the like. Some folks prefer physical modelling. I prefer sample-based. 😂 Guess I'm "old school" like that.

    I don’t usually think about how much space PSP takes up as I don’t have all the IAPs.

    Oh I definitely have all the IAPs. I also have Korg Module and all its IAPs. I also have Beathawk and all its IAPs. I also recently purchased Cubasis' Halion IAPs. And of course I have @AnalogMatthew 's apps. One could consider me a connoisseur of romplers. ;) (What's odd about me is I never could get into Decent Sampler, lol.) I swear, one of these days I will get XinematiX too.


    @A_Fox said:

    @jwmmakerofmusic said:

    Oh trust me, Pure Synth Platinum alone is 100gb with all IAPs. 😏 That's not the only rompler I use. And yep, I have a lot of audio samples as well. And when I want to work with Experimental and Ambient again, I'll need that extra space for field recordings and the like. Some folks prefer physical modelling. I prefer sample-based. 😂 Guess I'm "old school" like that.

    These changing times make me think old sample libraries are gonna be the new analogue 😉
    I miss my old JV1080… back when ROMplers had real ROMs.. 8 megabytes 🤣
    Honestly if Roland released a boutique of that and maybe include the expansions and xp-50s sequencer.. i would be 450 pounds lighter.

    Ah, the mid-to-late 90s/early 2000s are making a comeback into EDM recently. Those classic JV1080 sounds, especially the pizzi, are definite must-have sounds for any 90s throwback Eurodance tracks. Not sure what happened to the sample pack shop from Image-Line (I think it all became FL Cloud), but they had a pack called "Generic Samples" that included some patches from the JV1080.

    Anyhow, I think I will try Trash. You can’t have too many distortions!

    That's a fact! I love various distortions for various applications. Trash 3 would be ripper to have on my iPhone, but I guess I'll stick with what I got like FAC Bandit.

  • edited March 18

    @jwmmakerofmusic said:

    @michael_m said:

    @jwmmakerofmusic said:

    @michael_m said:

    @jwmmakerofmusic said:
    I haven't pulled the trigger yet. I'm still stubbornly using my iPhone as my main production environment with the exception of AI mastering in Logic. My Mini only has 256gb space, and my iPad Pro is heavy and best used by a desk, something I don't want to be chained to. 😂

    If I was inclined to use my iPad Pro for production again, you bet your arse I'd get Trash 3.

    Is 256GB not enough space? That’s plenty for me on my iPad. I’m guessing you want space to store samples?

    Oh trust me, Pure Synth Platinum alone is 100gb with all IAPs. 😏 That's not the only rompler I use. And yep, I have a lot of audio samples as well. And when I want to work with Experimental and Ambient again, I'll need that extra space for field recordings and the like. Some folks prefer physical modelling. I prefer sample-based. 😂 Guess I'm "old school" like that.

    I don’t usually think about how much space PSP takes up as I don’t have all the IAPs.

    Oh I definitely have all the IAPs. I also have Korg Module and all its IAPs. I also have Beathawk and all its IAPs. I also recently purchased Cubasis' Halion IAPs. And of course I have @AnalogMatthew 's apps. One could consider me a connoisseur of romplers. ;) (What's odd about me is I never could get into Decent Sampler, lol.) I swear, one of these days I will get XinematiX too.

    Yeah, that’s right. I sometimes don’t think about that so much as I more often want to hunt, skin, and cook my own samples for my consumption.

  • edited March 18

    @michael_m said:

    @jwmmakerofmusic said:

    @michael_m said:

    @jwmmakerofmusic said:

    @michael_m said:

    @jwmmakerofmusic said:
    I haven't pulled the trigger yet. I'm still stubbornly using my iPhone as my main production environment with the exception of AI mastering in Logic. My Mini only has 256gb space, and my iPad Pro is heavy and best used by a desk, something I don't want to be chained to. 😂

    If I was inclined to use my iPad Pro for production again, you bet your arse I'd get Trash 3.

    Is 256GB not enough space? That’s plenty for me on my iPad. I’m guessing you want space to store samples?

    Oh trust me, Pure Synth Platinum alone is 100gb with all IAPs. 😏 That's not the only rompler I use. And yep, I have a lot of audio samples as well. And when I want to work with Experimental and Ambient again, I'll need that extra space for field recordings and the like. Some folks prefer physical modelling. I prefer sample-based. 😂 Guess I'm "old school" like that.

    I don’t usually think about how much space PSP takes up as I don’t have all the IAPs.

    Oh I definitely have all the IAPs. I also have Korg Module and all its IAPs. I also have Beathawk and all its IAPs. I also recently purchased Cubasis' Halion IAPs. And of course I have @AnalogMatthew 's apps. One could consider me a connoisseur of romplers. ;) (What's odd about me is I never could get into Decent Sampler, lol.) I swear, one of these days I will get XinematiX too.

    Yeah, that’s about. I sometimes don’t think about that so much as I more often want to hunt, skin, and cook my own samples for my consumption.

    I still do that sometimes. Such as when I'm producing in NS2 or Cubasis 3, I want to just load a rompler and get down to business. In FL Studio Mobile, if I want an outside sound from an AUv3 rompler, I simply sample a one-shot of each instrument via AUM (only the ones I need, not all instruments) to import into DW Sampler. Koala goes quicker since I can load that as an AUv3 and sample directly into the project I'll be working on in Koala standalone.

    When I go the FLSM/Koala route, I love to sample one-shots per project rather than sampling oneshots of every single instrument to go into a personal sample pack (which is too much time and energy wasted that could be better spent sampling only the sounds I need and then getting creative).

    My FLSM/Koala workflow sounds rather convoluted I admit, but it takes me no more than, say, 10 minutes to accomplish before becoming creative, lol. Writing out this reply took slightly longer than it takes me to sample only that which I need, lol.

  • edited March 18

    @jwmmakerofmusic said:

    @michael_m said:

    @jwmmakerofmusic said:

    @michael_m said:

    @jwmmakerofmusic said:

    @michael_m said:

    @jwmmakerofmusic said:
    I haven't pulled the trigger yet. I'm still stubbornly using my iPhone as my main production environment with the exception of AI mastering in Logic. My Mini only has 256gb space, and my iPad Pro is heavy and best used by a desk, something I don't want to be chained to. 😂

    If I was inclined to use my iPad Pro for production again, you bet your arse I'd get Trash 3.

    Is 256GB not enough space? That’s plenty for me on my iPad. I’m guessing you want space to store samples?

    Oh trust me, Pure Synth Platinum alone is 100gb with all IAPs. 😏 That's not the only rompler I use. And yep, I have a lot of audio samples as well. And when I want to work with Experimental and Ambient again, I'll need that extra space for field recordings and the like. Some folks prefer physical modelling. I prefer sample-based. 😂 Guess I'm "old school" like that.

    I don’t usually think about how much space PSP takes up as I don’t have all the IAPs.

    Oh I definitely have all the IAPs. I also have Korg Module and all its IAPs. I also have Beathawk and all its IAPs. I also recently purchased Cubasis' Halion IAPs. And of course I have @AnalogMatthew 's apps. One could consider me a connoisseur of romplers. ;) (What's odd about me is I never could get into Decent Sampler, lol.) I swear, one of these days I will get XinematiX too.

    Yeah, that’s about. I sometimes don’t think about that so much as I more often want to hunt, skin, and cook my own samples for my consumption.

    I still do that sometimes. Such as when I'm producing in NS2 or Cubasis 3, I want to just load a rompler and get down to business. In FL Studio Mobile, if I want an outside sound from an AUv3 rompler, I simply sample a one-shot of each instrument via AUM (only the ones I need, not all instruments) to import into DW Sampler. Koala goes quicker since I can load that as an AUv3 and sample directly into the project I'll be working on in Koala standalone.

    When I go the FLSM/Koala route, I love to sample one-shots per project rather than sampling oneshots of every single instrument to go into a personal sample pack (which is too much time and energy wasted that could be better spent sampling only the sounds I need and then getting creative).

    My FLSM/Koala workflow sounds rather convoluted I admit, but it takes me no more than, say, 10 minutes to accomplish before becoming creative, lol. Writing out this reply took slightly longer than it takes me to sample only that which I need, lol.

    For me it’s that can play a lot of the instruments myself, so don’t really want to use someone else’s playing. I might not sound as good as the sampled instrument, but I get more satisfaction from playing it myself.

    *Edit You now have me learning Irish songs on the tin whistle from sheet music I found on the web. Currently playing ‘The Dunmore Lasses’

  • @michael_m said:

    @jwmmakerofmusic said:

    @michael_m said:

    @jwmmakerofmusic said:

    @michael_m said:

    @jwmmakerofmusic said:

    @michael_m said:

    @jwmmakerofmusic said:
    I haven't pulled the trigger yet. I'm still stubbornly using my iPhone as my main production environment with the exception of AI mastering in Logic. My Mini only has 256gb space, and my iPad Pro is heavy and best used by a desk, something I don't want to be chained to. 😂

    If I was inclined to use my iPad Pro for production again, you bet your arse I'd get Trash 3.

    Is 256GB not enough space? That’s plenty for me on my iPad. I’m guessing you want space to store samples?

    Oh trust me, Pure Synth Platinum alone is 100gb with all IAPs. 😏 That's not the only rompler I use. And yep, I have a lot of audio samples as well. And when I want to work with Experimental and Ambient again, I'll need that extra space for field recordings and the like. Some folks prefer physical modelling. I prefer sample-based. 😂 Guess I'm "old school" like that.

    I don’t usually think about how much space PSP takes up as I don’t have all the IAPs.

    Oh I definitely have all the IAPs. I also have Korg Module and all its IAPs. I also have Beathawk and all its IAPs. I also recently purchased Cubasis' Halion IAPs. And of course I have @AnalogMatthew 's apps. One could consider me a connoisseur of romplers. ;) (What's odd about me is I never could get into Decent Sampler, lol.) I swear, one of these days I will get XinematiX too.

    Yeah, that’s about. I sometimes don’t think about that so much as I more often want to hunt, skin, and cook my own samples for my consumption.

    I still do that sometimes. Such as when I'm producing in NS2 or Cubasis 3, I want to just load a rompler and get down to business. In FL Studio Mobile, if I want an outside sound from an AUv3 rompler, I simply sample a one-shot of each instrument via AUM (only the ones I need, not all instruments) to import into DW Sampler. Koala goes quicker since I can load that as an AUv3 and sample directly into the project I'll be working on in Koala standalone.

    When I go the FLSM/Koala route, I love to sample one-shots per project rather than sampling oneshots of every single instrument to go into a personal sample pack (which is too much time and energy wasted that could be better spent sampling only the sounds I need and then getting creative).

    My FLSM/Koala workflow sounds rather convoluted I admit, but it takes me no more than, say, 10 minutes to accomplish before becoming creative, lol. Writing out this reply took slightly longer than it takes me to sample only that which I need, lol.

    For me it’s that can play a lot of the instruments myself, so don’t really want to use someone else’s playing. I might not sound as good as the sampled instrument, but I get more satisfaction from playing it myself.

    I used to be the same way, and trust me, if that satisfies your creative soul, go for it. As far as I go, trying to sample things myself is such a hindrance to creating melodies and harmonies and the like.

    *Edit You now have me learning Irish songs on the tin whistle from sheet music I found on the web. Currently playing ‘The Dunmore Lasses’

    Nice! :) Definitely record it into one of the iOS apps and post it for us to hear.

  • @jwmmakerofmusic said:
    I used to be the same way, and trust me, if that satisfies your creative soul, go for it. As far as I go, trying to sample things myself is such a hindrance to creating melodies and harmonies and the like.

    It’s the opposite for me - I turn a sampler or looper on and just play. The only thing that takes time is plugging in a mic, but I find being able to play on the actual instrument gets me to a better place than playing it back with a keyboard.

    Nice! :) Definitely record it into one of the iOS apps and post it for us to hear.

    Might take me a while as I have work tomorrow and a piano lesson tomorrow evening, but might also add some other instruments if I do that.

  • @michael_m said:

    @jwmmakerofmusic said:
    I used to be the same way, and trust me, if that satisfies your creative soul, go for it. As far as I go, trying to sample things myself is such a hindrance to creating melodies and harmonies and the like.

    It’s the opposite for me - I turn a sampler or looper on and just play. The only thing that takes time is plugging in a mic, but I find being able to play on the actual instrument gets me to a better place than playing it back with a keyboard.

    It's so interesting to see how others work. :) Ask 100 musicians what their workflow is, and get 100 different unique answers. 😂

    Nice! :) Definitely record it into one of the iOS apps and post it for us to hear.

    Might take me a while as I have work tomorrow and a piano lesson tomorrow evening, but might also add some other instruments if I do that.

    You're taking or giving piano lessons? :) Work, well it can either be work or be fun depending on the job. And if you add other instruments, I'll be waiting to listen. :)

  • @jwmmakerofmusic said:

    @michael_m said:

    @jwmmakerofmusic said:
    I used to be the same way, and trust me, if that satisfies your creative soul, go for it. As far as I go, trying to sample things myself is such a hindrance to creating melodies and harmonies and the like.

    It’s the opposite for me - I turn a sampler or looper on and just play. The only thing that takes time is plugging in a mic, but I find being able to play on the actual instrument gets me to a better place than playing it back with a keyboard.

    It's so interesting to see how others work. :) Ask 100 musicians what their workflow is, and get 100 different unique answers. 😂

    Nice! :) Definitely record it into one of the iOS apps and post it for us to hear.

    Might take me a while as I have work tomorrow and a piano lesson tomorrow evening, but might also add some other instruments if I do that.

    You're taking or giving piano lessons? :) Work, well it can either be work or be fun depending on the job. And if you add other instruments, I'll be waiting to listen. :)

    Taking piano lessons - mostly to learn how to read classical pieces better and to work on improvising over chord progressions.

    Work is OK, but not music-related in any way. It pays well so I shouldn’t complain.

    Other instruments I might add are mandolin and guitar, or maybe even dulcimer and concert flute if I’m feeling up to layering it that much.

  • @michael_m said:

    @jwmmakerofmusic said:

    @michael_m said:

    @jwmmakerofmusic said:
    I used to be the same way, and trust me, if that satisfies your creative soul, go for it. As far as I go, trying to sample things myself is such a hindrance to creating melodies and harmonies and the like.

    It’s the opposite for me - I turn a sampler or looper on and just play. The only thing that takes time is plugging in a mic, but I find being able to play on the actual instrument gets me to a better place than playing it back with a keyboard.

    It's so interesting to see how others work. :) Ask 100 musicians what their workflow is, and get 100 different unique answers. 😂

    Nice! :) Definitely record it into one of the iOS apps and post it for us to hear.

    Might take me a while as I have work tomorrow and a piano lesson tomorrow evening, but might also add some other instruments if I do that.

    You're taking or giving piano lessons? :) Work, well it can either be work or be fun depending on the job. And if you add other instruments, I'll be waiting to listen. :)

    Taking piano lessons - mostly to learn how to read classical pieces better and to work on improvising over chord progressions.

    Excellent! Keep growing as a musician mate. :)

    Work is OK, but not music-related in any way. It pays well so I shouldn’t complain.

    Cool. I work Doordash on the side as well as my regular steady gig.

    Other instruments I might add are mandolin and guitar, or maybe even dulcimer and concert flute if I’m feeling up to layering it that much.

    Beautiful! Sounds like Bardcore.

  • Been using trash free version for a few days. I can see uses for it. Definitely. I don’t know if I’d pay the extra for the features only because I have Saturn. I probably will.

    It did get influence me to buy the klevguard squashit in the sale. Plus coming from a purely iPad background I’ve never used isotope, so I’m open to it.

    The price isn’t an issue with me. I spend more on a munchie box after the pub.

    I don’t ff price offensive either. In fact in some cases I’ve bought them twice. Within auria and now outwith. I use Q, C, timeless on every track I’ve ever done since I’ve got them. I wouldn’t even say I’m getting as much as I could if I sat down and learnt all the features. To me that’s value for money.

  • i just described a fact, i didn't evaluate anything.
    software gets cracked, it is just like that.
    and prices form around that and other things.

  • edited March 18

    its standart nowadays. by just description a fact, the peasants kill you. super funny world.
    medieval was nothing else.
    he said jehova! 😂

  • edited March 18

    i once had a coca-cola in arambol/ india in a restaurant for 8cent (in€).
    because otherwise no one would buy it there.
    now you can think about the value of that product.
    its just a example how economy works.

  • maybe the fanboy behavior of the post origin is just camouflage, and gets paid for that.
    who knows?

  • Could be that the incoherence of your post led to a misunderstanding. Who knows 🤷‍♂️

  • maybe. iam sorry if so.
    but the reaction of the post origin is hysterical or there's a method behind.

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