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Song Of The Month Club - June 2025

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Comments

  • richardyotrichardyot

    @AlexY said:

    @richardyot said:
    My entry for the month, lyrics in the spoiler:

    Great listen. I think you have a great rock voice, and I wouldn’t hate it if it was more to the foreground in the mix. Great guitar as always.

    Thanks for taking the time to listen and to comment ♥

  • richardyotrichardyot

    @yellow_eyez said:
    I wrote this with a guitar part but I removed it for the sake of the electronics

    (Point was the make an ploymetric counterpoint to the percussion of the piano which really is the percussive element )

    The rhythms are wild and the experimental synth sounds are trippy. Some nice textures and timbres in there.

  • richardyotrichardyot

    @JanKun said:

    @richardyot said:
    My entry for the month, lyrics in the spoiler:

    A glimpse of you, that I see
    Silhouetted silently
    A glimpse of me, as I was
    When you were still close to me

    The stars will weave
    A tapestry
    Impenetrable to me

    You followed me into the void
    Our hopes were scattered and destroyed
    And there in the darkness
    We drifted slowly

    It’s so cold, still we try
    Holding back the tears we cry
    You turn to me, silently
    As we fade out gradually

    In the dark
    We can see
    All the the stars and galaxies

    You followed me into the void
    Our hopes were scattered and destroyed
    And there in the darkness
    We drifted slowly

    The things that we hide
    When we fool each other
    The tears that we cried
    Here and forever

    You followed me into the void
    Our hopes were scattered and destroyed
    And there in the darkness
    We drifted slowly

    Great sound and production as usual. What stands out to me on this track is the general structure and harmony with Lots of interesting things going on. I like how it gradually progresses from a pure minor coloration on the verse (Am Em) then becomes ambiguous on the pre chorus. There, I guess you play a D and F, but in the harmonic context, at least to my ears, the F chord sounds pretty much like a Dmin, hence the tonal ambiguity suggesting modal interchange. This specific chord almost acts like a pivot point to move towards the major coloration of the chorus (A G D E A). Then move back to the Am Em. So basically what I like on this track is how you use (or suggest in the case of the D) Modal Interchange on both A and D to either move to minor or major. Very efficient ! Like you, I tend to do that kind of thing instinctively when composing, but analysing afterwards helps me understanding myself better as composer.
    Another notable fact worth mentioning is that you have a clear bridge on this track (which is rare on your tracks) before the last chorus that is derivated from the verse. Anyway great track!

    Thanks for taking such a close listen! As you know I often like to modulate between modes within a song, and using power chords in the chorus section helps to keep the ambiguity because of the missing third. I don't think I planned the harmony quite as deliberately as your description, but I did consciously change modes between verse and chorus.

  • richardyotrichardyot

    @DavidEnglish said:
    This is a music track that I improvised on two MIDI keyboards connected to Bitwig Studio on a desktop PC. There the MIDI was routed to Solo for the oboe, French horn, flute, and cello; Noire for the piano; and Omnisphere for the background instruments.

    After bringing the audio recording into Vegas Pro, I applied the Lurssen Mastering Console plug-in to the audio mix.

    It's titled City Lights.

    A peaceful and evocative walk around the major scale. Very chill. ❄

  • yellow_eyezyellow_eyez
    edited June 2025

    @klownshed said:

    @yellow_eyez said:

    @JanKun said:

    @klownshed said:

    Wow! Very cool guitar sounds. Is it you playing your 8 strings super strat 😜?

    Word travels fast, did you guys hear about my new 8 string - it didn’t even arrive yet!!

    I passed on the H/09 - I thought going that low was just beyond Logic [Pro] lol….

    haha , no, I didn't even know 8 strings where an actual thing, I struggle with 6 strings :lol:

    Looks pretty cool. You should make more music with guitars!

    Oh thanks man. Yeah no I thought you guys were kinda taking a poke at me (because it’s just I got that 8 string literally yesterday morning and thought you knew because it was the timing, and I just passed on the same guy who offered me that or his 9 string, and I said the 9 string was just too much man lol - imagine an 8 string is what a standard bass is tuned to, so a 9 string is like a 5 string bass on top of a guitar….too much, 8 is already too much, but I enjoy it sometimes for downtuned metal)

    Actualy John that’s what I’m doing. I hung up the electronic stuff for quite a few months now, and devoted myself back to just analog/guitar writing. Working on my first couple of tracks atm, and it’s basically all guitar, bass, tabla, piano and vocals besides my one shot!; and just some ambient layers of synths or backup layers, but no synth leads anymore

    I finally got a tube amp after 25 years of playing guitar and it totally changed my POV on composition now because I am able to finally sculpt the tones I had wanted to myself rather than relying on someone else’s presets that I’ve always struggled with adjusting to my own needs .

    Anyway all that said to say, thanks, I’ll be doing just that lol

  • klownshedklownshed

    @yellow_eyez said:

    @klownshed said:

    @yellow_eyez said:

    @JanKun said:

    @klownshed said:

    Wow! Very cool guitar sounds. Is it you playing your 8 strings super strat 😜?

    Word travels fast, did you guys hear about my new 8 string - it didn’t even arrive yet!!

    I passed on the H/09 - I thought going that low was just beyond Logic [Pro] lol….

    haha , no, I didn't even know 8 strings where an actual thing, I struggle with 6 strings :lol:

    Looks pretty cool. You should make more music with guitars!

    Oh thanks man. Yeah no I thought you guys were kinda taking a poke at me (because it’s just I got that 8 string literally yesterday morning and thought you knew because it was the timing, and I just passed on the same guy who offered me that or his 9 string, and I said the 9 string was just too much man lol - imagine an 8 string is what a standard bass is tuned to, so a 9 string is like a 5 string bass on top of a guitar….too much, 8 is already too much, but I enjoy it sometimes for downtuned metal)

    Actualy John that’s what I’m doing. I hung up the electronic stuff for quite a few months now, and devoted myself back to just analog/guitar writing. Working on my first couple of tracks atm, and it’s basically all guitar, bass, tabla, piano and vocals besides my one shot!; and just some ambient layers of synths or backup layers, but no synth leads anymore

    I finally got a tube amp after 25 years of playing guitar and it totally changed my POV on composition now because I am able to finally sculpt the tones I had wanted to myself rather than relying on someone else’s presets that I’ve always struggled with adjusting to my own needs .

    Anyway all that said to say, thanks, I’ll be doing just that lol

    I literally had no idea you'd got a new guitar!

  • unlinkunlink

    Resurrecting this month's SOTMC thread, which seems a bit dead, with my submission 😅️

  • unlinkunlink

    @klownshed said:

    @richardyot said:
    My entry for the month, lyrics in the spoiler:

    A glimpse of you, that I see
    Silhouetted silently
    A glimpse of me, as I was
    When you were still close to me

    The stars will weave
    A tapestry
    Impenetrable to me

    You followed me into the void
    Our hopes were scattered and destroyed
    And there in the darkness
    We drifted slowly

    It’s so cold, still we try
    Holding back the tears we cry
    You turn to me, silently
    As we fade out gradually

    In the dark
    We can see
    All the the stars and galaxies

    You followed me into the void
    Our hopes were scattered and destroyed
    And there in the darkness
    We drifted slowly

    The things that we hide
    When we fool each other
    The tears that we cried
    Here and forever

    You followed me into the void
    Our hopes were scattered and destroyed
    And there in the darkness
    We drifted slowly

    I really like the verses and the pre-chorus melody is a highlight. The chorus is as catchy as ever and is augmented by a tasteful guitar solo/riff with awesome tone. The chorus lifts the song perfectly, with spot on vocals and production.

    It’s unmistakably a Richard Yot song, it’s awash with atmosphere without compromising clarity.

    I really like the verses - they set a great vibe, and that pre-chorus melody is super catchy. Killer guitar riff, sounds amazing. A top notch production as usual, perfect vocals and mix.

    I agree, it's a very "Richard Yot"-esque song, in a good way :D

  • richardyotrichardyot

    @unlink said:
    Resurrecting this month's SOTMC thread, which seems a bit dead, with my submission 😅️

    The piano part is nicely hypnotic, and I love the contrast between the soft piano and the edgy synth patch. The arp-like patch then brings the movement and energy - all those musical elements interlock in surprising and very inventive ways to create a very effective piece that constantly surprised me as it unfolded.

  • unlinkunlink
    edited June 2025

    @DavidEnglish said:
    This is a music track that I improvised on two MIDI keyboards connected to Bitwig Studio on a desktop PC. There the MIDI was routed to Solo for the oboe, French horn, flute, and cello; Noire for the piano; and Omnisphere for the background instruments.

    After bringing the audio recording into Vegas Pro, I applied the Lurssen Mastering Console plug-in to the audio mix.

    It's titled City Lights.

    A beautifully calm and meditative track that gently carries you along.
    The soothing textures and steady atmosphere feel instantly familiar, in the best way.
    Another serene piece that fits seamlessly into your tranquil soundscape.

  • klownshedklownshed
    edited June 2025

    @unlink said:
    Resurrecting this month's SOTMC thread, which seems a bit dead, with my submission 😅️

    Sounds great, the production is spot on. I like the main chord motif, which is surprisingly 'hooky', and it builds really nicely, The cello adds a nice organic and gritty layer to the synths and the percussion/drums are really nicely judged too.

    It reminds me of Jon Hopkins/Rival Consoles.

  • unlinkunlink

    @yellow_eyez said:
    I wrote this with a guitar part but I removed it for the sake of the electronics

    (Point was the make an ploymetric counterpoint to the percussion of the piano which really is the percussive element )

    I really like the main theme/idea! I feel like the first and the very last part are a bit too much into effects and I maybe have added another layer to complement the main idea. Good job!

  • yellow_eyezyellow_eyez
    edited June 2025

    @unlink said:

    @yellow_eyez said:
    I wrote this with a guitar part but I removed it for the sake of the electronics

    (Point was the make an ploymetric counterpoint to the percussion of the piano which really is the percussive element )

    I really like the main theme/idea! I feel like the first and the very last part are a bit too much into effects and I maybe have added another layer to complement the main idea. Good job!

    Yeah I got carried away a little lol but thank you man haha

    Your piece was atmospheric, i felt like you went more on the ambient side of things , and I liked the lo fi type of sound especially as it closes…very cool

  • unlinkunlink

    @klownshed said:

    A collaboration with the talented Mr JanKun.

    Music by Meester Smeeeth + JanKun | Guitar, lyrics, vocals by JanKun.

    Really, there is not much to say, just a great song from two of my favourite artists here on LPF B)

    Having listened to this track since from the very beginning and with and without lyrics I'd say it really changed thru his journey. It was already interesting when it started and Jankun added another layer of "interestingness" with the vocals :D

  • klownshedklownshed

    @unlink said:

    @klownshed said:

    A collaboration with the talented Mr JanKun.

    Music by Meester Smeeeth + JanKun | Guitar, lyrics, vocals by JanKun.

    Really, there is not much to say, just a great song from two of my favourite artists here on LPF B)

    Having listened to this track since from the very beginning and with and without lyrics I'd say it really changed thru his journey. It was already interesting when it started and Jankun added another layer of "interestingness" with the vocals :D

    Thanks! :)

    Perhaps I will upload the instrumental version too one day.

  • DavidEnglishDavidEnglish

    @richardyot
    Dreamy with some excellent guitar work. Feels like a song you might hear from the stage as you enter The Bang Bang Bar in Lynch’s Twin Peaks. It hangs in the air and seems to permeate the room. And while people seem to be talking, you only hear the song and its mournful lyrics.

    @klownshed
    Deep and atmospheric. Full of surprises. Lost in a dream with the radio locked onto this song. Pointing to a way out or maybe a map of the dream’s landscape? The Beatles as seen through a dark, distant mirror. Oh, yeah, I really like it.

    @yellow_eyez
    A cool song that’s constantly dissembling and reassembling itself. It’s a meta-song in the sense that it’s as much about how to build and rebuild a song, as it is about the song itself. Echoes of Alice in Wonderland.

    @unlink
    Love how it builds gradually into an atmospheric soundscape. Nice balance of ethereal and metallic sounds. Scurrying sounds and a percussive beat drive it forward. It’s an intriguing song that I could easily melt into -- and mentally explore -- over and over again.

  • yellow_eyezyellow_eyez

    @DavidEnglish thank you man. I mean that descriptive summary is really what my intent was man….so glad you caught the vibe dude :)

  • GeoTonyGeoTony

    Great work by all the creators 👍
    Loved the guitar riff in yours @richardyot + the song as a whole and very glad you posted your late entry @unlink 🙏

  • unlinkunlink

    @GeoTony said:
    Great work by all the creators 👍
    Loved the guitar riff in yours @richardyot + the song as a whole and very glad you posted your late entry @unlink 🙏

    Thank you very much Tony 🙏

  • richardyotrichardyot

    @GeoTony said:
    Great work by all the creators 👍
    Loved the guitar riff in yours @richardyot + the song as a whole and very glad you posted your late entry @unlink 🙏

    Thanks for listening, glad you liked it ❤️

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