Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
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Comments
Seems to be ok for me in Safari on iPad Air 2. I will repost just one track instead, since I have been told off by Mr Goodyear!
Yes, I noticed. Thank you
Ok, no problem!
Nice one. Did you use Abu Dhabi for the vocals or just add them in later?
@richardyot: nice sound, especially the guitar in the stereo strummed section after the verses
@mrufino1: nice Gadget sounds and great fx too!
@Matt_Fletcher_2000: very well put together and professional sounding
nice to hear a Gadget track that doesn't sound quite as loop based as some 
@NoiseHorse: love the 'fake' accent and the hillbilly guitar!
Did I miss anyone?
@AlterEgo_UK you won't pry anything out of my cold dead hand before 11.59 central time tomorrow night
Yeah, it's true, I'm a deadline kind of a guy....
@AlterEgo_UK
thanks for the kind words. I was able to listen, even with the 3 songs posted, to the first one. You are a 70's prog rock fan! Cool sounds though, I enjoyed it.
I'm glad there's a thread providing peer pressure to post songs. @richardyot, yes, we all have things that get better. But by posting music, that's how it happens.
@JohnnyGoodyear: no pressure of course! Oh my, what time is it?.....
Just a few operational issues to iron out....
This is a quiet piece that I've been meaning to write for a long time. It's for my friend (no longer with us) George and about an afternoon we spent together. It's also a curdled love story I guess, which is why it's taken some making sense of.
For those interested, more details here: https://johnnygoodyear.wordpress.com/2015/01/20/horse-a-gun-full-of-amber-loaded/
Thanks to the Song of the Month Club and particularly @richardyot for getting it on out.
Thanks for that. Are you a fan of de Chirico?
A little, I see his influence more than a love his work I guess. I am certainly a fan of his friend Apollinaire.
Epic fail here. Zero tracks in 27 days and nothing doing tommorow. Have progressed on a long form track that I started Jan. got sidetracked by new headphones and work. Will prob spend last day listening to the above instead of finishing mine
@Johnny it's really good! Innovative, and weird in a good way, a real surprise to listen to.
Still could be improved with a sense of narrative though, it would be good to hear more of the voice (I'm not sure if that's your voice or a sample), and although the music is eerie, it could do with some more build-up to get somewhere, even if it's subtle, or maybe just something more with the voice.
I didn't know you had a blog, but anyway it's clear you have a strong artistic identity, that's a rare thing.
Bit new to this malarkey. All a bit last minute, so posting this noisy little ditty.
Exported straight from Gadget which I'm struggling to make sense of.
@richardyot Narrative, yes. Of course I know what it all means
I get lost between the bit where I'm expressing how something felt (to me I guess) and then forgetting that I'm maybe supposed to be explaining that to the listener who wasn't there (in this case). Still, this exercise caused me to at least get to the base camp of really expressing the feeling of what a particular doomed langour felt like (as an observer anyway....).
Thanks jocphone, enjoyable in its jauntiness. I have given up on Gadget and its verticality.
Cheers @markk I do enjoy the immediacy of Gadget but less so the idea that everything has to change at each scene break. And the lack of audio recording.. Think I may use it how others do, as kind of a musical sketchpad, going forward.
@JohnnyGoodyear - haunting... The piano sounds great. Salzburg? All very atmospheric and deft of touch. More of package with the film than a standalone piece of music I guess?
@AlterEgo_UK ... I liked your dub track the best... by quite a long margin actually (but i'm not much of a prog rock fan). I guess all 3 tracks 'meander' quite a bit. Probably the intention. But with the dub one I found myself craving a bit more structure.
@Jocphone - quite a challenging listen but some good stuff in there. I like the chopped vocals. I like the dubbed out FX. There's drum hit in there i'd personally say needs taming a bit (listening on headphones). I like the plucked music box type lead.
@solador78 - I used Bilbao for the vocals. I took the original vocal samples, I chopped them into phrases of well under 5 secs. I put them into Dedalus to add the stereo delay. I went into audioshare to cut and fade out so they were still under 5 secs. I then imported into Bilbao on different pads - but I also produced the elongated version of 'he told me so' and some of the incidental vocal sounds by using the 'bow' tool in Samplr on different bits of the wave form. Then audioshare - then Bilbao.
Got it. I always forget that Bilbao works for vocal samples since I mainly stick to the other two drum machines.
@Matt_Fletcher_2000 Thanks Matt. Could you have a word with folks over at The Gadg and get them to change that sample limit in Bilbao? It's gratingly inconvenient. Thanks
Ah yes sorry about the eardrums @Matt_Fletcher_2000 must get myself some headphones. The ipad speakers don't quite cut it I guess. Do quite like the idea of some of the instruments being a bit untamed as I find the griddiness a little overbearing in Gadget and like to play around with loosening things up a bit.
Actually, come to think of it, once I added the stereo delay effect they were more like 15 secs so I had to chop into 3 x 3 bar segments and stitch back together in the GAdget piano roll. It works, but as JGY says its a PITA.
@Matt_Fletcher_2000 Just checking: Are you chopping in AS?
Yep... chopping in AS with it's wonderful snap mode.
However if i'm needing more than about 4 slices I take the audio file into iMPC pro for chopping (does up to 36 slices) - cos the slightly improved slice workflow in iMPC then slightly outweighs the hassle of having to go into another app. You have to make sure you have an exact and perfect number of bars before you take it into iMPC though - otherwise your slices will be out.
The new AS microfade settings are useful for sounds that run over a split I think (which might otherwise produce a 'click').
@Matt_Fletcher_2000 good tip. I wonder (I really do) what reason Korg has/had for the Bilbao limitation. Tactical or technical?
Dunno. It's pretty bl00dy annoying though. I presume it's for technical performance reasons.