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Covers Club - March 2017

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Comments

  • @richardyot So glad you chose to venture down the unplugged route. Creates space/air that only your vocals can fill. No bells and whistles to complicate or camouflage your natural vocal voice. The time, effort and commitment to improve, is most definitely paying you back. You deserve it. I felt every word and you know how much I enjoy that.

    So, which mic did you use to record this? Hadn't heard of the term "comping" before. I do try to record 3 tracks, but then get lazy and just use the last take without sifting through the others. Yes, important phrases and words are worth the effort to get right and each can tell the story in many different emotional ways.

    Liking travelling down the "man and guitar" avenue this month, and inspiration is flowing. Thank you. Guitarism without the big pig stomp box? Surely not! ;) Good work Richard.

  • @Bluepunk said:
    @richardyot So glad you chose to venture down the unplugged route. Creates space/air that only your vocals can fill. No bells and whistles to complicate or camouflage your natural vocal voice. The time, effort and commitment to improve, is most definitely paying you back. You deserve it. I felt every word and you know how much I enjoy that.

    So, which mic did you use to record this? Hadn't heard of the term "comping" before. I do try to record 3 tracks, but then get lazy and just use the last take without sifting through the others. Yes, important phrases and words are worth the effort to get right and each can tell the story in many different emotional ways.

    Liking travelling down the "man and guitar" avenue this month, and inspiration is flowing. Thank you. Guitarism without the big pig stomp box? Surely not! ;) Good work Richard.

    Thanks, the vocals are slowly getting better, but then I hear someone like @Bootsy or listen back to the original Wings by Birdy and I see that there is a loooonnnngggg way still to go. Still it's fun, singing is really a joyful thing to do.

    As for the mic, it's all done with the Shure MV51(a USB/Lightning mic), because my XLR condenser mics are all still in storage, we're still living out of suitcases in holiday homes. It's been seven months now, we're hoping to move into a new house by the end of March, and I can finally get my guitars, mics, and interface back. For the last few months I've been using the USB mic and a battered old second-hand 12 string acoustic.

  • @richardyot said:

    @Bluepunk said:
    @richardyot So glad you chose to venture down the unplugged route. Creates space/air that only your vocals can fill. No bells and whistles to complicate or camouflage your natural vocal voice. The time, effort and commitment to improve, is most definitely paying you back. You deserve it. I felt every word and you know how much I enjoy that.

    So, which mic did you use to record this? Hadn't heard of the term "comping" before. I do try to record 3 tracks, but then get lazy and just use the last take without sifting through the others. Yes, important phrases and words are worth the effort to get right and each can tell the story in many different emotional ways.

    Liking travelling down the "man and guitar" avenue this month, and inspiration is flowing. Thank you. Guitarism without the big pig stomp box? Surely not! ;) Good work Richard.

    Thanks, the vocals are slowly getting better, but then I hear someone like @Bootsy or listen back to the original Wings by Birdy and I see that there is a loooonnnngggg way still to go. Still it's fun, singing is really a joyful thing to do.

    As for the mic, it's all done with the Shure MV51(a USB/Lightning mic), because my XLR condenser mics are all still in storage, we're still living out of suitcases in holiday homes. It's been seven months now, we're hoping to move into a new house by the end of March, and I can finally get my guitars, mics, and interface back. For the last few months I've been using the USB mic and a battered old second-hand 12 string acoustic.

    Sorry to hear that it's still going on. Terrible. Those heavy duty mics will get a good seeing to when you unpack. Best of luck with it all.

  • A beautiful song, from the musical "The Waitress", made famous by Sara Bareilles, sung by the beautiful voice of Summer Kaia-Mulready.

    Guitar and all apps: Colin Powell (A Multitude of One)
    Apps used:
    iGrand, Jamup Pro XT, Cubasis, Audiobus, SampleTank, AUFX:Space and Audiobus
    Recorded in Cubasis and mastered in AudioMastering

  • @richardyot : Don't know the original but it is lovely song with lush vocals and a very nice acoustic guitar sound.

  • @Bootsy : Again, don't know the original but this sounds very polished. Great voice, harmony and guitar playing!

  • @Bluepunk : Love it! You have quite a unique selling point with punk versions of innocuous pop songs. Laughing out loud actually! :smile: I am sure you would do great at student union gigs or a side stage at a festival!

  • @LeeB : Nice array of hardware there, skillfully used to create a pumping cover! Waving my hands in the air (well one hand) as I listen and type! :smile:

  • @AlterEgo_UK said:
    @Bluepunk : Love it! You have quite a unique selling point with punk versions of innocuous pop songs. Laughing out loud actually! :smile: I am sure you would do great at student union gigs or a side stage at a festival!

    Thank you so much sir. Well, I have an opening. Been asked to scream out this song and Bucks Fizz - Make your (f......) mind up (woman), at a 21st Birthday party in two weeks time. Hope the wife sorts that quick release catch out on my skirt! ;)

  • @Bluepunk said:

    @AlterEgo_UK said:
    @Bluepunk : Love it! You have quite a unique selling point with punk versions of innocuous pop songs. Laughing out loud actually! :smile: I am sure you would do great at student union gigs or a side stage at a festival!

    Thank you so much sir. Well, I have an opening. Been asked to scream out this song and Bucks Fizz - Make your (f......) mind up (woman), at a 21st Birthday party in two weeks time. Hope the wife sorts that quick release catch out on my skirt! ;)

    Great news @Bluepunk you will go down well. Velcro is probably the way to go! :smile:

  • @AlterEgo_UK said:
    A beautiful song, from the musical "The Waitress", made famous by Sara Bareilles, sung by the beautiful voice of Summer Kaia-Mulready.

    Guitar and all apps: Colin Powell (A Multitude of One)
    Apps used:
    iGrand, Jamup Pro XT, Cubasis, Audiobus, SampleTank, AUFX:Space and Audiobus
    Recorded in Cubasis and mastered in AudioMastering

    Wow! Powerful and beautiful dynamic voice! Great song. Awesome recording and playing Colin! Sounds radio ready.

    @AlterEgo_UK thanks listening and the nice comments! Cheers!

  • @AlterEgo_UK said:
    A beautiful song, from the musical "The Waitress", made famous by Sara Bareilles, sung by the beautiful voice of Summer Kaia-Mulready.

    Guitar and all apps: Colin Powell (A Multitude of One)
    Apps used:
    iGrand, Jamup Pro XT, Cubasis, Audiobus, SampleTank, AUFX:Space and Audiobus
    Recorded in Cubasis and mastered in AudioMastering

    You may think it strange, but I know this song. Purposely left it for the last song before bed. No bull from me this time. One word; Beautiful. Will sleep peacefully. Thanks for sharing Colin. :)

  • Cheers, @Bluepunk Sweet dreams! :wink:

  • @AlterEgo_UK the vocalist has a terrific voice, and it's an excellent performance. If was producing this I might be tempted to add some compression, or even limiting, just to dial back the loudest parts of the vocal performance and bring the volume down a touch - it's one of those rare tracks that maybe has too much dynamic range IMO.

  • Thanks @richardyot Yes, she has a huge dynamic range. I did apply some compression but maybe not enough. I must admit to not really knowing how to use either compressiors or limiters to deal with this without making the vocals sound unnatural.

  • @AlterEgo_UK said:
    Thanks @richardyot Yes, she has a huge dynamic range. I did apply some compression but maybe not enough. I must admit to not really knowing how to use either compressiors or limiters to deal with this without making the vocals sound unnatural.

    Well in this case it should be fairly straightforward because you just want to tame the very loudest peaks, so I would set a fairly high threshold so that the compressor/limiter only kicks in when she is really belting. Then set a fast attack, a slow release and a soft knee to avoid sudden changes. It also helps to add the compression at the start of the chain, and to use a high-quality plugin for maximum transparency, Pro L for example would be perfect for this.

  • Thanks for that @richardyot I don't have Pro L but I am sure I can apply what you said to a different plug in. Cheers :smile:

  • edited May 2017

    @Bootsy I love that Milk Carton Kids song, and you did a great cover. Vocals and acoustic are great, very inspiring.

    (Old news, sorry. I can't keep up with you SOTMC regulars)

  • @Hmtx said:
    @Bootsy I love that Milk Carton Kids song, and you did a great cover. Vocals and acoustic are great, very inspiring.

    (Old news, sorry. I can't keep up with you SOTMC regulars)

    No worries @Hmtx, thanks for listening and the comments! Love the Milk Carton Kids, some seriously talented dudes!

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