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Comments
Oh, he's a lot worse now than he used to be, that's why we love him so etc.
Sound of Silence, recorded as a live guitar/vocal performance with a USB mic and then a smidge of compression and reverb. It's a little raw, because I'm not the world's best live performer.
Merci - I'll take that as a compliment!
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Very good, big meaty bass sounds in that one. I like the original too.
I thought the song was called "One Step Beyond" by Prince Buster ? Anyways really enjoyed cool vibe. Also the art work on your soundcloud songs are pretty cool.
Nice version..... At the beginning of the vocal, I thought that there was a but of Eek A Mouse there?......... I thought, what a great idea, "Eek A Mouse" doing a Prince Buster Skank.
I know I've posted this before, but as it's about covers, I thought, "Sod it!"...... I'll post it again.
Nice job ! Really love this song, always wanted to do it myself. Love the rawness..
Very cool!
Couple of old covers.
Nina Simone's Be My Husband. Vocals by my friend Colin. Strings by Thumbjam. The rest by Nanostudio.
Ukulele meets Roland SH-101 cover of Under the Killing Moon
http://bridgeportmusic.com/audio/bluebird/8_killing_moon.mp3
A noiserock cover of a tune by a l'il ol' band from Düsseldorf as performed by my drugged-out shirtless teenage dirtbag alter egos. Hail Santa!
Thanks for listening. Hopefully one day I can come close to your level of polish, as you know I'm a big fan of your stuff (been following you on SounCloud for the last year or two).
Love the cover of Nature Boy, not just for the lovely smooth vocal but also some excellent ukulele playing. Really nice laid-back delivery, a joy to listen to.
Here is a recent cover I did of While My Guitar Gently Weeps by George Harrison (The Beatles).
I cheated a bit with the drums as they are from a midi file but are triggering the Alt Rock Kit in Sample Tank (saved a lot of time!). Organ is Cubasis and maybe Bass is also Cubasis (can't remember) but a bit of real bass too and all real guitars, using a preset I downloaded to Jamup Pro from the Tonecloud for the lead and a Tonestacj Acoustic for the rhythm part and vocals by me too.
@LeeB very nice production that actually puts the original to shame in terms of synth sounds and production values but I did keep hoping the vocal was going to come in at some point... Only feels like half a song without it.
@trackedout I never would have had you down as a Queen fan, you're always full of surprises
This is so much more polished and together sounding than your own stuff (but I really like your normal crazy stuff). it's a great performance with a hint of craziness in the arrangement, but I missed your trademark looseness and off-the-wallness.
@DerekBuddemeyer good job, nicely produced, especially the guitars and drums. Vocal is pretty good as well, and the guitar playing is very tight.
@MonzoPro nice bit of toe-tapping fun, and the vocal is indeed quite bonkers (although a tad quiet, would really like it notched up a bit). Bounces along nicely with just a bit of strangeness thrown in to make sure it doesn't get onto Radio One.
@Jose_Bee I'm not familiar with the original, haven't watched the show yet, but this has a cool blend of menace and whimsy, like a 1950s theme gone wrong.
Sorta cover...
Manipulated violin segment from Stockhausen's "Solo" with added percussion and processed audio taken from a 60's Contac cold medication commercial (Contac...Kontakt...get it?):
This was a very good time. Love the lead sound with wild abandon. Would like to hear the drums way louder.
BRILLIANT! Are you secretly Danny Elfman?
Lots of details to love but I'm particularly fond of the light synth doubling on the bass.
@flo26 this is an intriguing blend of the tight and the raw: the perfectly controlled guitar with the rock-steady tempo played with subtlety contrasted with the more raw vocal. I like the voice a lot, it has an sense of vulnerability that a more perfect performance would lack, and it contrasts with the backing so well. There's a lot of feel and emotion in that performance.
Thanks! I will tell "the guys" that you enjoyed it.
Excellent! Both of them.
The Bunnymen are particularly hard to cover effectively, but you did it.
Nice work.
Agreed. The rough edges actually make this cover for me. The purity and perfect pitches of the original is great and all but your version really brings out the personal in this song. The way it cuts off abruptly at the end made me want to hear the last sung 'silence' get cut off instead. Maybe just heavy handed trickery, I dunno.
@syrupcore of two tracks you posted the Echo And The Bunnymen one was the one I liked best, so that's the one I will comment on (of course there are marks deducted for flouting the rules).
I love the double-tracked vocal, and the backing harmonies in the chorus, and as I'm a fan of uke covers in general this one ticks all the right boxes. Is that you singing? And did you transpose to a lower key from the original to accommodate the deeper voice? Anyway that was most enjoyable.
I forgot! Sorry.
Thank you. I didn't transpose it purposefully. Just sorta worked out a comfortable way to play it on the uke by ear/memory and sang. It is a tenor uke. So yeah, no idea it's relation to the original key!
Rough edges are what my vocals are all about, when I hear them in my own performances they make me wince, but in other people's I enjoy them (lifelong Dean Wareham fan after all), so maybe it's in the ear of the beholder.