Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.
Download on the App StoreLoopy Pro is your all-in-one musical toolkit. Try it for free today.
Comments
You mean the CC Panel using the devices button if you pick CC?
I have these mappings for the text (and it is just text associated with the number - nothing official from Moog!)
@CC 0,// Bank Select coarse",
@CC 1,// Modulation coarse",
@CC 2,// Breath ctl coarse",
@CC 3,
@CC 4,// Foot Pedal coarse",
@CC 5,// Portamento Time coarse",
@CC 6,// Data Entry coarse",
@CC 7,// Volume coarse",
@CC 8,// Balance coarse",
@CC 9,
@CC 10,// Pan position coarse",
@CC 11,// Expression coarse",
@CC 12,// Effect ctl 1 coarse",
@CC 13,// Effect ctl 2 coarse",
@CC 14,
@15 Midi Bridge CC16 MSB,
@16 Midi Bridge CC17 MSB,
@17 Midi Bridge CC18 MSB,
@18 Midi Bridge CC19 MSB,
@19 Midi Bridge CC20 MSB,
@20 Midi Bridge CC21 MSB,
@21 FFilter Low Pass,
@22 FFilter 250,
@23 FFilter 350,
@24 FFilter 500,
@25 FFilter 700,
@26 FFilter 1000,
@27 FFilter 1400,
@28 FFilter 2000,
@29 FFilter 2800,
@30 FFilter High Pass,
@31 Atten 1-1,
@32 Atten 1-2,
@33 Atten 1-3,
@34 VCF filter freq,
@35 VCF Freq Range,
@36 VCF Regen,
@37 VCA1 LinExp,
@38 VCA1 Level,
@39 VCA2 LinExp,
@40 VCA2 Level,
@41 Osc Driver Freq,
@42 Osc Driver SemiOct,
@43 Osc Driver Width,
@44 Osc 1 Freq,
@45 Osc 1 Range,
@46 Osc 1 Sync,
@CC 47,
@48 Midi Bridge CC16 LSB,
@49 Midi Bridge CC17 LSB,
@50 Midi Bridge CC18 LSB,
@51 Midi Bridge CC19 LSB,
@52 Midi Bridge CC20 LSB,
@53 Midi Bridge CC21 LSB,
@54 Osc 2 Freq,
@55 Osc 2 Range,
@56 Osc 2 Sync,
@57 LP filter freq,
@58 HP filter freq,
@59 VCO coarse range,
@60 VCO sub,
@61 VCO freq,
@62 VCO range,
@63 VCO width,
@64 VCO clamp point,
@65 VCO aux waveform,
@66 VCO aux level,
@67 Env 1 T1,
@68 Env 1 T2,
@69 Env 1 T3,
@70 Env 1 ESus,
@71 Env 2 T1,
@72 Env 2 T2,
@73 Env 2 T3,
@74 Env 2 ESus,
@75 Mixer Level 1,
@76 Mixer Level 2,
@77 Mixer Level 3,
@78 Mixer Level 4,
@79 Mixer Master Out Level,
@80 Reverse Atten,
@81 Controller Poly,
@82 ControlsTo Osc,
@83 ControlsTo Env,
@84 Power switch,
@85 AudioBridge Bus1 Stereo,
@86 AudioBridge Bus2 Stereo,
@87 MidiBridge 14 bit,
@88 Delay Mix,
@89 Delay Time,
@90 Delay Feedback,
@91 Delay Clock Sync,
@92 Rev Atten 2,
@93 Rev Atten 3,
@94 Amp 1 Level,
@95 Amp 2 Level,
@96 Recorder PlayStop,
@97 Recorder Record,
@98 Recorder Overdub,
@99 Recorder Buffer undo,
@100 Recorder Buffer clear,
@CC 101,
@CC 102,
@CC 103,
@CC 104,
@CC 105,
@CC 106,
@CC 107,
@CC 108,
@CC 109,
@CC 110,
@CC 111,
@CC 112,
@CC 113,
@CC 114,
@CC 115,
@CC 116,
@CC 117,
@CC 118,
@CC 119,
@120 All Sound Off,
@121 Reset All Controllers,
@122 Local Keyboard (off/on),
@123 All Notes Off,
@124 Omni Mode Off,
@125 Omni Mode On,
@126 Mono On (Poly Off),
@127 Poly On (Mono Off),
I know... I’m being generous because this app is so amazing and don’t want to give the developer grief about it not being AU
It’s one of the only IAA apps I still regularly use and I would LOVE it if it became an AU.
My next projects are all AUv3
That’s very exciting! Can’t wait to see what you have planned.
Anyway, regardless - Quantum is still the best app on iOS for me. Just amazing. Congrats on the new skin and features and thank you for the free update!!
Whaaat? I hadn’t seen this. Must read the manual from start to finish...
Yes, in the CC Panel you can pick CC values to be modulated by the faders. If you select Model 15 there (among some other external hardware mappings), then you get to easily dial in the CCs you want from the list @midiSequencer posted above. Unfortunately, the nice text displayed there is not carried over to the faders UI, so there you need to remember what the heck CC1(CC57) is!
That's a good point. That was intended to illustrate a use for the parts feature but, yes, it's overly complex for toe dipping. Updated version:
Hey guys,
Been awhile. I read the above feature, and am lil overwhelmed but...here we go:
I really like to noodle on the previous app midi sequencer. I totally appreciated the free IAP that everyone gets now. I basically just want to know how much different Quantum is compared to the other earlier more basic app. I have not even fully explored that one so quantum looks a wee bit scary unless it is more like midi seqx4 or is it totally way more amazing in everyday? Thanks and I feel like this and steparp unit are competing right now in terms of noodling tangerine style or whatnot. Anything I miss? And thanks yawl rule!
Since apeMatrix came out I've been mostly using steppolyarp over quantum due to the state saving. It works for me, in that I'm getting a lot more tunes past the 'nice idea' stage with that setup.
But, I'm finding that that setup, which often seems to mean five or six steppolyarp instances, is limited because I run out of matrix. Quantum as an AUv3 would be fantastic, meaning I could run all my MIDI in one slot.
Yep. It is indeed like MidiSequencer X 6. There's much more added but you can ignore all of it and just use it like (up to) 6 instances of MidiSequencer. It's actually up to 24 instances but...
I think the only thing Quantum 'lost' in the move is the sliders aren't as tall as they are in MS to accommodate all of the new stuff below the sliders. Oh, snapshots aren't there though there are 'versions' which is pretty much the same concept. I can't think of anything else anyway.
The additions are:
and probably more...
MidiSequencer is still quite capable, but Quantum is for controlling multiple synths & improved noodling.
Though, just for clarity, you can also use multiple sequences pointed at the same synth.
@midiSequencer spent several more hours with Quantum. What an incredible sequencer! It's starting to make more sense now.
Three questions... in the manual you refer to RHS and LHS. What are these?
Seems I saw a "latch mode" somewhere. Where is it? How does it basically function in Quantum?
I wasn't able to locate the "latch mode" description/section or what RHS/LHS stands for in your manual.
Lastly, people keep asking for Quantum to be AU. With the level of control and seemingly infinite possibilities for composition as it is now... how could it even benefit at all from being an AU? I mean, I can't imagine needing multiple instances of it with all of the sequence and parts combinations already available. How could AU be of benefit if you ever decided to go that route?
Right Hand Side
Oh geez. FFS... seems like something that simple would be spelled out. I scanned the whole manual 3 times trying to find what the reference to that is supposed to be. Is that a standard abbreviation for that? Never seen that abbreviated before.
*scours internet to find out what FFS is.
I had to ask the same question during Beta testing.
It's been mentioned in other threads. Apparently AU offers a more solid clock. Plus, the state saving benefits of AU, etc.
Good one!
Oh yes, there’s that.
It’s just that I’m really in awe of how great this sequencer really is. Never cared for the UI design to be honest, but the new one is much easier on the eyes.
All in all, it’s a fairly genius piece of software. I don’t think I’d ever use all that it’s actually capable of. I can’t really think of much it’s missing.
Even simple things like play forward 3 then back 2, can make for great dynamic and evolving changes in composition.
Can you hip me to the latch mode functions if you’re familiar?
@skiphunt sorry, can't recall what latch mode is off the top of my head.
It's funny, I'm finding myself using the original look. Not so much that I think it looks nicer (especially those italic, serif fonts... ; ) but I'm finding the more colorful screen easier to find controls more quickly; especially the version buttons, especially when they're hiding under the Audiobus panel*. I'm also finding the gradient in the sequencer lanes messes with my eyes when scanning over the interface.
*Actually, this reminds me: @midiSequencer , would it be possible to include a setting for placing the Audiobus panel somewhere else? I know the function is there and have seen other apps that allow this user control. The right and left sides of Quantum have lots of play controls, I would prefer if the Audiobus panel was at the top (or maybe bottom) as these are more controls that you use to set up a session rather than to play one.
One other thing: while you can set a step up to 400% gate, in the Chord page the slider only goes to 100%. The slider control can actually appear outside the soldier channel.
The only latching I'm familiar with is standard "note latching" I.e. The step outputs a MIDI on but no MIDI off, so a looped sound will continue playing.
a> @aplourde said:
sure its possible to place audiobus control panel at a different edge so will include that as a user option
I'm probably going to remove the gradient too.
On the chords page the Vel & gate are now relative multipliers rather than absolute values, so you can set an added note step up to 100% of the original step value, but not more. If you think you'd like more let me know and I can make a change?
Yes latch is for 'no midi off' = no release of key. Its intended for drone notes - you sort of play these via the audition button (the speaker button bottom right on main screen).
Probably a good time to mention this audition button - its really useful to allow you to play the faders as a keyboard. First setup your steps notes/chords etc. Lock the screen, enable audition - you can play along with your sequences using the fader steps as a sort of memory. If the faders are unlocked steps are played as you move them (more as an audible feedback as to the note you want).
You can do this in the chords screen too.
AU clock is going really well (low cpu, no glitches) - hope to do a video demo this weekend using it.
Yes, I figured out the latch. I thought I'd seen it written as "latch mode" somewhere and was curious what the "mode" was. But, I just misread "latch note" instead.
Cool on the audition button function. Hadn't discovered that yet. Will give it a try later.
On the gradient... doesn't really bother me. Kind of like it even. However, maybe you could try a gradient from dark grey to one of the deeper purple shades in the logo, instead of the current gradient that goes from dark grey to white/light grey. You'd still have a little dimension illusion, it'd be consistent with your overall app color palette/logo. And, the contrast of the white text on deep purple might be easier to differentiate for those who say the gradient is messing with their eyes.
Hmmm, it seems to be showing the absolute value, not an additional modifier:
Thanks in advance for movable Audiobus panel! That's going to make performing much easier.
@midiSequencer or anyone else - can you tell me more about the CC templates, please? So I see how to load the Model 15 one for example but then not sure how to practically use the template?
@aplourde - let me recheck - I'm sure I changed it all to be a multiplier - but yes that fader should remain on screen - even though its the step note.
@gusgranite by cc template you mean my CC mappings for devices?
These are only in the CC Panel (main screen button top left) - open up the Controller panel & pick CC
You see where it says Standard midi - tap that button to select different mappings - these are text only.
Yes, thank you! I got that far but I’m interested in practical usage. How would you use these CC mapping’s with Model 15, say? Is it possible to give me a example, please? Thanks!