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Comments
Since I haven’t posted anything to the SOTMC I really find it hard to give any negative critiques because I don’t want to piss off anyone & get the old “let’s hear you do any better”, etc. (Although, lots of my earlier recordings are easily found by looking at my profile here for my website, etc.)
But in @trackedout’s case I sincerely want to help as a brother musician. You have your song craft down, the structure is good and sound. The problem is just the total lack of low end, bass, etc. in the track. Sometimes mixing with headphones can cause the perception of “how much bass do I have” to be skewed.
There’s just a lot of spiky, high end in the track and not much low mids and bass. Remixing it with increases in those areas, and reduction in the high end, with perhaps adding a synth bass or bass guitar part as well then you’d be cooking with gas.
Good luck, keep doing it because this is a field of endeavor where practice TOTALLY pays off, I learn something new everyday recording & writing music...it’s never ending.
Be cool...
Thanks Richard, I'm getting close to getting used to LUFS and just dealing with streaming as the new "platform" in the wax cylinder->shellac disc->vinyl->cassette tape->CD->MP3-> timeline.
For as long as I can remember it was get it as hot as possible before clipping... technological improvements like LUFS gratefully de facto ended the loudness wars, but it still takes some tme to adjust.
As far as SoundCloud goes I really am trying to support them as they are the only streaming platform of its kind that allows users to upload material while also providing major label streaming. I joined their monthy GO+ service which I'm very happy with, they have full catalogs of many of my all-time favorites (CCR, McCartney solo, Beck, Stevie Wonder, The Police, etc) as well as the huge amount of independent artists.
Yeah, recordings with actual dynamic range sound weirdly quiet to our ears nowadays, it can be unnerving hearing a track breathe and go from quiet to loud
SC are still the best platform for easy distribution, especially with the conveniently embeddable player. Let's hope they survive. I pay them the "pro" sub.
@theconnactic
Not into metal, but liked this track. Good story to the lyrics and musical dynamics.
@trackedout
Liked this... not really my style, but liked it. Good, technically but like studs1966 said there's some bass eq needed.
@crouchie
Enjoyed this a lot. Very well mixed, especially that wide stereo image. Flows well, I'd (personally) want to hear more of this style (what would you call it?) ... it's great driving music!
@icsleepers
Wow! Loving this! Crunchy, hint of d'n'b, loving the bass synth you got goin. Guitars and strings really take this to epic levels. Sounds like something you'd expect in a top notch hollywood blockbuster!
@studs1966
Awww yisss! Loving the Disco Mix mate! This'll get the crowd on to the dance floor for sure! Great production and loving the b-line. Who's the vocalist?
Ahhh awesome, thanks @dedko
Thanks @dedko mate. Hear name (vocals) is Zara Taylor.
Wow, love the sentiment, and the track is something the Talking Heads probably wouldn't of minded writing. The synths & bass keep this undercurrent of suspense flowing & the English accented vocal bits were perfect for this.
It's very hard to write any type of social commentary, "protest song" without being hamfisted about it, you pulled off a great track with a very cool message too, well done.
Thank u, v kind 👍
I’m in for this month as well. Somewhat shorter then my previous postings, still no vocals. Not needed I guess.
My entree of the Month
Thx for listening
Hi, recently join the forum. So this is my first entree. Hope you will like it.
Merci pour la chance que tu nous offres, Richard!
Listen to Eternité by Shore Disorder #np on #SoundCloud
Hi all!
I have only used iOS AU effects, no virtual instruments. I will listen to the other entries and come back with feedback later when I find some time (after the football world cup in russia). This is my entry
One of my favourite Bob Marley tracks (from the Exodus Album)...... Nicely done @fattigman......
Yeah!..... Bit of old school Detroit Techno from the 90’s...... (Early Model 500 style)..... Excellent...... Yep!.... Your right, doesn’t need vocals.
Excellent track mate.. Nice voice, tho my French is crap.... But it was in key from the music....... Please don’t take this the wrong way, but my eyes were closing in under a minute......... It chilled me out that much.... Great stuff!....
Wow, I am not taking it the wrong at all. It looks like the way I react to stuff I really like. I am really glad, this song did that kind of thing to someone. Thank you, you made my day!
Hi Richard, Nice work. The way you sing on the verses kind of remind me of Matt Berninger from The National, though your voice pitch is a bit higher. I don't see much to say, great lyrics, nicely done. There is maybe one synth sound that I found a bit cold, I would have added a bit a overdrive/distortion to warm it up a bit. But that's just my taste.
A lot of work on this track. Really nice. Far beyond my technical expertise... I wish there was some vocals. Do you know the German band called Moderat. Your track reminds me of their work
Raw! Loose! Aggressive! All the qualities I came to expect from your songs are there. One of the best I heard from you. Great job!
From where did you get the sampled voices in the beginning? Great choice! Great mix, your voice is clear and it's good! Enjoyed this one a lot, really!
What a beautiful, somewhat dramatic beat. Bravo! Liked this one a lot.
@studs1966, great song, beat and mix - the usual I expect from you. This one (I listen the first file) is definitely ready for the clubs.
Many thanks. They are from the original House of Cards UK series, did a screen recording then sent into AudioShare to save the audio then into Auria. Was v easy and will do it more now I know how!
Sorry I’ve been out of the loop here lately, things have been a bit overwhelming at home the past few weeks (long story short: my wife had full hip replacement surgery, rare for one as young as she is but such is life and she’s recovering as well as we could’ve hoped). Anyway I will try to get caught up on feedback here today or tomorrow and hopefully have something to contribute myself by the end of the week.
@richardyot your tracks always seem to have “pro” stamped on them and this is no exception! I really like the sound you’ve captured on the vocals, it fits nicely with the feel of the track and the lyrics. Very nice job on the mix too, as I said it sounds professionally done. Great track!
My first submission and first ever track but based on feedback from the forum I thought I’d post, especially based on the liking for vocals - I was really going for singability on the song.
Tenderless
(all in Cubasis)
Really looking forward to listening through all the posts (I’m also in the “new person/difficult to critique camp).
Cheers all and thx for a listen!
Love it! I especially like the breakdown and transition from 3:30 to 4:30, very nicely done. The sound choices and space fit perfectly with the groove of the track. Nicely done!
I like it
The vocal harmonies were done well (you should do more of this in your tracks BTW). And the guitar solo was spot on. My only suggestion would be to bring that solo more forward in the mix, I kept wanting it to be a little more “in your face”. Just a minor suggestion though, I really enjoyed the track.
First let me say I like this. It’s got a cool edgy feel. But let me give you my thought process while listening. My first thought was “cool, but hmmm where’s the low end?” Then it was “oh that high end crackly bit on the vocals is neat.” Then it was “oh wait, is the missing low end intentional?” Then it was “yeah I bet it is” but with a lingering “I’m not sure”
So one way to answer that for the listener is to actually bring up the low end at some point, like the chorus or even just a bridge, then take it away again. Feel free to ignore that and follow your gut though. I did like it as I said. And the abrupt ending was cool too. 😎
Ooooh nice! The synth at about 1:45 and 3:30 or so is super cool. The whole thing is great but the highlight is the last 2 and a half minutes. Awesome stuff man. The vocal level is just perfect in that last section, and my one minor suggestion would be to bring up the vocals a bit in the rest of the song (but keeping the existing level in the last section). Loved the whole song though!