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Comments
DRC is up there with ModelD and Zeeon in my opinion. It has its own character. The devs have promised AU compatibility at some point.
@1nsomniak
DRC is great. and @Fruitbat1919 nailed it. It has its own character. I ended up buying it on iOS and Android
BTW, you can check their tutorials on youtube. Imaginando does a great work at showing how to build patches of famous songs:
Loving your tracks so far guys!
While Zeeon and Model D are better in some areas DRC is brutal and beats them for really dirty and gritty sounds. The gain staging is a lot fun there.
Also it has some nice FX which you can modulate.
Last but not least it has (for me) the best GUI and workflow from these 3 and i can use the same sounds on my iPhone, iPad and mac.
Everything on the Fucking With Electricity channel was designed with unease in mind, but I am offering up this one:
Thumbjam, BS-16i, Medly, Audio Reverb.
Fangs for listening!
That was intense, well done.
A little Halloween atmosphere, courtesy of iWaveStation, Bismark bs-16i, Thumbjam and Cubasis.
My submission........“The Playroom”
Another one! Hope you like it.
Model D, Embertone, Kauldron, SampleTank, Beathawk.
Happy Halloween!!!
Love the bridge where the bass stops for a while. Very atmospheric. Definitely gives a sense of walking down a creepy street whilst pretending you are not scared!
Plenty of the appropriate ingredients in that soup that tastes even better as you get towards the bottom of the bowl!
Builds nicely with some lovely Halloween inspired themes.
Love this, especially those drums. It has a great potential as a movie soundtrack.
Thanks for your comment. Your song is just amazing and very intense. The voices at the end are the right cherries on the cake for a great ending. I pretty much like the bells you are using here
Another track which would not be our of place in a movie. Great atmosphere and sounds.
Really professional sounding and contemporary (well to me anyway!) spooky themed love song
Yep, made me feel uneasy! Nice percussive rhythms going on in there too!
Really love the groove on this one!
Some lovely sounds and melodies in this. It definitely has a more "feminine" feel and suits the title but maintains a sense of underlying menace and madness.
Thanks @cuscolima . It is amazing how different a choir preset sounds as staccato rather than as a pad, isn't it!
Lovely build in atmos until the last quarter which is really fecking good
I all but expected the singer out of Cradle of Filth to appear at some points! Loved the use of the popular french rhyme in there. Very modern death rock like piece which fitted the title very well
I’m getting very confused to what I’ve listened to or not now. Is there any way we could consolidate all the tracks?
Finishing up a track for this thread today!
Thank you @Fruitbat1919
Thanks for listening, glad you liked it!
Thanks for listening and for the positive feedback. (I envisioned Mike Patton vocals)
Thanks!
I was inspired by elements from two of my favorite Herrmann scores: The percussion in Taxi Driver and the frantic strings of Psycho.
This is something I’m working on at the moment, and it occurred to me that it sounds a bit Halloween (which is the day everybody says ‘Hello Ian’ to me). It’s not finished, not by a long chalk. Made in Gadget, four Lexingtons, Tokyo and Montreal, and two Zurich’s holding exported patterns I made in Electribe Wave.
(Rough and unmixed/unmastered)
Wanted to make something for Halloween but I haven't had much time today so instead of a well-crafted track you get a short improvisational soundscape. Hopefully it comes across as spooky. I'd even settle for mildly unsettling.
Just bounced the track I’ll be posting in this thread — This is something I’m seriously excited to share! Bit late now so I’ll share it tomorrow morning (or possibly afternoon).