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Comments
I am also finding these strings sounding a bit weird played on seaboard. There is maybe something not set up right in the seaboard in app preset? The brass sound amazing through the seaboard. This is probably a beta glitch, I remember similar probs at the start of the brass beta and they got fixed
Check it the pitch bend options. At least with the onscreen keyboard there is very little wiggle room before you are out of tune.
I already adjusted using block dashboard Ed. But there also just seems to be something not that expressive about the way it sounds. Need more experimentation to see what is missing.
Have u been getting them sounding good with the morph?
Lol. You know me too well. Lol.
Mine came very promptly, maybe 10 mins Max.
Yes.
I found that adjusting the pitch bend range in the SWAM app was important for the way that I play. So perhaps try adjusting in the instrument and not just the controller.
Velocity is, in my opinion, pretty important for strings. Expression and velocity have different impacts on the sound and both are important -- to my ear anyway. On my physical controller, I have mapped aftertouch to Expression and it adds expressiveness. Velocity determines the volume/timbre at note onset and aftertouch lets you control the bow dynamics via Expression.
I agree in general, but in the specific we’re talking about GS v. Velocity kb. Finger expression substitutes well enough for me, and GS has many other features that Velocity kb lacks. But I don’t care that much about verisimilitude—I just want an expressive patch.
I’ve noticed that there is an incorrect note sounding very quietly when playing lightly on the seaboard for low expression. If you play softly enough to have expression at 0.1 or 0.2, you can hear a quiet note 11 half steps down from the note being played. I reported this, and suggested that they adjust the expression curve so that it passes beyond 0.2 more quickly in the seaboard preset.
These “false” notes also occur on real stringed instruments when the bow is played very slowly, so I understand why it is there.
Just noticing you can implement a bit of harmony on these by setting the bow polyphony to double.
So far might get only the cello. The others I have a problem with... they sound a bit sour to my ears.
I’m excited for these. Particularly being able to use Pen2Bow as an additional controller. @audiomodeling any tips on this?
@Gavinski I’ve had a little more time to play around with v3 strings on the seaboard blocks. Two things I have found very helpful with regards to expression: adjusting the curve for expression in the SWAM app to be a little more straight at the lower (softer aftertouch pressure) has helped my playing sound better. The seaboard preset is more sloped than linear, which didn’t work great for me. Secondly, I noticed that the bow position is tied to cc74. I turned this off as well, and left bow position right in the middle which gives good results. I find better results when cc74 is assigned to vibrato amount, rather than bow position.
Overall I find these more responsive than their geoswam counterparts when played on seaboard after marking these changes, especially the v3 versions of each model.
I've mapped vibrato to aftertouch and it’s magical.
This! Felt wonderful
I haven’t tried that, but that could yield interesting results. My set up has something similar, in that vibrato rate is mapped to expression; so quiet legato has a slow beautiful vibrato, and louder more aggressive stuff has a faster vibrato.
You’re right. I played the violin for about ten years and it’s not an easy instrument to master, nor is it an easy instrument to simulate. Most of the time a simulation ends up sounding too clean, too consistent and too mechanical.