Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.
Download on the App StoreLoopy Pro is your all-in-one musical toolkit. Try it for free today.
Comments
You saying Pro-R confused me at first and then I thought “maybe TB Reverb has Pro-R in the title” then I thought maybe you were using both. My brain got equally scrambled 🤣
Only time I want my brain scrambled is when I'm high, lol.
Same here 😂 I don’t even do that but every few days or less. Yet somehow I’m stroll scrambled like an egg 😅
😂🤣🤣
I like tfx echo and BLEASS reverb the most, personally
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Also never experienced distortion with either Sunset Sounds or Lunar Lander before. Need to investigate more.
The tfx apps are really great. I love the Bleass Reverb too though it can be a bit much without raining it in. I love a good reverb so they all have their place for me.
Hope you’re able to figure it out. I’d hate for this to be a potential disastrous bug in Lunar Lander.
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Haven’t opened Pro-R in a long time, sort of abandoned it because I couldn’t quite understand it. Seems like you can’t choose the reverb algorithm?. I think it does it automatically based on the size. I find this weird. What about plates or just different flavors for the same “space size”?. Or am I completely wrong?
With me it is the other way around. 🤓 After I bought it I rarely used it, but after I started to mix/master, I can't live without it. It’s clean and precise, you can dial decay spectrally in a sec. Using Pro-R to glue things and as a clean reverb in general. You can’t do this with many other reverbs out there.
TB Reverb has a few tricks up it's sleeve which other reverbs do not have, it can do 'shimmer', has LFOs that can be used to modulate various parameters, a built-in gate for gated-reverbs among other things.
Definitely a worthy tool to have in the 'tool box' even though the presets do not showcase everything it's capable of.
The manual is well worth a read...
https://www.toneboosters.com/manuals/TB_Reverb.pdf
Please keep going!. I’m happy to be influenced in this matter 🙋🏻♂️😂
So you’d say Pro-R is a one trick pony kind of thing?. Transparent and precise reverb with a lot of control?. Maybe that’s the thing, it doesn’t have a very evident sound of its own like emulating whatever plates… I’m not a huge reverb guy, I just like to place stuff in a space, I don’t particularly enjoy “hearing the reverb”. I need a reverb masterclass, people are so opinionated about reverbs and I feel like I’m missing out!.
That comes across to me as a bizarre mischaracterization of what @Luxthor wrote. Equating transparent and precise as "one trick pony" when what it really suggests is versatility. The point would be that the flexibility of control via functionality like spectral control of decay means that the majority of supposed algorithm switches as found in an older type of digital reverb are kind of irrelevant. The opposite of his terms being opaque and imprecise which would really be of no use in the work of "engineer"-ing a mix.
You’re probably right, which goes to prove what I said in the original post when I stated “I couldn’t quite understand it”. I didn’t mean the “one trick pony” in a negative way, and I think I understand now it was completely off. Let me try again, now with your answer…
What I understand by this is that instead of just flicking a switch to switch the algorithm, the spectral control will achieve basically the same but with more control?. Is this how you make it sound like a plate or a room?. I’m looking at a plate preset on Pro-R… the combination of yellow (post eq) and yellow (decay) eq curves are what it make it sound like a plate. Is that right?.
Thanks for your answers, very helpful
You guys need to go watch the Easy Rider movie (1969, but who can remember the 60s?) with Dennis Hopper, Peter Fonda, and Jack Nicholson (actor and producer in this one).
And from that movie:
https://music.apple.com/us/album/dont-bogart-me-aka-dont-bogart-that-joint/1455539188?i=1455539196
I actually don’t have Pro R. I use TB Reverb for most of that. I probably will get it someday though. It’s the only big reverb I’m lacking and I do love the FF stuff. Volcano and Saturn are 2 of my most used effects now.
Only got over-easy today, sorry. lights nightcap joint, tokes, exhales cooly
Now come on! Let’s get nuts! smashes decorative vase with fire poker
Sry guys, it was too late for me to reply last night. I love everything about reverberation, and will never refuse good talk about it.
Pro-R was specifically designed to be easily fit into the mix, not to be too aggressive with coloration or everything else staying in a way for a good, clean mix. It’s not exciting like Blackhole or Valhalla and is far away from spring and plate simulations.
Maybe for professionals on this forum it is a joke but when I discovered that for your instrument room you can change the type of the floor, adding carpets, changing wall density, adding wallpapers, glass, etc. with just two curves and few knobs was insta revelation for me. When you actually learn about reverberation and delay, every one of those knobs in Pro-R suddenly takes on another meaning: ‘Brigtness’ become density, ‘Character’ become algorithm, ‘Space’ become time and ‘Decay Rate EQ’ + ‘Post EQ’ became sculpting clay. That UI became a quick navigation panel for target sound.
Because when mixing/mastering I already (mostly) know what is needed, so Pro-R is kinda a basic boring but efficient tool to add just that slight reverby feeling, without density or phase problems.
Of course you can go wild with it, but that is another discussion.
I use Pro-R for that nice bit of subtle mix addition. I prefer clean reverb to create ambience around parts and this just does that easily. TB Reverb will get a bit more use now especially when I'm playing on the phone. Unfortunately FF isn't universal.
Hahaha! 🤪😂🤣
Oh by the way mate, check your private messages. 😛
If I had Pro-R, your explanation of each knobs purpose would no doubt be very helpful. Thanks for that!
Glad you like it, I also love to hear other people's experiences. If you have Logic iOS, you can use SilverVerb. It's a really fine clean reverb, just for those slight touches.
It’s never enough of reverbs, especially if you can get them cheap, like all of them on iOS. Regarding Pro-R, agree with you, this one is the Reverb reverb.
the last update is 3 years old and my issue happened last year. Maybe just bad luck but i need to protect myself and my ears 😉 Apps can crash, that‘s fine. But they absolutely shouldn‘t do this with armageddon noise…