Loopy Pro: Create music, your way.

What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.

Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.

Download on the App Store

Loopy Pro is your all-in-one musical toolkit. Try it for free today.

WaveCloud Granular Synth by 4Pockets - Pre-Release Demo

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Comments

  • TentypeTentype
    edited December 2023

    I know what you mean about not trusting the app store reviews. 🙄

    Just to be clear though Perry Pelican's reviews are great, and he often uses the app store reviews to criticize OTHER reviewers who left low ratings for foolish reasons.

    Anyway, I've done enough derailing here. 😆

  • dcollettdcollett

    @Luxthor said:

    @dcollett said:
    Not sure why the link isn't working for you. I just tried the links directly from the in-app manuals for both Progressions and Euclidean, and the links worked.

    However, for anyone having problems, here are direct links:

    Circle of Colors (PDF)
    Supplementary paper by David Collett for Progressions (by 4Pockets and David Collett)

    Euclidean, PolyRhythm, PolyMeter, and Hybrids (PDF)
    Supplementary paper by David Collett for Euclidean (by 4Pockets and David Collett)

    Sinusedo (PDF)
    Manual and overview of microtonality by David Collett for Sinusedo (by Alex Nadzharov)

    Best to you all.

    Breathtakingly good and resourceful documents. Hats off to you, good sir! 🤩

    @Luxthor Thanks very much! My goal when writing these was to spark some interest in the details behind these subjects. Although knowledge of theory isn't necessary, I believe that it opens doors not only to a better appreciation and understanding but also to an "expanded" vocabulary for composition and creative ideas.

    By my own admission, I'm a music-theory/math geek who loves to know how everything works because it helps me to push my creative ideas even further. And I know quite a few people in this forum who love theory also. But the deeper one dives, the murkier the waters.

    However, many people (who are likely much wiser than I), prefer to bypass the theoretical technobabble and actually create music. :D Best to you all!

  • HotStrangeHotStrange

    @Tentype said:
    I know what you mean about not trusting the app store reviews. 🙄

    Just to be clear though Perry Pelican's reviews are great, and he often uses the app store reviews to criticize OTHER reviewers who left low ratings for foolish reasons.

    Anyway, I've done enough derailing here. 😆

    Gotcha maybe I’m thinking of someone else then. I like to think the people he’s criticizing sees that but I’m sure they just dump a bad review for no reason and then never even think to fix or edit it when the problem is solved 🤦🏻‍♂️

  • LuxthorLuxthor

    @dcollett said:

    @Luxthor said:

    @dcollett said:
    Not sure why the link isn't working for you. I just tried the links directly from the in-app manuals for both Progressions and Euclidean, and the links worked.

    However, for anyone having problems, here are direct links:

    Circle of Colors (PDF)
    Supplementary paper by David Collett for Progressions (by 4Pockets and David Collett)

    Euclidean, PolyRhythm, PolyMeter, and Hybrids (PDF)
    Supplementary paper by David Collett for Euclidean (by 4Pockets and David Collett)

    Sinusedo (PDF)
    Manual and overview of microtonality by David Collett for Sinusedo (by Alex Nadzharov)

    Best to you all.

    Breathtakingly good and resourceful documents. Hats off to you, good sir! 🤩

    @Luxthor Thanks very much! My goal when writing these was to spark some interest in the details behind these subjects. Although knowledge of theory isn't necessary, I believe that it opens doors not only to a better appreciation and understanding but also to an "expanded" vocabulary for composition and creative ideas.

    You are just too humble, because those books have the ultimate reach in the quantity of information one page can contain and still be understandable and inviting.

    I’m just stocked on how all of your work is free, and your focus on helping those “obscure” but brilliantly deep apps is just on another level. 🤩

    By my own admission, I'm a music-theory/math geek who loves to know how everything works because it helps me to push my creative ideas even further. And I know quite a few people in this forum who love theory also. But the deeper one dives, the murkier the waters.

    However, many people (who are likely much wiser than I), prefer to bypass the theoretical technobabble and actually create music. :D Best to you all!

    We could argue indefinitely about whether it is art or not what you are doing with your music-theory/math projects. But at the end of the day, your books entertained me and gave me more experience and knowledge than most of the songs I listened to. Thank you very much for that. I will try to find a way to return this goodwill. Something more than just having those apps.

  • dcollettdcollett

    @Luxthor said:

    @dcollett said:

    @Luxthor said:

    @dcollett said:
    Not sure why the link isn't working for you. I just tried the links directly from the in-app manuals for both Progressions and Euclidean, and the links worked.

    However, for anyone having problems, here are direct links:

    Circle of Colors (PDF)
    Supplementary paper by David Collett for Progressions (by 4Pockets and David Collett)

    Euclidean, PolyRhythm, PolyMeter, and Hybrids (PDF)
    Supplementary paper by David Collett for Euclidean (by 4Pockets and David Collett)

    Sinusedo (PDF)
    Manual and overview of microtonality by David Collett for Sinusedo (by Alex Nadzharov)

    Best to you all.

    Breathtakingly good and resourceful documents. Hats off to you, good sir! 🤩

    @Luxthor Thanks very much! My goal when writing these was to spark some interest in the details behind these subjects. Although knowledge of theory isn't necessary, I believe that it opens doors not only to a better appreciation and understanding but also to an "expanded" vocabulary for composition and creative ideas.

    You are just too humble, because those books have the ultimate reach in the quantity of information one page can contain and still be understandable and inviting.

    I’m just stocked on how all of your work is free, and your focus on helping those “obscure” but brilliantly deep apps is just on another level. 🤩

    By my own admission, I'm a music-theory/math geek who loves to know how everything works because it helps me to push my creative ideas even further. And I know quite a few people in this forum who love theory also. But the deeper one dives, the murkier the waters.

    However, many people (who are likely much wiser than I), prefer to bypass the theoretical technobabble and actually create music. :D Best to you all!

    We could argue indefinitely about whether it is art or not what you are doing with your music-theory/math projects. But at the end of the day, your books entertained me and gave me more experience and knowledge than most of the songs I listened to. Thank you very much for that. I will try to find a way to return this goodwill. Something more than just having those apps.

    @Luxthor Thanks again. I've never made a cent from any app I've helped with or any papers I've written. Although $ would be a bonus :D that was never my goal. The best way for you or anyone to "return goodwill" is to share your knowledge with as many people as you can.

    Fortunately, most people are happy to share what they know with others. After having taught music, English grammar, and math my entire life, the most important two things I learned are these: (1) the more I teach (even absolute beginning levels), the more I learn myself, and (2) the more and more I learn, the more I realize how little I know and how much more there is to learn.

    I came to the digital (Mac & iOS) music scene only a few years ago. At my age, well, you know the adage about teaching old dogs new tricks... I'm in constant admiration of so many people on this and other music tech forums who are so knowledgeable about music technology. Regarding that, I'm still at the I-plug-this-into-where? stage. 😺

    Anyway, thanks again for downloading and enjoying what I've written.

    I wish you all the very best end-of-year. Let's all have a healthy, productive 2024.

  • lukesleepwalkerlukesleepwalker

    @dcollett Love this so much: "the most important two things I learned are these: (1) the more I teach (even absolute beginning levels), the more I learn myself, and (2) the more and more I learn, the more I realize how little I know and how much more there is to learn." We never get "old" with this attitude!

  • LuxthorLuxthor

    @dcollett said:

    @Luxthor said:

    @dcollett said:

    @Luxthor said:

    @dcollett said:
    Not sure why the link isn't working for you. I just tried the links directly from the in-app manuals for both Progressions and Euclidean, and the links worked.

    However, for anyone having problems, here are direct links:

    Circle of Colors (PDF)
    Supplementary paper by David Collett for Progressions (by 4Pockets and David Collett)

    Euclidean, PolyRhythm, PolyMeter, and Hybrids (PDF)
    Supplementary paper by David Collett for Euclidean (by 4Pockets and David Collett)

    Sinusedo (PDF)
    Manual and overview of microtonality by David Collett for Sinusedo (by Alex Nadzharov)

    Best to you all.

    Breathtakingly good and resourceful documents. Hats off to you, good sir! 🤩

    @Luxthor Thanks very much! My goal when writing these was to spark some interest in the details behind these subjects. Although knowledge of theory isn't necessary, I believe that it opens doors not only to a better appreciation and understanding but also to an "expanded" vocabulary for composition and creative ideas.

    You are just too humble, because those books have the ultimate reach in the quantity of information one page can contain and still be understandable and inviting.

    I’m just stocked on how all of your work is free, and your focus on helping those “obscure” but brilliantly deep apps is just on another level. 🤩

    By my own admission, I'm a music-theory/math geek who loves to know how everything works because it helps me to push my creative ideas even further. And I know quite a few people in this forum who love theory also. But the deeper one dives, the murkier the waters.

    However, many people (who are likely much wiser than I), prefer to bypass the theoretical technobabble and actually create music. :D Best to you all!

    We could argue indefinitely about whether it is art or not what you are doing with your music-theory/math projects. But at the end of the day, your books entertained me and gave me more experience and knowledge than most of the songs I listened to. Thank you very much for that. I will try to find a way to return this goodwill. Something more than just having those apps.

    @Luxthor Thanks again. I've never made a cent from any app I've helped with or any papers I've written. Although $ would be a bonus :D that was never my goal. The best way for you or anyone to "return goodwill" is to share your knowledge with as many people as you can.

    Fortunately, most people are happy to share what they know with others. After having taught music, English grammar, and math my entire life, the most important two things I learned are these: (1) the more I teach (even absolute beginning levels), the more I learn myself, and (2) the more and more I learn, the more I realize how little I know and how much more there is to learn.

    I came to the digital (Mac & iOS) music scene only a few years ago. At my age, well, you know the adage about teaching old dogs new tricks... I'm in constant admiration of so many people on this and other music tech forums who are so knowledgeable about music technology. Regarding that, I'm still at the I-plug-this-into-where? stage. 😺

    Anyway, thanks again for downloading and enjoying what I've written.

    I wish you all the very best end-of-year. Let's all have a healthy, productive 2024.

    I’m mainly an explorer in music-making, and documents like yours are essential for building the knowledge base and having strong starting positions. When Paul’s Euclidean app was released, I will never forget the moment when I opened your documentation. I thought I knew about Euclidean and polyrhythms before, oh, how I was wrong, haha.

    Thank you so much! I wish you a wonderful end of the year as well. 🤗

    BTW, I don’t want productive 2024 at all, at least regarding music-making. I hope it will be a logistical and presentation year for me. 🫣

  • TentypeTentype
    edited December 2023

    @Luxthor said:

    @dcollett said:

    @Luxthor said:

    @dcollett said:

    @Luxthor said:

    @dcollett said:
    Not sure why the link isn't working for you. I just tried the links directly from the in-app manuals for both Progressions and Euclidean, and the links worked.

    However, for anyone having problems, here are direct links:

    Circle of Colors (PDF)
    Supplementary paper by David Collett for Progressions (by 4Pockets and David Collett)

    Euclidean, PolyRhythm, PolyMeter, and Hybrids (PDF)
    Supplementary paper by David Collett for Euclidean (by 4Pockets and David Collett)

    Sinusedo (PDF)
    Manual and overview of microtonality by David Collett for Sinusedo (by Alex Nadzharov)

    Best to you all.

    Breathtakingly good and resourceful documents. Hats off to you, good sir! 🤩

    @Luxthor Thanks very much! My goal when writing these was to spark some interest in the details behind these subjects. Although knowledge of theory isn't necessary, I believe that it opens doors not only to a better appreciation and understanding but also to an "expanded" vocabulary for composition and creative ideas.

    You are just too humble, because those books have the ultimate reach in the quantity of information one page can contain and still be understandable and inviting.

    I’m just stocked on how all of your work is free, and your focus on helping those “obscure” but brilliantly deep apps is just on another level. 🤩

    By my own admission, I'm a music-theory/math geek who loves to know how everything works because it helps me to push my creative ideas even further. And I know quite a few people in this forum who love theory also. But the deeper one dives, the murkier the waters.

    However, many people (who are likely much wiser than I), prefer to bypass the theoretical technobabble and actually create music. :D Best to you all!

    We could argue indefinitely about whether it is art or not what you are doing with your music-theory/math projects. But at the end of the day, your books entertained me and gave me more experience and knowledge than most of the songs I listened to. Thank you very much for that. I will try to find a way to return this goodwill. Something more than just having those apps.

    @Luxthor Thanks again. I've never made a cent from any app I've helped with or any papers I've written. Although $ would be a bonus :D that was never my goal. The best way for you or anyone to "return goodwill" is to share your knowledge with as many people as you can.

    Fortunately, most people are happy to share what they know with others. After having taught music, English grammar, and math my entire life, the most important two things I learned are these: (1) the more I teach (even absolute beginning levels), the more I learn myself, and (2) the more and more I learn, the more I realize how little I know and how much more there is to learn.

    I came to the digital (Mac & iOS) music scene only a few years ago. At my age, well, you know the adage about teaching old dogs new tricks... I'm in constant admiration of so many people on this and other music tech forums who are so knowledgeable about music technology. Regarding that, I'm still at the I-plug-this-into-where? stage. 😺

    Anyway, thanks again for downloading and enjoying what I've written.

    I wish you all the very best end-of-year. Let's all have a healthy, productive 2024.

    I’m mainly an explorer in music-making, and documents like yours are essential for building the knowledge base and having strong starting positions. When Paul’s Euclidean app was released, I will never forget the moment when I opened your documentation. I thought I knew about Euclidean and polyrhythms before, oh, how I was wrong, haha.

    Thank you so much! I wish you a wonderful end of the year as well. 🤗

    BTW, I don’t want productive 2024 at all, at least regarding music-making. I hope it will be a logistical and presentation year for me. 🫣

    I had the EXACT same experience with Euclidean. I was literally standing in my studio going "wait... WHAT?!". I thought I knew rhythms 😅

  • torrescampalanstorrescampalans

    @dcollett said:
    Not sure why the link isn't working for you. I just tried the links directly from the in-app manuals for both Progressions and Euclidean, and the links worked.

    However, for anyone having problems, here are direct links:

    Circle of Colors (PDF)
    Supplementary paper by David Collett for Progressions (by 4Pockets and David Collett)

    Euclidean, PolyRhythm, PolyMeter, and Hybrids (PDF)
    Supplementary paper by David Collett for Euclidean (by 4Pockets and David Collett)

    Sinusedo (PDF)
    Manual and overview of microtonality by David Collett for Sinusedo (by Alex Nadzharov)

    Best to you all.

    uau. thanks a lot

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