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Comments
Another classy slice of your chosen art David - restful and as tastefully done as ever.
My entry for this month
Good job on the AI vocals, nice melody and tastefully used. The bass line is great as well.
Listening on iPad speakers I thought the vocals were pretty realistic to be honest. The track is catchy and rolls along nicely.
@BillS : classic but efficient track. Your voice is hesitant at the beginning but become then more confident and is enjoyable. The song is overall well constructed. A very good job here
@richardyot : really a beautiful song with again a Pink Floyd-ish moment on the guitar solo. The backing track with the birds singing is lovely. The track is however very dense and I miss some silences here. Maybe some less birds can enhance the birds
@deadpoetlive : here it is the opposite, maybe a bit too much silences or it is the global volume that is a little bit low. It is however an interesting concept and a lot of things is happening here. Maybe just a bit of compression on the master (to my taste of course)
@DavidEnglish : your tracks are always an experience for the senses. Beautiful ambiant, very well balanced track
@unlink : interesting concept. To me, the track really take off at 3:15. I didn’t like the saturation in the voice at the beginning of the track. Nice melody overall
I found myself listening most to the finger clicking type of sound, it had quite a hypnotic rhythm. Some decent variation in the track. I liked the title and was looking forward to the lyrics, unfortunately I couldn't make most of them out but that is probably me as I'm always complaining about film soundtracks these days drowning out the actors. ;-)
That’s really good. Love the really drenchy guitars.
Thanks ❤️
I like the rhythmic part a lot, especially in the beginning of the song. Also supercatchy bass. The general mood of the song is nice but I don't like the vocals at all. They have some nice modulations but the high notes are very annoying, at least for me.
@cuscolima There’s a lot I really really like in there. Really good, low end elements offset against the wandering female vocal.(I’m a sucker for that.) reminds me of Sinead O’Conner circa Universal Mother (fire on Babylon, thank you for hearing me) which I think was produced in part by the guy from bomb da bass. It’s a bit fuller than that, more going on, but it’s deffo got that same groove/feeling about it. Impressive, great work.
@deadpoetlive this is really nice, love the way the percussion carries the music along without dominating it. Very nice tune.
Please excuse the delay but I was very late sending the stems over to my good friend @richardyot who collaborated with me on this awesome track he titled “Busted Blues.
I’ll spare the details for now, unless someone wants to know anything please just ask.
Needless to say, its always inspiring to work with a musician of Richard’s caliber and technical mastery at production, and I am very grateful to him for getting yet another banger on the books in our little SOTMC.
This is dedicated to all the good fathers out there: happy Father’s Day
Just to give some context, this remix is based on a track that @yellow_eyez originally created. I took his main synth melody and his guitar parts and added a beat, made a new arrangement, and added some very simple synth parts (a bass and two pads). 99% of the music is his, all I did was to try and enhance the vibe that was already there and make the track flow.
@yellow_eyez @richardyot Great track, very nice collaboration. In my opinion you should add a singer and push the concept a bit further, it deserves it
Like the intro...no messing, straight in there...quite a heavy vibe with an ear wormy melody. Growly vocal noises/phrases might work with it. I like it, now to give it a third listen.
@yellow_eyez @richardyot Insistent and infectious synth riffs throughout, and the drums - both the sounds and the beats are brilliant. I listened earlier on and I too was waiting for vocals to come in. For some reason I’m hearing an Ozzy type voice - don’t ask why! I think the song could be twice the length and even better with a few mournful vocal lines. Great work
I’m thinking of revisiting this track. I got far too into it and lost all perspective. But there’s something that keeps dragging me back. I’m never happy with the drums tbh. I’m also thinking of playing the violin rather than having the midi, the pizzicato feels a bit 1D. But I might be overthinking it.
The spoken word piece was written and performed by my friend Stephen Watt.
If you have heard my other more house/electronica stuff you are in for a surprise
https://on.soundcloud.com/Jpe1AigftU9dEzSR9
I really like the spoken first part. This is something that is not that easy to make to keep it entertaining and you did it very well here. I am less enthusiastic for the second part as I find the bass a little bit too quiet and maybe to “simple”. It lack a “surprise” effect. I don’t know, some more tension
@cuscolima yeah, the two parts don’t ‘balance’ how I’d like. There are many different arrangements of this on my iPad. Both the chord sequence and the spoken word provide a framework that only lock in certain ways. It’s like a puzzle I’m trying to crack. But it’s the second half that I’m not happy with.
The music and voice complement each other really well, I would balance the music a smidgeon lower in volume. The second half reminded me of Lemon Jelly, you could add bits and change it but hopefully without changing the feel of it too much.
@deadpoetlive good point. I’m always of the belief that 99% of the time if you have a vocal in anything but the last bar of a phrase, it’s the most important element.
I sent my mate the demo and 3 days later he sent me the vocal. It’s possible he had it written, adapted it but tbh he’s that good I think he did just write it for the song. We met at a festival, we then met at a Delphic gig and have been friends ever since. He’d love the lemon jelly comparison almost as much as me, thank you!
Thanks. A singer it will be then. I’ll start off and send it to Richard and see where he wants to take it from there
Thx! Loved your description of the movements. Glad you liked the track
Thx Bill that’s high praise and between you and cascolima I’m more than ever motivated to sing on one of these, especially with Richard and jankuns support.
It’s happening-. Get ready for composition written and performed by @jankun and yellow eyez , with arrangement , production and vocals, backing tracks by Richardyot
(Jk but that would be sick , eh guys?)
@yellow_eyez I look forward to that - it would be great to hear more SOTM entries featuring vocals
@squeals your mate has a very charismatic voice. I’ve tried to pull off spoken word parts on one or two of my own songs, and it’s far more difficult to do well than you’d think. In my opinion the second half of the piece could benefit from a bit more ear candy and possibly variation, but a great effort 👏
Here is my contribution for the month before I go listen to what you guys made.
Just finished this draft:
Well well well. Two of my favorite artists. I’m trying hard to find something to complain about. Ok, let’s say I’m not particularly fond of the twittering.
JFC, that voice.
Creating tension and expectations, slow buildup, eerie but serene mood, not in your face, what is there not to like here?
I’m not really sure about those new sessions players, especially the pianist. Drummer and bass are practical.
I think your voice deserves something better. I’m not into songs, but can tell when a voice works, yours does.
There is not a single one of your pieces that I don’t like. This one is no exception. The way you work really suits you, it is like magic to me. Another really lovely piece of music.
Usually, spoken words do absolutely nothing to me, it most of the time sounds like some cheap addition to some boring music.
But here it is different. That speech is really special, and your music is in service of the speech. It isn’t just pasting the speech on top of some ambient atmospheric stuff. That works actually very well. Good job!