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Song Of The Month Club - June 2024

124

Comments

  • BillSBillS

    @klownshed said:
    Another strong month in the SOTMC. Here’s my entry, a collaboration with the very talented @JanKun — lyrics, vocals and guitar by JanKun.

    Wow, impactful and somewhat grim! Very skilfully composed and performed but I’d need to be in a certain mood to ‘enjoy’ it if I’m honest - total respect though, it’s very well done.

  • richardyotrichardyot

    @klownshed said:
    Another strong month in the SOTMC. Here’s my entry, a collaboration with the very talented @JanKun — lyrics, vocals and guitar by JanKun.

    An amazing track, I love the creeping keys that create the softly menacing vibe, and Jankun's Thom Yorke-esque vocal inflections are a perfect complement to the music. The vocal performance is outstanding and the whole thing is a masterpience of edgy experimental songwriting.

  • klownshedklownshed

    @cuscolima said:
    My entry for this month

    I like the song, the instrumentation is cool and I like the sound choices especially the synth bass. The AI vocals are a bit uncanny valley for my taste though. If the vocals are going to be fake I’d prefer them more obviously fake, sorry. That’s probably an outdated viewpoint though. Ai vocals aren’t going away.

  • klownshedklownshed

    @yellow_eyez said:
    Please excuse the delay but I was very late sending the stems over to my good friend @richardyot who collaborated with me on this awesome track he titled “Busted Blues.

    I’ll spare the details for now, unless someone wants to know anything please just ask.

    Needless to say, its always inspiring to work with a musician of Richard’s caliber and technical mastery at production, and I am very grateful to him for getting yet another banger on the books in our little SOTMC.

    This is dedicated to all the good fathers out there: happy Father’s Day

    Very cool. The drums and bass give this a cool groove and the arpeggiated guitar give a cool hook and vibe which work well with the synth hook which is slightly off kilter (in a good way). The production is nicely done and keep things moving along.

    A successful collaboration :-)

  • klownshedklownshed

    @squeals said:
    I’m thinking of revisiting this track. I got far too into it and lost all perspective. But there’s something that keeps dragging me back. I’m never happy with the drums tbh. I’m also thinking of playing the violin rather than having the midi, the pizzicato feels a bit 1D. But I might be overthinking it.
    The spoken word piece was written and performed by my friend Stephen Watt.
    If you have heard my other more house/electronica stuff you are in for a surprise

    https://on.soundcloud.com/Jpe1AigftU9dEzSR9

    The spoken word bit is definitely cool. Gotta love anything that mentions Hong Kong Phooey!

    The second bit is cool but I feel the drums need to groove more to underpin the rhythms from the instrumentation — it’s slightly plodding in feel. Something like a sampled drum loop topper would do wonders to add some groove.

    The last bit is nice too but I’d want to work on the ending a bit — it feels like it stops rather than coming to an end if that makes sense?

    The spoken word bit is really good.

  • klownshedklownshed

    @jo92346 said:
    Here is my contribution for the month before I go listen to what you guys made.
    Just finished this draft:

    Lots of interesting stuff going on, the arrangement takes you through a journey for sure. I like the edgy synths that come in in the second half of the tune. The changes in tempo break up the tune nicely too.

  • JanKunJanKun
    edited June 2024

    @richardyot said:
    My entry for the month, a mashup of ambient, indie, and post-rock created in collaboration with the genius that is @JanKun - lyrics in the spoiler:

    Small steps, one by one
    Until my walk turns to a run
    If you were
    Here with me
    In this dream that feels so real

    I can see the setting sun
    Through the clouds the colours run
    The cool breeze says
    That night has come
    Nocturnal voices sing their song

    You fall, keep falling
    I call, keep calling

    Cold sweat, I'm overcome
    My heart beat is beating like a drum
    Lost here
    On my own
    In this dream I turn to stone

    I can see the setting sun
    Through the clouds the colours run
    The cool breeze says
    That night has come
    Nocturnal voices sing their song

    You fall, keep falling
    I call, keep calling

    Not in a very good position to comment on this one. But all I can say is, thank you @richardyot for letting me add a few things on your beautiful track. It was a lot of fun and as usual a great pleasure.
    It is nice to see the SOTMC so active lately!

  • JanKunJanKun

    @deadpoetlive said:
    Ok, so this is my first ever piece as at nearly 60 I have only recently discovered iPad music. My style is currently experimental as I don't know what I am doing yet!

    I've spent the last few months downloading lots of apps and then discovering they are not as easy to use/play well together, as they look on the sound test room! :-)

    Having fun with AUM though and have just discovered I can record a bit and then put it in file player on loop which is fun to build up layers.

    This is an unedited screen recording* of an AUM session, I discovered the little Rymdigare story afterwards, it seems to fit the music. Recording levels seem a bit low and I pressed too hard on my key step at one point....but I will discover editing later.

    *Have to find a more efficient way of recording - 1.7GB before trimming and changing to 720p in iMovie to upload to YouTube.

    It is a great track for a start! You sound like someone who knows pretty well what is doing!
    The track seems to constantly evolve until the beautiful synth final. I'd just say that the fade out leading to the final was slightly abrupt apart from that, it's a great piece. I think your track fits very well with @DavidEnglish ambient work !

  • JanKunJanKun

    @jwmmakerofmusic said:
    @richardyot @JanKun Seriously excellent work guys. :) Definitely sounds and feels like a proper Post Punk tune. ❤️ Richard, you and I definitely need to collab again. :) JanKun same offer. Any beat-based genre. (Tbqh Richard you're the reason I got (back into) TripHop last year, especially The Crystal Method.)

    @deadpoetlive

    This was so serene and calming. :) Love how it flowed. Man back during my Ambient days, I used to go nuts with Rymdigare and make it go wild. 😅 So it's great to hear it being used much more subtly here. (I'm not the same Ambient producer I once was, but I do like to still listen to the genre when the mood strikes).

    Gonna post mine sometime this week. Got the instrumental finished, lyrics written, and now it's only a matter of me lighting a fire under my butt to record my subpar vocals and process them until they sound decent. 🤣

    Thank you for the kind words Jim !

  • JanKunJanKun

    @BillS said:
    To give regular contributors to SOTM Club a break from my stumbling piano playing, here is a song written and recorded entirely on the iPad using Logic’s new session players. I did post this song as a separate post in “Creations” but it would be great to get some more feedback.

    I found that the accompaniment provided by the keyboard player helped to push my vocal melody in ways I might not have thought of - so that was a real positive. I swapped out the standard Logic Pro piano for Pianoteq. I love the way that the session player’s engine can control an AUv3, and the more or less limitless flexibility to get the session player to play something that works in the context of the song. Ultimately, you can convert session player regions to MIDI to edit on a note by note basis if required.

    Great songwriting, performance and production as usual. All the tools added in the latest Logic update are really fantastic. You put those in great use!

  • JanKunJanKun

    @DavidEnglish said:
    This is a music track that I improvised on two MIDI keyboards connected to Bitwig Studio on a desktop PC. There the MIDI was routed to Jaeger for the singing voice; Solo for the flute, English horn, cello, and oboe; and Omnisphere for the other instruments.

    After bringing the audio recording into Vegas Pro, I applied the Lurssen Mastering Console plug-in to the audio mix.

    It's titled River Oaks.

    As usual, you shared an amazing peaceful piece, David. I think the English Horn, Flute and voice interact especially well on this track. I was literally hugging an old oak tree to the sound of a river while contemplating a Komorebi ! It felt good!

  • JanKunJanKun

    @unlink said:
    This month I explored something a bit different and my tracks has some vocals. It's a famous Oppenheimer speech which I suppose is well known already. Nevertheless, the power in his voice and his words is so great that I had to build something around it. Hope you like it!

    Daniele! I already told you elsewhere all the good I think about your latest album. This track is a great opening title for the whole album. Oppenheimer, what a complex character and what a decisive role he played. You gave his speech even more depth. Great job!

  • JanKunJanKun
    edited June 2024

    @cuscolima said:
    My entry for this month

    Nice production as usual. You're starting to get a good hold of those vocal synth they start to sound very realistic, though I would say your singer has impressive lung capacity 😉
    My only critic, (and it is something I noticed with your previous tracks with vocals shared on the SOTMC): after listening to your track, I didn't have any vocal melody sticking in my head, no memorable hook which is usually important when producing a pop song as you tagged it in SoundCloud. If you're aiming at experimental pop, don't change anything, we don't need hook. But if you want to make memorable pop tracks, in the mainstream sense, maybe your next goal would be to find hooks. This implies repetitive short sentences and melodies instead of long lyrical flows.

  • JanKunJanKun

    @yellow_eyez said:
    Please excuse the delay but I was very late sending the stems over to my good friend @richardyot who collaborated with me on this awesome track he titled “Busted Blues.

    I’ll spare the details for now, unless someone wants to know anything please just ask.

    Needless to say, its always inspiring to work with a musician of Richard’s caliber and technical mastery at production, and I am very grateful to him for getting yet another banger on the books in our little SOTMC.

    This is dedicated to all the good fathers out there: happy Father’s Day

    Great work. You developed lots of interesting dynamic variation all along the piece. To me it is an advanced draft for an upcoming track. Now you need vocals, and you need to get away from Amin. My ears especially want this to move towards F.

  • JanKunJanKun

    @squeals said:
    I’m thinking of revisiting this track. I got far too into it and lost all perspective. But there’s something that keeps dragging me back. I’m never happy with the drums tbh. I’m also thinking of playing the violin rather than having the midi, the pizzicato feels a bit 1D. But I might be overthinking it.
    The spoken word piece was written and performed by my friend Stephen Watt.
    If you have heard my other more house/electronica stuff you are in for a surprise

    https://on.soundcloud.com/Jpe1AigftU9dEzSR9

    Feeling like I am hearing an old hidden Chemikal Underground mixtape from 96. Mogwai and Arab Strap popped in my mind!
    I personally would like this to develop into some Mogwai pure sonic Mayhem after the spoken words drops. Great track, keep crafting it!

  • JanKunJanKun

    @jo92346 said:
    Here is my contribution for the month before I go listen to what you guys made.
    Just finished this draft:

    As usual, very complex composition, pristine production. You're very good at taking tracks to unexpected grounds, best exemple is how you get away around 2:00. This kind of break sounds very much like from what I heard from you so far. You've got a composition signature which is not an easy thing to achieve. Chapeau bas.
    Your mentioned else where that you don't understand or hear the drums. Keep working the way your do, those drums sound great in your hands.

  • JanKunJanKun

    @klownshed said:
    Another strong month in the SOTMC. Here’s my entry, a collaboration with the very talented @JanKun — lyrics, vocals and guitar by JanKun.

    Not going to comment on that one for obvious reasons. Just thank you, @klownshed, for trusting me and letting add a few things here and there.

  • JanKunJanKun

    @BillS said:

    @klownshed said:
    Another strong month in the SOTMC. Here’s my entry, a collaboration with the very talented @JanKun — lyrics, vocals and guitar by JanKun.

    Wow, impactful and somewhat grim! Very skilfully composed and performed but I’d need to be in a certain mood to ‘enjoy’ it if I’m honest - total respect though, it’s very well done.

    Not an easy listen for sure!

  • squealssqueals

    @JanKun said:

    @squeals said:
    I’m thinking of revisiting this track. I got far too into it and lost all perspective. But there’s something that keeps dragging me back. I’m never happy with the drums tbh. I’m also thinking of playing the violin rather than having the midi, the pizzicato feels a bit 1D. But I might be overthinking it.
    The spoken word piece was written and performed by my friend Stephen Watt.
    If you have heard my other more house/electronica stuff you are in for a surprise

    https://on.soundcloud.com/Jpe1AigftU9dEzSR9

    Feeling like I am hearing an old hidden Chemikal Underground mixtape from 96. Mogwai and Arab Strap popped in my mind!
    I personally would like this to develop into some Mogwai pure sonic Mayhem after the spoken words drops. Great track, keep crafting it!

    I also had this thought at one time. I’ve been after a Dan Electro fab tone for a long time 🤣

    Everyone has kind of confirmed my own thoughts with this. Appreciate you all, thank you!

  • yellow_eyezyellow_eyez

    @JanKun said:

    @yellow_eyez said:
    Please excuse the delay but I was very late sending the stems over to my good friend @richardyot who collaborated with me on this awesome track he titled “Busted Blues.

    I’ll spare the details for now, unless someone wants to know anything please just ask.

    Needless to say, its always inspiring to work with a musician of Richard’s caliber and technical mastery at production, and I am very grateful to him for getting yet another banger on the books in our little SOTMC.

    This is dedicated to all the good fathers out there: happy Father’s Day

    Great work. You developed lots of interesting dynamic variation all along the piece. To me it is an advanced draft for an upcoming track. Now you need vocals, and you need to get away from Amin. My ears especially want this to move towards F.

    First thanks so much man.

    Second, Yes your right, your awesome vocals should be up next…maybe Richard you and I will Cook something up with this one??? Maybe this isn’t over yet…

    Oh And are we showing off Mr perfect pitch, ?? calling me out on my overuse a harmonic minor!!! How could you expose me so publicly - I must run for cover :lol: Good ear mon amie

  • klownshedklownshed

    @yellow_eyez said:
    @klownshed @jankun
    Klownshed absolutely crushed it , and Jankun really added a nice human element and touch - it seems like it was a tough one to mix ?? ;) but it came out fantastic . Great work boys, that’s. 2-2

    Thank you! It was a bit tricky to mix I guess, yes! There’s a lot going on with layers of vocals and guitars etc but I think I got a reasonable balance maybe…

  • klownshedklownshed

    @deadpoetlive said:

    @klownshed said:
    Another strong month in the SOTMC. Here’s my entry, a collaboration with the very talented @JanKun — lyrics, vocals and guitar by JanKun.

    What a great structure and balance of different sounds complementing each other. Shades of Radiohead. Love the build up and the darkness.

    Thank you for listening :-)

  • klownshedklownshed

    @BillS said:

    @klownshed said:
    Another strong month in the SOTMC. Here’s my entry, a collaboration with the very talented @JanKun — lyrics, vocals and guitar by JanKun.

    Wow, impactful and somewhat grim! Very skilfully composed and performed but I’d need to be in a certain mood to ‘enjoy’ it if I’m honest - total respect though, it’s very well done.

    Thanks for listening! Sorry if it’s a bit too grim!! ;)

  • klownshedklownshed

    @richardyot said:

    @klownshed said:
    Another strong month in the SOTMC. Here’s my entry, a collaboration with the very talented @JanKun — lyrics, vocals and guitar by JanKun.

    An amazing track, I love the creeping keys that create the softly menacing vibe, and Jankun's Thom Yorke-esque vocal inflections are a perfect complement to the music. The vocal performance is outstanding and the whole thing is a masterpience of edgy experimental songwriting.

    Thank you Richard. Jankun's vocals are pretty amazing, especially considering he recorded them directly into the iPad's microphone(s)!

  • richardyotrichardyot

    @klownshed said:

    @richardyot said:

    @klownshed said:
    Another strong month in the SOTMC. Here’s my entry, a collaboration with the very talented @JanKun — lyrics, vocals and guitar by JanKun.

    An amazing track, I love the creeping keys that create the softly menacing vibe, and Jankun's Thom Yorke-esque vocal inflections are a perfect complement to the music. The vocal performance is outstanding and the whole thing is a masterpience of edgy experimental songwriting.

    Thank you Richard. Jankun's vocals are pretty amazing, especially considering he recorded them directly into the iPad's microphone(s)!

    Jankun's vocals are indeed amazing, he's one of the best singer's I've ever known, but it's the combination of your music and his voice that makes this special. Beautiful synergy.

  • klownshedklownshed
    edited June 2024

    @richardyot said:

    @klownshed said:

    @richardyot said:

    @klownshed said:
    Another strong month in the SOTMC. Here’s my entry, a collaboration with the very talented @JanKun — lyrics, vocals and guitar by JanKun.

    An amazing track, I love the creeping keys that create the softly menacing vibe, and Jankun's Thom Yorke-esque vocal inflections are a perfect complement to the music. The vocal performance is outstanding and the whole thing is a masterpience of edgy experimental songwriting.

    Thank you Richard. Jankun's vocals are pretty amazing, especially considering he recorded them directly into the iPad's microphone(s)!

    Jankun's vocals are indeed amazing, he's one of the best singer's I've ever known, but it's the combination of your music and his voice that makes this special. Beautiful synergy.

    Thank you <3

  • klownshedklownshed

    @JanKun said:

    @klownshed said:
    Another strong month in the SOTMC. Here’s my entry, a collaboration with the very talented @JanKun — lyrics, vocals and guitar by JanKun.

    Not going to comment on that one for obvious reasons. Just thank you, @klownshed, for trusting me and letting add a few things here and there.

    Thank you too. I'm very happy that you felt inspired enough to want to add vocals and guitars to my tune :-) I am very proud of our song :-)

    I hope we can collaborate again soon :-)

  • klownshedklownshed
    edited June 2024

    @BillS said:
    Wow, impactful and somewhat grim!

    I think that's one of my favourite comments! I've changed the title of the thread for this song! I hope you don't mind :-)

  • BillSBillS

    @klownshed said:

    @BillS said:
    Wow, impactful and somewhat grim!

    I think that's one of my favourite comments! I've changed the title of the thread for this song! I hope you don't mind :-)

    Ha ha of course that’s fine 😂

  • cuscolimacuscolima

    @jo92346 wow fantastic track initially based on a repetitive pattern but never boring. A lot is happening then, some tempo changes I think. A kind of halloween feels.

    @klownshed Very nice. I can hear Radiohead influence everywhere in this track. Voice is pro level. Some beautiful transitions and overall well balanced and mastered song. Makes me want to hear more of this kind

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