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Soul Syndicate Band - Word Sound And Power
"Janis - Little Girl Blue"...
https://pixeldrain.com/u/Epx2weJb
Billie Holiday doco:
https://pixeldrain.com/u/txHMAJoc
Talk about an easy way to understand the basics...pro
Miles Davis - Birth of the Cool [2019]:
https://pixeldrain.com/u/BXaVKmBU
I was about to mention the exact same series. Loved the Steely Dan Aja documentary.
Bright Sparks • 2 part doc on synth pioneers.
Side A US companies Moog, Buchla, Alan R. Pearlman (ARP) etc.
Side B UK companies Mellotronics, EMS, the WASP etc.
side A >
side B >
No synths and not completely a documentary but 32 Short Films About Glenn Gould is wonderful.
The Red Violin is a very good story.
RICHIE HAWTIN - Pioneers of Electronic Music (70 Min.) - SLICES Special
Stolen from the minimal techno thread
Great Bass player, too short a life...
The Art of the Sound Physiker
The thing that Bjork did with the BBC, Modern Minimalists, is pretty fascinating.
Some synth material by Mika Vaino of Pan Sonic at 3:30 here.
Mr. Dynamite - The Rise of James Brown [2014]:
https://krakenfiles.com/view/mLj2MzsmJ3/file.html
Led Zeppelin’s “The Song Remains The Same”
https://archive.org/details/LedZeppelinTheSongRemainsTheSame-Film1976
"Scott Walker - 30 Century Man" [2006]:
https://pixeldrain.com/u/SDpVWwz6
I had forgotten about that - got to track that down and watch it.
Many of them when you click, it says unavailable (here in Canada anyway).
…
Some things on Prime are now called ‘Classic Album’ which is not actually the Tv show ‘Classic Albums’ that I was talking about and it even looks like some of them have typos with an s.
Different shows…
"Finding The Funk" (2013):
https://pixeldrain.com/u/i2r5Xcdc
"Linda Ronstadt: The Sound of My Voice" (2019):
https://pixeldrain.com/u/AMpT895c
I’m sure it’s been mentioned…
All I can say is that “All I can say” is spectacular. One of the best and most special music movies I’ve ever watched.
“Standing in the Shadows of Motown”
Quote from Wikipedia
“Standing in the Shadows of Motown is a 2002 American documentary film directed by Paul Justman that recounts the story of The Funk Brothers, the uncredited and largely unheralded studio musicians who were the house band that Berry Gordy hand-picked in 1959.”
Wikipedia link
https://en.wikipedia.org/wiki/Standing_in_the_Shadows_of_Motown
Youtube trailer link
Summer of Soul, about the 'Black Woodstock' filmed in 69 but never released until now. Really great stuff https://g.co/kgs/TXNwn2
"Let's Get Lost" is a 1988 American documentary film about the turbulent life and career of jazz trumpeter Chet Baker:
https://pixeldrain.com/u/2hNmv1dD
"The Wrecking Crew" is a 2008 American documentary film directed by Denny Tedesco, son of guitarist Tommy Tedesco. It covers the story of the Los Angeles–based group of session musicians known as the Wrecking Crew, famed for having played on numerous hit recordings throughout the 1960's and early 1970's:
https://pixeldrain.com/u/5PKh1EFm
"Beside Bowie" - a doco on Mick Ronson by director, and former Bowie associate, Jon Brewer:
The trailer:
The doco: https://www.youtube.com/results?search_query=Beside+Bowie
Angie on the doco:
"Summer of Soul (...Or, When the Revolution Could Not Be Televised)"...
"Summer of Soul (...Or, When the Revolution Could Not Be Televised)" is an American documentary film directed by Ahmir "Questlove" Thompson about the 1969 Harlem Cultural Festival. It had its world premiere at the 2021 Sundance Film Festival on January 28, 2021 and had a limited theatrical release in the United States on June 25, 2021, before expanding on July 2, 2021 theatrically by Searchlight Pictures and digitally via Hulu. It received acclaim from critics, with praise aimed at the footage restoration.
The documentary examines the 1969 Harlem Cultural Festival, which was held at Mount Morris Park (now Marcus Garvey Park) in Harlem and lasted for six weeks. Despite having a large attendance and performers such as Stevie Wonder, Mahalia Jackson, Nina Simone, The 5th Dimension, The Staple Singers, Gladys Knight & the Pips, and Sly and the Family Stone, the festival was seen as obscure in pop culture, something that the documentarians investigate.
"Summer of Soul (...Or, When the Revolution Could Not Be Televised)": https://pixeldrain.com/u/eEhkEyV5
T.A.M.I. Show (1964)
T.A.M.I. Show is a 1964 concert film released by American International Pictures. It includes performances by numerous popular rock and roll and R&B musicians from the United States and England. The concert was held at the Santa Monica Civic Auditorium on October 28 and 29, 1964. Free tickets were distributed to local high school students. The acronym "T.A.M.I." was used inconsistently in the show's publicity to mean both "Teenage Awards Music International" and "Teen Age Music International".
The best footage from the two concert dates was combined into the film, which was released on December 29, 1964. Jan and Dean emceed the event and performed its theme song, "Here They Come (From All Over the World)", written by Los Angeles composers P.F. Sloan and Steve Barri, the song erroneously asserting that the Rolling Stones are from Liverpool. Jack Nitzsche was the show's music director. The film was shot by director Steve Binder and his crew from The Steve Allen Show, using a precursor to high-definition television, called "Electronovision", invented by the self-taught "electronics whiz" Bill Sargent (H.W. Sargent, Jr). The film was the second of a small number of productions that used the system.[2] By capturing more than 800 lines of resolution at 25 frames per second, the video could be converted to film by kinescope recording with sufficiently enhanced resolution to allow big-screen enlargement. It is considered one of the seminal events in the pioneering of music films, and more importantly, the later concept of music video
T.A.M.I. Show is particularly well known for James Brown and the Famous Flames' performance, which features his legendary dance moves and explosive energy. In interviews, Keith Richards of the Rolling Stones has claimed that choosing to follow Brown and the Famous Flames (Bobby Byrd, Bobby Bennett, and Lloyd Stallworth) was the worst mistake of their careers, because no matter how well they performed, they could not top him. In a web-published interview, Binder takes credit for persuading the Stones to follow Brown, and serve as the centerpiece for the grand finale in which all the performers dance together onstage. Motown Records, which by 1964 had experienced its first wave of chart-busting crossover success, was represented by three of its top acts: the Miracles, Marvin Gaye, and the Supremes. The Miracles (Smokey Robinson, Bobby Rogers, Pete Moore, Ronnie White and Marv Tarplin) had, three months earlier, lost the services of their sole female member, Claudette (Mrs. Smokey) Robinson. Claudette, who retired from touring for health reasons, remained as a non-touring member of the Miracles, recording with the group in the studio only. Marvin Gaye, backed by Shindig! favorites the Blossoms, sang several of his greatest hits. The show also featured the Supremes during their reign as the most successful female recording group of the era. The group had three chart-topping singles from July 1964 to December 1964, with the album Where Did Our Love Go reaching number two. Diana Ross went on to work with Binder on several of her television specials, including her first solo television special and her famous Central Park concert, Live from New York Worldwide: For One and for All. Throughout the show, numerous go-go dancers performed in the background or beside the performers, under the direction of choreographer David Winters. Among them were Teri Garr and Toni Basil. According to filmmaker John Landis's DVD commentary for the film's trailer, he and fellow seventh-grade classmate David Cassidy were in the audience for the show.
In 2006, T.A.M.I. Show was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in the National Film Registry.
https://pixeldrain.com/u/aCgWNus5