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Comments
Haha, I would love to see the issue that came from.
Bit tied up staring down my own self-absorbed gullet at the moment, but if I come across it you'll be the first to know
Gah, did I actually say that? I'm such a douche.
Yes, but that block-headed and flag-waving abomination that now calls itself Lynyrd Skynyrd is a completely different animal than the slyly progressive Lynyrd Skynyrd responsible for "Sweet Home Alabama", "Gimmie Three Steps", and "Saturday Night Special"
There was NOTHING redneck about the sentiments expressed in those songs.
Listen to the lyrics closely. They are NOT an endorsement of the policies of George Wallace and the peckerwood racists of Alabama (and other parts of the south)
Pay particular attention to the very careful and precise use of pronouns in the song.
Ronnie Van Zandt can not be faulted for being smarter than much of his audience.
I saw that Gunga Dim ( yeah, yeah, I know) was the latest one trying to beat that long dead horse of trying to peel away the Black vote from going reliably Democratic in elections. The right has been trying that canard for decades...and it just isn't working.
The only things that I would consider D'Souza expert at would be parlaying a lowly undergraduate degree into being some kind of pseudointellectual powerhouse, and committing campaign finance fraud. He's rather stupid about everything else (hell, he even got caught on the finance fraud)
Afuckingmen!
Wonderful post.
D'Souza is a longtime fraud. And just a highly punchable twit.
>
But was he factually correct about Andrew Jackson, and the guy who founded the KKK? I believe that he was, and that moving the poorest folk into places where they could be more easily controlled was by design.
True.
but where do you think those folk lived before Jackson and the guy who founded the kkk?
just sayin, the distinction isn't really coming through in the comment. Everywhere was a place where black people could be more easily controlled.
anyways some good rhythms got salvaged outta those old negro spirituals huh!
The first two are absolutely verifiable facts from...150 and 180 years ago.
The third is completely unfounded horseshit intended to turn African Americans away from the Democratic Party. Unfortunately for the purveyors of said horseshit, African Americans are far smarter than those scumbags are giving them credit for.
They just aren't falling for it.
So, just to be clear, bearing in mind I'm a Brit, are you saying that there was no design to create black ghettoes in US cities, and that happened without any help from the government? In other words, black people spontaneously congregated in places they chose to be, creating ghettoes themselves?
Economics and good ol' Merikun racism and discrimination were factors, not some nefarious plot cooked up by US liberals and henchmen in the Democratic Party. Also, not every Black community is a "ghetto"
Seriously, consult other sources than D'Souza; his credibility as a scholar is nonexistent.
This led to this
https://youtube.com/watch?list=RDEMDubddz5xs6rP25o6dwfyYA¶ms=OAFIAVgC&v=SiFH1VGxPIs&mode=NORMAL
which reminded me of this
which had reminded me of this

I'm never going to make it through this thread
I didn't say they were. In years past I have visited the US many times, but haven't really studied it's history beyond issues that interest me more.
And those remind me of this from 1976 Johnny Wakelin
Agree. Though my point is that a song like Home Sweet Alabama wouldn't just get any airplay nowadays because a small (but influential) bunch of people are so sensitive that they wouldn't understand any subtle nuance. And will have it banned, because radio stations are again sensitive from criticism. So even if lyrics are smart and subtle they wouldn't get a chance because of those people who see everywhere insults, etc.have an enormous power and of course radio stations are afraid for these hords of twitter warriors.
Yes, I agree with you.
I have gone through SHA line by line with reasonably intelligent people and pointed out how RVZ uses both nuance and explicitness to express his opposition to what they think is being said, but their minds are resolutely made up that it is nothing more than a belligerent redneck hell yeah! anthem.
I think there is some classism/regionalism involved in that they think the high school graduate son of a Florida truck driver would be incapable of such nuanced thinking and expression. Of course, they would be wrong.
Absolutely love that song, commemorating my favourite sporting moment.
For those too young to know, even Ali thought he might get killed, literally, but took the fight anyway. In those days Foreman was about as far away from his cuddly current self as you could imagine.
yep, he was a beast!
Using art as a means of political persuasion seems to compromise both the quality of the argument you're presenting and the art itself. If you're attempting to persuade someone, I believe they must be willing to hear you out and vice versa. You must understand their POV and address their concerns to be the most effective. Ultimately it's their decision as to whether what you've told them is enough to change their mind and to what extent.
In my opinion, more engaging art can not be a one sided affair where you're trying to advocate for a specific action. Quality art depends upon being an expression of the more complex, wide ranging, and nuanced experiences of life than urging the adoption of a narrow partisan perspective. I would also agree that artists should NOT sanitize how they express themselves in their art in order to avoid any appearance of being political either.
When artists set out to create art to advance a political agenda, they've moved from the sphere of art into that of advertising or propaganda. People frequently go to great lengths to minimize their exposure to advertising and propaganda and resent its presence in their lives. Not too surprisingly, they're not going to be fond of a political song foisted upon them when they're hoping to enjoy an artistic aesthetic.
Who is really going to change their mind based upon a simplistic message delivered through a song especially if it's perceived as trying to manipulate them through their emotions? This might appeal to people who already share the belief being advocated in the song as it validates their values but it's doubtful opponents will see it this way.
As to censorship in pop music, pop music is driven by the economics of the status quo. If they believe certain themes or ideas in songs will help or hurt their bottom line they'll react accordingly. They're not in the free speech movement, they're trying to corner as much of the free market as they can and it's literally their legal obligation to their stock holders.
Bingo. The problem with most POP music is the same now as it was in the 60s, too many Monkees on stage
. Once a legacy studio finds a formula they repeat it until they go out of business SMH. If you are a teenager whatever you search out and find is new to you. If you are 60+ and have listened to music all your life then much of POP music sounds repetitive and boring as the studios rehash the same techniques over and over. Its not better or worse, you are just tired of the SOS.
Hell I stopped watching prime time TV after February 28, 1983 for the same reason. All the shows keep using the same situations, jokes etc. and are just plan boring IMHO.
As others have said and posted examples , there is still a ton great stuff coming out today, and the internet makes it easier to make and find than ever before. My personal opinion is that the music world is stronger and more creative than it has ever been before because of the internet. How ever it is really hard for someone without a lot of online experience to sort through all the BS tossed around.
Thanks.
The saddest thing is that "I'm a Believer" and "Last Train to Clarksville" absolutely smoke the latest product cranked out by Dr Luke, Linda Perry, Max Whateverhisnameis, and all of the other shitmeisters currently practicing their "craft"
Agreed. Songs such as those were crafted, and genuinely joyous, as opposed to banal, meaningless crap made by following a rigid formula.
And yet, the Monkees began as a work of fiction, actors trying to seem a bit like the Beatles...but fuelled by the work of great songwriters such as Neil Diamond.
Wow - I was a huge Fan of the Fall around the era of "Grotesque" as well as "Slags, Slates, etc." I guess that was like 80 or 81 (I'm old). I would often imagine "Totally Wired" as a no. 1 in some alternate universe. As this is the Audiobus forum, I am struck by how strangely close I can get to those sounds using Egoist. Not exact, but the feeling is there..
No surprise there, best producer, top writers, top studio people and first call studio musicians playing all the parts. Back then the legacy labels controlled 100% of the money.
Last Train to Clarksville is, allegedly, a political protest song.
http://www.songfacts.com/detail.php?id=2840
http://forums.stevehoffman.tv/threads/last-train-to-clarksville-vietnam.281265/
http://www.newseum.org/2015/07/06/vietnam-music-monday-last-train-to-clarksville/
I certainly remember it that way, the last line is the kicker "and I don't know if I'm ever coming home."
I think this one qualifies as a protest song but the groove is pretty catchy!
Similarly to the aforementioned lynyrd situation… apparently, a lot of those americans think that loose windscreen's "born in the USA" is a happy celebratory song, and not the caustic angry protest song that it is.
https://en.m.wikipedia.org/wiki/Born_in_the_U.S.A._(song)