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Comments
@JohnnyGoodyear first, I'll geek out on the vocal effect as I've been playing with similar effects myself recently and have never gotten them to work--but it works here perfectly for your voice and this tune! How did you do it? Is that VoxSyn? (I understand if you'd rather not reveal trade secrets, blah, blah, blah.)
I generally try to refrain from using other artists as comparisons when listening to SOTMC but this one immediately brought to mind Bon Iver. And I mean this in the best possible way, because I think your use of the vocal effect is more subtle and effective than Mr Justin Vernon used on "22, a million". The lyrics and vocal delivery, while different from Bon Iver, reflect the same sensibility, the same attention to tone and lyrical depth. This tune is short, but it left me both satiated/delighted and wondering what else could be said.
High points: the piano motif that unsettles the proceedings at about the one minute mark and the ad libbed vocal at the very end. Well done.
Thank you Mister Luke. One of my (enduring) problems is that as I have so little skill/patience/understanding of the underlying mechanisms (especially as regards mixing/effects) I am an inveterate twister and fiddler. The vocal effect here (which I do like) is two or three things, but the wobbly bit is from Voicerack FX which, as noted, I fiddled with until it sounded about right. I know, not the technical answer I would prefer to give. Sorry.
Appreciate your kind review and the nod to Mister Vernon. What I like about him and strive for in places is not a sound of any sort or style, but his wistfulness. I feel it, and am just trying to find it
Thank you Mister Rick. It has taken me a lot of these SOTMCs to realize that if you have limited skills less IS more
What an awesome composition, @rickwaugh! If there’s ever a fourth instalment of The Godfather, they should use this song as the main theme. Bravissimo!
Another great EDM offering, @studs1966! You have true command of the genre. Keep them coming!
Loved your track, @nothumanatall, and congrats for the first one, and welcome to the SOTMC!
Great song, @LostBoy85! You know, you and @marcel together made a masterpiece, “My Kingdom Come”, which I listen frequently, so every time you post something new, it gets my attention. Not disappointed! Keep it up!
Really good, @Shaken&;Stirred, the mix is cristal clear and the production values are top notch. Your voice really stood out, but everything is well done and in its place. Bravo!
By far this is the best thing of yours I’ve ever listened to, @Tarekith! This is a very dynamic, well thought ambient piece that yet has something that reminds me of Alan Parsons Project in it - cannot identify what, but it definitely influenced positively my experience of the song. Well done!
Enjoyed particularly your voice in this one, @lukesleepwalker, really perfect for the song, which is also great. Bravo!
Loved your song, @moff, but since I didn’t hear the older version, I don’t know how much of improvement you’ve got on it. For my ears, it’s perfect and ready for the club or for spotify.
Great lyrics as usual, @JohnnyGoodyear, but this time was the vocal track that stood out. Loved the autotune effects (was it?), perfect for the song. Bravo!
Meet “Futuro”, the newest superhero in the hood (in this case, “hood” means the Milky Way):
This music video was again made with footage from a public domain movie to create a short movie, a webisode of sorts, in fact a Flash Gordon movie /TV show - Flash Gordon Conquers The Universe (1940) - and it’s my tribute the old sci fi TV shows and old sci fi movies I watched when I was a kid, with silent movie-styled intertitles explaining the “story”.
Thanks very much!
Thanks! I feel welcome here indeed!
I really like the mood of this song, especially the acoustic and clean electric guitar parts.
Very goofy
And more retro than a box of old. BUT what a sucker we are (I am) for narrative....can't believe you left us hanging? Also like how the Theta Ray was obviously stolen by the Bond movie where James is imperiled in the same manner.
Love the Spanish guitar that comes in at 1.45. So left-field and thus perfect. I think some more danger/tension might have been added to the last minute, but I applaud your efforts!
Encouragement, as ever, for those with a week to go
@theconnactic Really nifty tune and video! I dug the story and the nice little visual flourishes throughout. The winner here is definitely the guitar accents that arrive to add interest to the pervasive futuro soundtrack. Well done and can we expect more in the series?
Very nice track here Erik, I really like it! Very lush, and 3-D sounding. Low end is huge, and just right! Every is clear and mixed perfectly, IMO. I can't think of anything I suggest doing differently, great work!
Hey, nice work on this! Nice vocals, your voice sounds great, and they way they are layered towards the end is very effective. Mix is great, and I like the choice of instruments. The only thing that bothers me is the snare. I didn't notice it in the beginning, but at 2:00 where it plays a more prominent role, I found it distracting from the rest of the parts, when listening thru my cans. Maybe its too loud in the mix, maybe the part might be too busy, or maybe it's sonically a little harsh that some EQ'ing would allow it to sit better, ...or maybe it's just me! I dunno... Other than that, I wouldn't change a thing. Cheers!
Thanks very much!
I really like these lyrics a lot, not to take anything away from the performance and mix - it all sounds great! I too liked the vocal effect, and was going to ask..., but I see it's been covered - thanks for sharing that. I don't think I've heard that effect much in subdued tracks like this, but it works perfectly. I think this could easily be expanded into a longer track if you were ever inspired to do so, but it also feels complete as it is. Well done!
Thanks Mister. I liked the effect because it added a little to the (somewhat) otherwordly wearyness which is what I felt observing the events of that day. I find almost anything I write as a 'protest song' seems to end up more resigned than angry...
Thank you sir, um... is “cut-up” that thing that Bowie used sometimes (I know he was’t the first) where newspaper words are cut up and jumbled to make phrases, or provide inspiration? I have done this, but not with this song. My wife of 20 years, and I, have a long history of hanging out at coffeehouses, and many times we’ll sit there and write songs by one of us writing a line or two (nowadays on the iPhone) and passing it to the other for them to add to it. It’s fun for us, and I guess our own version of cut up.
Later when I have music that needs lyrics I’ll go back to this stash of coffeehouse jumbles and see what might fit the vibe, and hack it up as necessary to make it fit.
This particular song started like that. Later when I was flushing it out, I really wanted the word Tagerine in there (it’s my wife’s second favorite Zeppelin song), and although I like the tangerine/tambourine rhyme, I went with magic beam instead. We have two sons in their late teens, and this song is sort of influenced by this being the time when they’ll start thinking about what they’ll do for a vocation. It’s time for them to build “their own lemonade stand”. Not necessarily needing to follow the conventional path, and all the entrapment that seem to come with it.
some other time I’ll share more info about the FF plugs...thumbs getting tired. Thanks again!
Thanks for listening and agree on the drum sounds in general. Happily, the drummer I work with is going to record a live drum part soon.
Wonderful, Dimitri. The music went perfectly with the movie. That’s a lot of fun.
a l i t t l e s o r t o f c h r i s t m a s s o n g . a d u e t w i t h @Bluepunk
m u c h e n c o u r a g e m e n t e n l i g h t e n m e n t a n d b r i l l i a n c e f r o m b l u e y .
@Jocphone Haven't listened yet. Just a tiny bit afraid. But Best Band Name Evah.
Be not afraid. This track is brimming with Good will. People are safe for the moment..
@Jocphone @bluepunk Lovely start, really nice....and then just completely unexpected and honest and disquieting, catching me between the idea of two of Wenders' angels singing true punk at this point in our history, not a pastiche, but the real thing, rusted, somewhat broken but still alive these many years later, OR, more simply, two altogether other men boiling babyheads on the stove and keeping each other company all the while.
Doubles all round and make mine a large laudanum, I'm going to go off and listen to it again. Well done.