Loopy Pro: Create music, your way.

What is Loopy Pro?Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.

Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.

Download on the App Store

Loopy Pro is your all-in-one musical toolkit. Try it for free today.

What are you watching? Is it good?

1313234363756

Comments

  • Just watched Hardcore Henry, wow what a ride! Not for everyone but I loved the stunts and the general fps game experience laced with questionable humor and references. There’s some nice stuff for sampling there! A bit late to this party I know.

  • Netflix’s Sons of Sam
    Absolutely ridiculous.
    I’m very familiar with much of the background covered. Maury Terry’s book The Ultimate Evil is a highly entertaining read, but not very credible at all. This docuseries is barely even entertaining.

  • Going through a mini lockdown where I live, so had the time to binge Invincible. It's an animated series, but it's phenomenal and absolutely brutal! Character development and attention to making non main characters believable people was really well done. Can't wait for season 2.

  • Suzanne Ciani on the BBC Proms playing with AniMoog on iPad!

  • @Frank303 said:
    Just watched Hardcore Henry, wow what a ride! Not for everyone but I loved the stunts and the general fps game experience laced with questionable humor and references. There’s some nice stuff for sampling there! A bit late to this party I know.

    I am also late to the party and just watched it on Tubi (free, whoot!). I found it to be charmingly ridiculous and quite creative in ways. Was impressed to see it only had a budget of 2 million.

  • Almost done with five seasons of The Bureau. Really. Very. Good.

  • Watched ‘Withnail and I’ last night for the first time in many years. Such a great performance by Richard E Grant.

  • @michael_m said:
    Watched ‘Withnail and I’ last night for the first time in many years. Such a great performance by Richard E Grant.

    Ah. My son is off to film school in LA shortly and we're watching three or four 'must see' movies every week (Last night 'In the mood for love', tomorrow 'Citizen Kane'). I simply can't bring myself to have him watch Withnail. As a Londoner with an Austinite for a son I am too scared he will find it odd/slow/no good. Keep thinking one more year maybe. For me; Top Five.

  • @JohnnyGoodyear said:

    @michael_m said:
    Watched ‘Withnail and I’ last night for the first time in many years. Such a great performance by Richard E Grant.

    Ah. My son is off to film school in LA shortly and we're watching three or four 'must see' movies every week (Last night 'In the mood for love', tomorrow 'Citizen Kane'). I simply can't bring myself to have him watch Withnail. As a Londoner with an Austinite for a son I am too scared he will find it odd/slow/no good. Keep thinking one more year maybe. For me; Top Five.

    Let's face it, 'Withnail & I' is odd. It's a haunter, that one. It'll follow a person around.

    For the past month I've been stuck on noirs. A rewatch of Out of the Past set me off, then there was Murder, My Sweet, The Big Heat, Phantom Lady and so on. I'm watching three or four of these a week, and they are good.

    I watch a lot of old movies, but I don't always get along with the popular classics. I think 'Casablanca' has the atmosphere of a school play, for instance, and I found 'Citizen Kane' boring (Welles was palpably a genius, but I prefer 'Touch of Evil', 'The Trial', 'F for Fake' etc.).

    That said - and with L.A. in the junior Goodyear's sights - I'll write 'Sunset Blvd.' on a piece of paper, fold it into a neat paper aeroplane and push it across the table.

    Best of luck to him (and you).

    Love 'In the mood for love' btw.

  • edited May 2021

    @colonel_mustard said:

    @JohnnyGoodyear said:

    @michael_m said:
    Watched ‘Withnail and I’ last night for the first time in many years. Such a great performance by Richard E Grant.

    Ah. My son is off to film school in LA shortly and we're watching three or four 'must see' movies every week (Last night 'In the mood for love', tomorrow 'Citizen Kane'). I simply can't bring myself to have him watch Withnail. As a Londoner with an Austinite for a son I am too scared he will find it odd/slow/no good. Keep thinking one more year maybe. For me; Top Five.

    Let's face it, 'Withnail & I' is odd. It's a haunter, that one. It'll follow a person around.

    For the past month I've been stuck on noirs. A rewatch of Out of the Past set me off, then there was Murder, My Sweet, The Big Heat, Phantom Lady and so on. I'm watching three or four of these a week, and they are good.

    I watch a lot of old movies, but I don't always get along with the popular classics. I think 'Casablanca' has the atmosphere of a school play, for instance, and I found 'Citizen Kane' boring (Welles was palpably a genius, but I prefer 'Touch of Evil', 'The Trial', 'F for Fake' etc.).

    That said - and with L.A. in the junior Goodyear's sights - I'll write 'Sunset Blvd.' on a piece of paper, fold it into a neat paper aeroplane and push it across the table.

    Best of luck to him (and you).

    Love 'In the mood for love' btw.

    Good and welcome thoughts there Colonel.

    I suppose age and speed and timing all play their parts. I love noir and remember being in my late teens/early twenties and gorging on any and all that could be found on the telly late at night. Now of course I/we have access to everything and all the time, and -believe me- I am largely grateful, but there is no question that I watched an awful lot of things I would never have chosen to watch purely because it was 11.30pm, I was in from the pub, there were four channels and nothing else but The Blue Dahlia on :)

    The young Mister here is a typical 18 year old terror, bless him, but surprisingly supple for his age and place in history. He's loved 'In The Mood For Love' and 'Come and See' as much as he did Possessor (under-rated imho) or Climax, but it is educational to see so many older fillums (read anything pre-2010 :) with him. Many ARE far slower/somewhat duller than memory serves, especially once one strips away the sentimental patina we tend to have covered them with. Interestingly, much of the work directed by folks who cut their televisual teeth on live TV drama before moving on to movies stands up well. While dusty in some of the dialogue because of the era, the young herbert found 12 Angry Men still urgent and fully watchable.

    Many of the Eighties movies feel more shallow than a Spandeau Ballet wardrobe selection, wheras much of the Seventies paranoia canon feels strangely relevant....and on and on it goes. In a very non-poncey way he who has selected the movie (we alternate) must also give an introduction/background talk for a few minutes and then afterwards there is always a free for all as regards content and meaning and purpose and problems and, again, on and on. I have to say I am -as ever- grateful to cinema, for it has given us a map to stay connected and communicating meaningfully through these yearning and difficult years, and that's just me :)

    BUT, there is no doubt one can see some things too early and while he is not of a generation that will wear dufflecoats with battered Sartre paperbacks in the pockets, I still think he may appreciate Withnail and Marwood more in a year or two than today...so many movies and still, for him, so much time. Lucky brute :)

    NB: As regards 'Sunset', we are working on a list of Los Angeles movies (Mulholland Drive, Falling Down etc etc) and I shall so add....welcome any further notions.

  • Come and See is such a good movie.

    Many ARE far slower/somewhat duller

    I'm not sure that slow is a bad thing. Something I have realized though in the last year is that it's a lot easier to watch certain kinds of films in a cinema, as you don't have any distractions. I do worry that the modern world with all its distractions has reduced my ability to concentrate/focus, and I'm not sure what to do about that.

    I love the movies of Bela Tarr, but I find it extremely difficult to watch them at home. Instead of digging in and really watching, I find myself wanting to check twitter or something.

  • @colonel_mustard and @JohnnyGoodyear - Sunset Boulevard is a great film noir, as well as being commercially very successful. Not a very common combination.

    Watched it for the first time ever a few years ago and got totally drawn in to it.

    I think a lot of “classic” movies do come down to individual taste though. I think Citizen Kane is overrated (but still a good movie), but I love Casablanca, and think it’s a way better movie.

    There are some movies that are supposedly among the best of all time that I think are truly terrible. Why is dross like ‘Titanic’ or the ‘Star Wars’ movies on best of lists? We all have our own opinions I guess.

  • @cian said:
    Come and See is such a good movie.

    Many ARE far slower/somewhat duller

    I'm not sure that slow is a bad thing. Something I have realized though in the last year is that it's a lot easier to watch certain kinds of films in a cinema, as you don't have any distractions. I do worry that the modern world with all its distractions has reduced my ability to concentrate/focus, and I'm not sure what to do about that.

    I love the movies of Bela Tarr, but I find it extremely difficult to watch them at home. Instead of digging in and really watching, I find myself wanting to check twitter or something.

    Your attendance would not be allowed in our house :) The Young Master requires absolute silence. I have apples I've pre-sliced and even then am intimidated into sucking then down rather than chewing for fear of his (silent) wrath. Madam has been largely banished....

  • @JohnnyGoodyear said:

    @colonel_mustard said:

    @JohnnyGoodyear said:

    @michael_m said:
    Watched ‘Withnail and I’ last night for the first time in many years. Such a great performance by Richard E Grant.

    Ah. My son is off to film school in LA shortly and we're watching three or four 'must see' movies every week (Last night 'In the mood for love', tomorrow 'Citizen Kane'). I simply can't bring myself to have him watch Withnail. As a Londoner with an Austinite for a son I am too scared he will find it odd/slow/no good. Keep thinking one more year maybe. For me; Top Five.

    Let's face it, 'Withnail & I' is odd. It's a haunter, that one. It'll follow a person around.

    For the past month I've been stuck on noirs. A rewatch of Out of the Past set me off, then there was Murder, My Sweet, The Big Heat, Phantom Lady and so on. I'm watching three or four of these a week, and they are good.

    I watch a lot of old movies, but I don't always get along with the popular classics. I think 'Casablanca' has the atmosphere of a school play, for instance, and I found 'Citizen Kane' boring (Welles was palpably a genius, but I prefer 'Touch of Evil', 'The Trial', 'F for Fake' etc.).

    That said - and with L.A. in the junior Goodyear's sights - I'll write 'Sunset Blvd.' on a piece of paper, fold it into a neat paper aeroplane and push it across the table.

    Best of luck to him (and you).

    Love 'In the mood for love' btw.

    Good and welcome thoughts there Colonel.

    I suppose age and speed and timing all play their parts. I love noir and remember being in my late teens/early twenties and gorging on any and all that could be found on the telly late at night. Now of course I/we have access to everything and all the time, and -believe me- I am largely grateful, but there is no question that I watched an awful lot of things I would never have chosen to watch purely because it was 11.30pm, I was in from the pub, there were four channels and nothing else but The Blue Dahlia on :)

    The young Mister here is a typical 18 year old terror, bless him, but surprisingly supple for his age and place in history. He's loved 'In The Mood For Love' and 'Come and See' as much as he did Possessor (under-rated imho) or Climax, but it is educational to see so many older fillums (read anything pre-2010 :) with him. Many ARE far slower/somewhat duller than memory serves, especially once one strips away the sentimental patina we tend to have covered them with. Interestingly, much of the work directed by folks who cut their televisual teeth on live TV drama before moving on to movies stands up well. While dusty in some of the dialogue because of the era, the young herbert found 12 Angry Men still urgent and fully watchable.

    Many of the Eighties movies feel more shallow than a Spandeau Ballet wardrobe selection, wheras much of the Seventies paranoia canon feels strangely relevant....and on and on it goes. In a very non-poncey way he who has selected the movie (we alternate) must also give an introduction/background talk for a few minutes and then afterwards there is always a free for all as regards content and meaning and purpose and problems and, again, on and on. I have to say I am -as ever- grateful to cinema, for it has given us a map to stay connected and communicating meaningfully through these yearning and difficult years, and that's just me :)

    BUT, there is no doubt one can see some things too early and while he is not of a generation that will wear dufflecoats with battered Sartre paperbacks in the pockets, I still think he may appreciate Withnail and Marwood more in a year or two than today...so many movies and still, for him, so much time. Lucky brute :)

    NB: As regards 'Sunset', we are working on a list of Los Angeles movies (Mulholland Drive, Falling Down etc etc) and I shall so add....welcome any further notions.

    Yes, there are certainly different constraints, depending on where you get seated. I'm from the short-lived limbo era when there were still only 4 channels, but it was possible to set the VCR to record. I guess things were opening up some. Moviedrome was formative.

    Also, I was fortunate to live within walking distance of a university cinema, and I read, and I took an interest. It's strange to think how things were before google and the imdb. Six degrees of Kevin Bacon actually required some hardwired knowledge.

    Speaking of: 'The Big Picture' is pretty great, and definitely a relevant movie for L.A. film school. It's a fine line, though. We don't want to discourage him.
    'Postcards from the Edge' is another 'behind the lens' picture, which often gets ignored. I was surprised to like it as much as I did.
    And rule of threes... 'Barton Fink' has a place in my heart, but let's make doubly sure that 'The Big Lebowski' hasn't been somehow miraculously sidestepped by the boy. It was pre-2010, after all.

    I'll just leave this here, since the song's stuck in my head.

    Thanks for your recommendations. I have not seen one of them (yet). 'Come and See' has been on the list for a while, but somehow it's never seemed like the right time. Perhaps it always has been.

  • @JohnnyGoodyear said:
    Almost done with five seasons of The Bureau. Really. Very. Good.

    Watched the first 2, very good! The 3rd season was only available via an obscure World Cinema (which I love) subscription, but at the time there were limited other titles to make it worthwhile.

    Now I know there's three further seasons to watch I'll have to take another look.

  • edited May 2021

    Fargo 4

    I've enjoyed them all so far.

  • @michael_m said:
    @colonel_mustard and @JohnnyGoodyear - Sunset Boulevard is a great film noir, as well as being commercially very successful. Not a very common combination.

    Watched it for the first time ever a few years ago and got totally drawn in to it.

    I think a lot of “classic” movies do come down to individual taste though. I think Citizen Kane is overrated (but still a good movie), but I love Casablanca, and think it’s a way better movie.

    There are some movies that are supposedly among the best of all time that I think are truly terrible. Why is dross like ‘Titanic’ or the ‘Star Wars’ movies on best of lists? We all have our own opinions I guess.

    Yes, a rare bird indeed.

    Also, just to clarify, I'm not saying that Casablanca's a bad film at all. Just wanted to set up that Sunset rec as a matter of taste, rather than simply reading classics off a list.

    Taste is a funny one. I also like 'Strange Brew' and 'Letter from an Unknown Woman'. All over the place. I'm the same with music - from Heifetz to Electric Wizard.

    Let them watch Titanic.

  • @michael_m said:
    Watched ‘Withnail and I’ last night for the first time in many years. Such a great performance by Richard E Grant.

    You have to check out How to Get Ahead in Advertising.

  • @Wrlds2ndBstGeoshredr said:

    @michael_m said:
    Watched ‘Withnail and I’ last night for the first time in many years. Such a great performance by Richard E Grant.

    You have to check out How to Get Ahead in Advertising.

    Been meaning to for quite some time, but haven’t got round to it for some reason.

    Heard a few people who loved Withnail and I say they were disappointed with it, but most said it’s pretty good.

  • The girlfriend and I have become obsessed with Rupaul’s Drag Race as of late. We aren’t fully caught up but it really is brilliant trash television.

    We’ve also been watching Handmaid’s Tale. We haven’t started the new season yet, but it is an excellent show. Terrifying and horrible, but excellent.

  • Limited series Mare of Eastown on HBO is pretty dam good.

  • @colonel_mustard said:

    @michael_m said:
    @colonel_mustard and @JohnnyGoodyear - Sunset Boulevard is a great film noir, as well as being commercially very successful. Not a very common combination.

    Watched it for the first time ever a few years ago and got totally drawn in to it.

    I think a lot of “classic” movies do come down to individual taste though. I think Citizen Kane is overrated (but still a good movie), but I love Casablanca, and think it’s a way better movie.

    There are some movies that are supposedly among the best of all time that I think are truly terrible. Why is dross like ‘Titanic’ or the ‘Star Wars’ movies on best of lists? We all have our own opinions I guess.

    Yes, a rare bird indeed.

    Also, just to clarify, I'm not saying that Casablanca's a bad film at all. Just wanted to set up that Sunset rec as a matter of taste, rather than simply reading classics off a list.

    Taste is a funny one. I also like 'Strange Brew' and 'Letter from an Unknown Woman'. All over the place. I'm the same with music - from Heifetz to Electric Wizard.

    Let them watch Titanic.

    Taste is a funny thing indeed, but sometimes such strange decisions are made during the making of a movie that they can ruin an otherwise great movie.

    Case in point - Immortal Beloved was great subject matter for a movie, and Gary Oldman put in a great performance, but for me was ruined by ending it with an unsubstantiated conspiracy theory that pretty much no one but the screenwriter believes to be true.

    …and don’t get me started on Hollywood’s lack of respect for historical facts…

  • @michael_m said:

    @colonel_mustard said:

    @michael_m said:
    @colonel_mustard and @JohnnyGoodyear - Sunset Boulevard is a great film noir, as well as being commercially very successful. Not a very common combination.

    Watched it for the first time ever a few years ago and got totally drawn in to it.

    I think a lot of “classic” movies do come down to individual taste though. I think Citizen Kane is overrated (but still a good movie), but I love Casablanca, and think it’s a way better movie.

    There are some movies that are supposedly among the best of all time that I think are truly terrible. Why is dross like ‘Titanic’ or the ‘Star Wars’ movies on best of lists? We all have our own opinions I guess.

    Yes, a rare bird indeed.

    Also, just to clarify, I'm not saying that Casablanca's a bad film at all. Just wanted to set up that Sunset rec as a matter of taste, rather than simply reading classics off a list.

    Taste is a funny one. I also like 'Strange Brew' and 'Letter from an Unknown Woman'. All over the place. I'm the same with music - from Heifetz to Electric Wizard.

    Let them watch Titanic.

    Taste is a funny thing indeed, but sometimes such strange decisions are made during the making of a movie that they can ruin an otherwise great movie.

    Case in point - Immortal Beloved was great subject matter for a movie, and Gary Oldman put in a great performance, but for me was ruined by ending it with an unsubstantiated conspiracy theory that pretty much no one but the screenwriter believes to be true.

    …and don’t get me started on Hollywood’s lack of respect for historical facts…

    Ah, I've not seen it. I've always struggled with biopics for some reason. I suppose it's the concept of summing up a person's life in a couple of hours, and it's not even true. Sometimes they'll focus on an interesting event, which is better. But anyway - I get your point. It sounds pretty disrespectful to the old Ludwig Van.

  • Dust. On YouTube. Have you seen it? Delicious morsels of sci-fi greatly varying in quality, short, and often open ended. Perfect for a quick shot. I enjoy it a lot.
    https://youtube.com/c/watchdust

  • After watching many sleek producer video's with neat tricks and ambient colourful studios, this is so refreshing. I like the guy. He looks like a sleazy producer from the 70's, but he is actually very entertaining and British.

  • edited June 2021

    @Frank303

    I really dig these practical miniatures in this Blade Runner short..

  • Cat on a Hot Tin Roof production filmed for National Theatre Live in 2018.
    Very very good. In fact, it’s the best staging that I have ever seen of this play.
    Colm Meaney makes a great Big Daddy. I am not surprised.

  • @JeffChasteen said:
    Colm Meaney makes a great Big Daddy. I am not surprised.

    Mendacity!

    I'll bet he does.

    I love a bit of Tennessee.

    Recent watches over here:

    Yet more film noirs - Criss Cross, Sorry, Wrong Number, Where The Sidewalk Ends etc.

    Magnificent Obsession, for a splash of Technicolor.

    80s double-bill of Valley Girl (I'm sure!) and The Return of the Living Dead.

    Streets of Fire.

    And Burning. I rarely get grabbed by recent films, but this one really crawled under my skin. Ambiguous in all the right ways.

    Still haven't been in the right mood to sit with the horrors of war @JohnnyGoodyear, but there will be a cathartic phase at some point.

  • @colonel_mustard said:

    @JeffChasteen said:
    Colm Meaney makes a great Big Daddy. I am not surprised.

    Mendacity!

    I'll bet he does.

    I love a bit of Tennessee.

    Recent watches over here:

    Yet more film noirs - Criss Cross, Sorry, Wrong Number, Where The Sidewalk Ends etc.

    Magnificent Obsession, for a splash of Technicolor.

    80s double-bill of Valley Girl (I'm sure!) and The Return of the Living Dead.

    Streets of Fire.

    And Burning. I rarely get grabbed by recent films, but this one really crawled under my skin. Ambiguous in all the right ways.

    Still haven't been in the right mood to sit with the horrors of war @JohnnyGoodyear, but there will be a cathartic phase at some point.

    Mendacity indeed!
    The world will never see another quite like Mr Williams.
    That is a great list of watchables you have there.
    Sorry, Wrong Number is the only movie that scared me when I was a kid. Such an overwhelming sense of dread.

Sign In or Register to comment.