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D-1 Hybrid Synth from the AudioKit Team.

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Comments

  • Where they popular? Looks like they put out a fuck load of songs.

  • @Greenie said:
    Where they popular? Looks like they put out a fuck load of songs.

    Bucks Fizz? Popular in a cheesy way, they won Eurovision at a time where the rest of Europe didn’t hate the UK and the voting wasn’t rigged.

    Famous for ripping dresses off, couldn’t do that these days. For shame.

  • @analog_matt said:

    @MobileMusic said:
    Yes, the header of the Legato section threw me off and I was assuming it would switch to mono in legato but the mono switch is right above the keyboard which I just noticed as switched off. Thanks

    That's a good point that it might be kind of confusing. I'm planning on making a long tutorial video for D1. I suspect you're not the only one that thought that.

    Have a think about how a poly legato mode might function in practice. If it’s just a case of skipping the envelope trigger of any subsequent notes until all keys are raised, it may not be hard to do. You may come up with something useful that the majority of synths don’t have.

  • edited November 2018

    @JohnnyGoodyear said:

    @gusgranite said:

    @Greenie said:
    Just came across the British band Buck Fizz early 80s and there it was the D1 in all its wonderful glory ,thanks for this and of course all the other patches but this one tickled me. greenie

    Bucks Fizz!!! Now there’s a blast from the past! 😀

    Abba Lite.

    More like Abba Shite...

    Abba being one of the greatest pop groups of all time, and Bucks Fizz being, well, Bucks Fizz.

  • In my post I was making comparisons between the D1 and the synths i hear on this bands records in the early 80s. After checking out their discography I agree with Mr Goodyear ,ABBA lite ,appropriate, However with 20 million record sold there was a lot of Shite lovers out there. I don’t give a Bucking toss about the band only the musical sounds which the D1has in common.

  • Brotherhood of Man were worse...

  • How/where can I select which of my connected midi devices controls D1?

    Cheers

  • @SpookyZoo said:
    How/where can I select which of my connected midi devices controls D1?

    Cheers

    We’re hoping to add midi input selection in the near future. In the meantime, you can use the MIDI channel input selector in “Settings” to the upper left of the keyboard to filter input by MIDI Channel

  • @analog_matt
    I have a few attack samples, D50-esque and other sounds done on a Nord Lead 3 that I could imagine would be a good fit on PCM card 3 or whatever, to use them as they are or to mix them with the synthesized tones.
    Are you interested?

  • Another freakin’ update! B)

  • Keep the update coming @analog_matt , waiting patiently on AU version.

  • Latest update/upgrade adds 30+ new LFO destinations. Plus, a couple of cool new knobs:

  • Thanks for the LFO access. That's the new hotness for Instruments and FX'es.

    "No LFO access? Pass."

    As you work to add AUv3 support to your synth will that code find it's way into the AudioKit Open Source for others to benefit from? Just curious. Waiting to see if the Jan/Feb estimate proves feasible.

    AUv3 is hard to get right and the smaller developers and the bigger shops that aren't Apple focused (like FabFilter) have problems getting out products since AUv3 requires an Apple savvy programmer.

  • edited November 2018

    Absolutely, we are working on AUv3 for all AudioKit apps. Aure, the founder of AudioKit, is working on AUv3 full time now for the next couple of months. Leaving me free to add all kind of extra upgrades to D1 in the meantime 👍

  • @analog_matt said:
    Absolutely, we are working on AUv3 for all AudioKit apps. Aure, the founder of AudioKit, is working on AUv3 full time now for the next couple of months. Leaving me free to add all kind of extra upgrades to D1 in the meantime 👍

    A very fine and fair division of labor that we here at Headquarters support fully. Carry on!

  • @analog_matt said:
    Latest update/upgrade adds 30+ new LFO destinations. Plus, a couple of cool new knobs:

    How do I get to use that blue looking UI?

  • @McDtracy said:
    Thanks for the LFO access. That's the new hotness for Instruments and FX'es.

    "No LFO access? Pass."

    As you work to add AUv3 support to your synth will that code find it's way into the AudioKit Open Source for others to benefit from? Just curious. Waiting to see if the Jan/Feb estimate proves feasible.

    AUv3 is hard to get right and the smaller developers and the bigger shops that aren't Apple focused (like FabFilter) have problems getting out products since AUv3 requires an Apple savvy programmer.

    How do you know Fabfilter are having problems getting out products on AUv3? Is that a fact?

  • edited November 2018

    @[Deleted User] said:
    How do you know Fabfilter are having problems getting out products on AUv3? Is that a fact?

    Do we really know anything? We watch for clues.

    I read comments from @richardyot on a FabFilter thread currently active on the Forum.

    To paraphrase here: They are able to move their desktop VST code easily into Auria Pro but creating AUv3's requires adding an Apple savvy coder.

    I'm not sure if they hired or contracted for the skillset. Obviously the financial success of Pro Q2 will drive further investments.

    How long have we been waiting for that 2nd AUv3 FX App? It's not a trivial bolt-on for FabFilter compared to Auria.

    What Richard relates about FF plug-ins in Auria versus AUv3's was eye opening since Auria gets such a bad rap around here for not being more Loop/Pad based and other complaints.

    It's still the most capable traditional DAW and generally loved for "mixdowns" thanks to the FF Pro tools.

    PM @richardyot for verification/details.

  • Oh look, more guesswork based on zero facts, any chance we could stop making silly comments about developers we have no real info on, it is bordering on developer trolling.

  • @sdesign said:

    How do I get to use that blue looking UI?

    Hit the keyboard icon 🎹to the right of the "Link" button while on the FX panel to see the bonus routings. :)

  • @analog_matt : my top wish list item for the already awesome Digital D1:

    • a few envelopes that that can be assigned to the same things that the LFOs can be be mapped to
  • @espiegel123 said:
    @analog_matt : my top wish list item for the already awesome Digital D1:

    • a few envelopes that that can be assigned to the same things that the LFOs can be be mapped to

    That's something I'd like, too. Though, it can be tricky as many things I like with envelopes usually have to be applied on a "per-voice" basis. And, with 64-voices, that can spike CPU usage.

    What are your top picks for envelope destinations?

  • edited November 2018

    @McDtracy said:

    @[Deleted User] said:
    How do you know Fabfilter are having problems getting out products on AUv3? Is that a fact?

    Do we really know anything? We watch for clues.

    I read comments from @richardyot on a FabFilter thread currently active on the Forum.

    To paraphrase here: They are able to move their desktop VST code easily into Auria Pro but creating AUv3's requires adding an Apple savvy coder.

    I'm not sure if they hired or contracted for the skillset. Obviously the financial success of Pro Q2 will drive further investments.

    How long have we been waiting for that 2nd AUv3 FX App? It's not a trivial bolt-on for FabFilter compared to Auria.

    What Richard relates about FF plug-ins in Auria versus AUv3's was eye opening since Auria gets such a bad rap around here for not being more Loop/Pad based and other complaints.

    It's still the most capable traditional DAW and generally loved for "mixdowns" thanks to the FF Pro tools.

    PM @richardyot for verification/details.

    Philosophically speaking there is an argument we know nothing but of course I was referring to you talking about company’s like fabfillter having problems getting out iOS apps on AUv3. Sound like you don’t have any facts.

    Anyway sorry to hackjack the discussion somewhat.

  • @analog_matt said:

    What are your top picks for envelope destinations?

    The Pitches of Osc/Layer 1 & 2 would be my first choice.

  • Great update - thank you, the rate of releases for D1 has been amazing (as is the sound)!

  • @analog_matt said:

    @espiegel123 said:
    @analog_matt : my top wish list item for the already awesome Digital D1:

    • a few envelopes that that can be assigned to the same things that the LFOs can be be mapped to

    That's something I'd like, too. Though, it can be tricky as many things I like with envelopes usually have to be applied on a "per-voice" basis. And, with 64-voices, that can spike CPU usage.

    What are your top picks for envelope destinations?

    Here are a few destinations that I've desired (and yeah, I can see that one would want option for global vs. per voice -- I personally would be ok with knowing my polyphony was limited when using per-voice envelopes):

    • pitch (for either layer - detune and semitones)
    • layer mix
    • pan (layer)
    • lfo freq
    • lfo amp
    • pretty much any effect parameter (imagine having a distortion envelope that changes distortion amount over a note's life or)

    to name a few :)

  • @analog_matt Does D1 have MPE support ?
    I just updated and was trying via Animoog and GeoShred but only “regular” MIDI worked...do I have to setup some configuration ?

  • @Turntablist said:
    Oh look, more guesswork based on zero facts, any chance we could stop making silly comments about developers we have no real info on, it is bordering on developer trolling.

    Developer trolling? PM @richardyot if you care about facts.

    Richard wrote (on an active FabFilter thread here):

    Rim has always said he makes no money from the plugins, all the revenue goes to the plugin devs.

    The Auria ports are (from what I understand) relatively easy, because they're conversions of the VST code. This is borne out by the fact that whenever new FF plugins have appeared, the Auria versions follow shortly after (Pro C2, Pro Q2, Pro L2 and Pro R all appeared within weeks of their desktop counterparts).

    Porting the AUv3 is much more labour intensive and requires actual dev resources to be devoted to the project, which is why so far we have only seen Pro Q2 as an AUv3.

    So I would say the economics have been pretty clear: the Auria versions are easy to convert and FF gets to keep all the revenue from them, but sales are limited only to Auria users. The AUv3 versions are much more costly to develop but have the potential to reach a larger market, not just Auria users.

    In the end it will probably make sense to just release the AU versions (as long as the dev time is viable), but for me personally I still prefer using the native versions in Auria because it's by far the more stable and efficient environment (you can run dozens of live native plugins in Auria, which you can't do with AUv3 in other hosts).

    If I mischaracterized anything in my comment that borders on developer trolling I apologize to the developer being maligned
    and would appreciate to know what I didn't re-state correctly using a reputable source for the "rumor".

  • @McDtracy said:
    If I mischaracterized anything in my comment that borders on developer trolling I apologize to the developer being maligned
    and would appreciate to know what I didn't re-state correctly using a reputable source for the "rumor".

    The developers at FabFilter are very experienced and first class engineers, they have absolutely no difficulty with AUv3.

  • edited December 2018

    @realdawei said:
    The developers at FabFilter are very experienced and first class engineers, they have absolutely no difficulty with AUv3.

    Fair enough. I apologize to the developers at FabFilter and encourage their efforts to give us all their Plug-ins in AUv3 formats. If there's no difficulty it's probably the sales results of the Q2 App, I'd guess. That's a guess. Not a trolling like that crap about it being hard or requiring solid Apple Dev experience.

    I'll start commenting about other matters for a while before Michael has to step in and ask me to maintain civil manners when discussing developer's I can't possibly know. I promise.

    (I'm really talking about ideas and the developers maligned are just innocent by-standers).

    IDEAS:

    AUv3 (Apple) is wonderful technology but a non-trivial "port".
    Many are suffering adding it to their code.

    IAA (Apple) makes a lot of great apps work but needs to be deprecated, IMHO. But maybe it's easier to implement due to more code being available to lead the way? Not sure.

    AudioBus (Michael's Baby) is the one ring to rule them all. The Alpha-Omega and essential set of features for saving presets, etc. I'll always buy these products out of respect for the market it created. AB3, Remote, Loopy, etc.

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