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Comments
On one hand, I can see the point. On the other, I think a lot of devs could have said the same but, instead, saw it as an investment in their product and fans. I’m sure it wasn’t a walk in the park getting Shockwave ready for iPhone but I’m pretty damn happy @ka010 did it.
So did anyone ever offer an explanation or a fix as to why the LFOs have a long pause before repeating their cycle? Like just hook an LFO up to the oscillator shape and crank it to 100, leave the LFO as the basic sine wave. There is no consistent, continuous movement as there should be; instead there is a gigantic-assed pause before it ramps back up and down again.
The LFOs are bi-polar so if you use maximum modulation amount the value stays at max for the upper part of the sine waveforms cycle thus the value seems to be stuck.
Use the start-phase of the LFOs and make sure to set the modulation amount is set so that it won’t exceed the maximum value when the modulating...
It’s the same deal if you adjust the mod amount i for example spectrum or mela or just about any synh that uses bi-polar LFO waveforms...
I got ya, makes sense. Still, kind of a hassle to tweak to desired result. Thanks for the reply.
I know this is why I in general do NOT like bi-polar LFO's...
...imagine you use a square LFO to modulate pitch. The pitch will never bee on the root note with a bi-polar square wave but with a uni-polar square wave the low value will always be on the root...
A uni-polar triangle wave is very nice for controlled filter and pulse-width modulations.
The only times I find bi-polar LFO usable is for adding vibrato...
I've been on a kinda personal rampage for control over LFO polarity (bi/uni-polar switch) as well as control and sync of the LFO start-phase and thankfully some of the more recent synths have proper control over the LFO
Does Continua have midi learn in AU? Or am I just not seeing it?
All the parameters look to be open in aum
Yep, AUM and AU parameters are good. Specifically wondering about Midi Learn because Camelot Pro doesn't have AU parameters.
Ahh gotcha, I don’t believe it does unless I’m missing it. You might be able to route something using aum as a middle man but I honestly don’t know cos I don’t have Camelot
As a mobile UX designer I.... don't get it. But I understand there's costs involved in development. If something wasn't developed as Universal from the start, the chances of it ever becoming so are very small.
As someone that made music for awhile on their iPhone, one of the reasons I stopped is due to developer's not making iPhone versions. Some did, others didn't. Those that did could be suffering from those that didn't if there's more people like me - I WAS buying iPhone music software, but now I am not.
It isn't really a good investment if it loses money. My guess, Chris Randall knows more about how much time it would take and whether it would generate enough money to justify the time. The income from these apps is pretty minimal. I think people here often don't realize how little most Deb's earn.
Does anybody else have problems with continua "crashing" every few minutes aka spiking the dsp % and producing noise for a while until it catches itself again? (ipad mini 5, 14.1)
It is stable for me. iOS 13.7
Haven't seen this here (Pro 2020 12.9, 14.2), and I use Continua quite a lot...
I use continua mostly in AUM and I had this happen every time I used it for at least a few minutes...
I noticed this the other day. Almost like a feedback loop that comes after playing certain patches and letting them ring out for a few seconds
It’s stable for me. I do enjoy watching the snap wave animations.
At least one factory patch, "Complicated Saw," has delay feedback high enough to self-oscillate. I turned it down and now the patch stays pretty.
It's not feedback for me, it's DSP-is-melting-noise and also the whole tablet becomes kind of laggy...
How do you assign global pitch modulation from for example an log or feg?