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TAL-U-NO-LX AUv3 and standalone for iPad released

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Comments

  • Zeeon is Minilogue. TAL is Juno 60. There's a place for them both. 😁

  • edited April 2020

    @auxmux said:
    Zeeon is Minilogue. TAL is Juno 60. There's a place for them both. 😁

    Yes, both are good. Indeed is Tal the better Juno of course but i´m not the biggest Juno fan. I would use it mainly for strings, pads and brass and there other are better for me.
    However, the Tal is a lot faster to work with and better for certain sounds maybe as well. I just like the more aggressive nature of Zeeon. The low end is wonderful and the saturation better for me.
    Microtuning and crossplatform now is a big plus for the Tal too.

  • edited April 2020

    Just had to sadly remove this au from my Mac... Catalina woes .... :neutral:
    I loved it... some really great sounds came out of it!
    This arrived just in time to cheer me up!!

  • @id_23 said:
    Just had to sadly remove this au from my Mac... Catalina woes .... :neutral:
    I loved it... some really great sounds came out of it!
    This arrived just in time to cheer me up!!

    No problem on Catalina here.

  • @Clueless said:

    @id_23 said:
    Just had to sadly remove this au from my Mac... Catalina woes .... :neutral:
    I loved it... some really great sounds came out of it!
    This arrived just in time to cheer me up!!

    No problem on Catalina here.

    ...
    I’ll have to dig in a bit deeper.... updated LPX, a whole load of au’s where moved to trash...
    Haven’t had enough time to sort the mess out....
    Simultaneously my WD my passport locked up and 5 years of backups evaporated. Another Catalina catastrophe!!
    So that has been my priority, thanks for the heads up,
    I’ll try and retrieve all of these?
    Cheers J
    Sorry for sidetracking.

  • @Crabman said:

    @aplourde said:

    @auxmux said:
    @aplourde AU works fine.

    Dammit that wasn't the answer I wanted :D

    @Clueless said:

    @aplourde said:

    @Clueless said:
    Also worth to mention that it seems to offer microtuning. A thing i would like in ALL synths.

    Does this work in the AU? I believe @Carnbot indicated that it might only be in the standalone.

    This is the thing that might push me off the fence.... Yes it sounds great, but for 99% of what I would use a Juno for (pads down in the mix) I'm sure I wouldn't be able to tell the difference between this or Zeeon or iSEM. Microtuning however....

    Well, for me personally Zeeon sounds better anyway and is a lot more versatile but not as plug and play.

    Yeah, Zeeon + FAC Chorus have me covered sonically for "Juno" sounds, but microtuning is tempting...

    really? I tried really hard to like Zeeon but to me it sounded too "agressive"most of the time.Definitely not silky smooth like a Juno.Not by a mile.And yes,i know how to build this kind of sounds or how to avoid overloading mixer levels etc. :)

    Strange, I have had no problems getting a syrupy smooth analogesque sound out of Zeeon.

  • seems like this would be a great synth for modern day ambient jams

  • edited April 2020

    I don't really see why anyone would buy even more presets for this. Its limitations make it very easy to program, and what it can do is well represented in the 4 banks it comes with. $20 bucks for 64 of those Luftrum presets seems ridiculously steep.

    And whoever called Zeeon a Minilogue can get right out of town. Zeeon blows that dinky thing out of the water in sound quality and you can do things with it you couldn't dream of on the Minilogue. I proudly use my Minilogue as MIDI keys for Zeeon (and other synths)...otherwise it has no value to me.

  • edited April 2020

    There is one good reason why everybody should buy this synth. Just looks at TAL portfolio of plugins. I guess he is testing waters with this one. In case it will sell well, i bet next will come - which would be amazing ;-)

    So even if you think you din't need another analog synh emulation, take it as strategic investment for getting more of his amazing plugins on iOS :-)

  • @dendy said:
    There is one good reason why everybody should buy this synth. Just looks at TAL portfolio of plugins. I guess he is testing waters with this one. In case it will sell well, i bet next will come - which would be amazing ;-)

    So even if you think you din't need another analog synh emulation, take it as strategic investment for getting more of his amazing plugins on iOS :-)

    Amen :smile:

  • Yes, Tal-Mod please!

  • @wim said:
    Ahh, what the hell? Why not encourage (sucker?) a brand-new to iOS developer with as much success as possible right up front? Get 'em going on a couple more ports before they realize how minuscule ROI really is). Yeh, I'm doing it for them ... helping the economy ... etc.

    Yep. Gonna go with that one. Don't think the wife will buy that when she sees the credit card bill, but I'll know that I took one for the team. Sleeping on the couch isn't all that uncomfortable anyway.

    Well done for getting her to do it...

  • The user and all related content has been deleted.
  • @BCKeys said:

    @Bill_Brasky said:

    @Crabman said:

    @aplourde said:

    @auxmux said:
    @aplourde AU works fine.

    Dammit that wasn't the answer I wanted :D

    @Clueless said:

    @aplourde said:

    @Clueless said:
    Also worth to mention that it seems to offer microtuning. A thing i would like in ALL synths.

    Does this work in the AU? I believe @Carnbot indicated that it might only be in the standalone.

    This is the thing that might push me off the fence.... Yes it sounds great, but for 99% of what I would use a Juno for (pads down in the mix) I'm sure I wouldn't be able to tell the difference between this or Zeeon or iSEM. Microtuning however....

    Well, for me personally Zeeon sounds better anyway and is a lot more versatile but not as plug and play.

    Yeah, Zeeon + FAC Chorus have me covered sonically for "Juno" sounds, but microtuning is tempting...

    really? I tried really hard to like Zeeon but to me it sounded too "agressive"most of the time.Definitely not silky smooth like a Juno.Not by a mile.And yes,i know how to build this kind of sounds or how to avoid overloading mixer levels etc. :)

    Strange, I have had no problems getting a syrupy smooth analogesque sound out of Zeeon.

    It’s all about the analog grain, Zeeon sounds really great to my ears, but still a bit too shiny compared to a ModelD/15 or this brand new Tal-U-No Lx.

    Magellan 2 is also making analog wonderful waves !

    No I need a U-he Repro on iOS to be fully satisfied 😍 (I think @Samu posted something about U-he working on this a few months ago !)

    Of course that also depends on flavor maybe. Model D is indeed my favorite analog on iOS for the Model D sweetspot, Model 15 is nice but far away from analog sounding for me, Zeeon is great and almost kind of a nice hybrid of analog modeled with a digital touch.
    Repro is indeed even a class higher, especially the superb FX it comes with and also microtuning. It would be nice for iOS but i see no sign of this in any of their posts (beside some questions in their survey).
    I still hope for P900 which for me is even a class above Repro and as modular the most versatile of these analog beasts.
    Oh, there is so much place for more analog emulations. Synapse working on a new OB-Xa and i guess it will be a beast as well.
    Not to forget DRC which can be such an analog beast and really dirty.
    What is also very important for me are the added FX and how they work with the RAW sound. DRC is great here.
    My favorite for iOS here would be also Model D since the delay and bender is really great and they really pronounce the Model D sound in a really good way.
    The chorus in the Tal is really great and just sits with the sound of course.
    Zeoon has a nice chorus and really great phaser but terrible delay and reverb.
    What sets Model D apart for me on iOS is the really fantastic saturation. No other iOS app sounds this good here.
    However, so many great synths with different character from analog to digital. All have their places.
    All this simpler synths also let me often rethink my workflow. Instead of trying to do all with a giant modular or super complex hybrid workstation it often just works better to layer 2-3 of these simpler synths and you get an awesome wall of sound i could not get with anything else.
    I´m just a synth junkie but i love it ;)
    I don´t know if there are any synths not good sounding these days, beside the Timbre Wolf, lol.

  • Omg this is a dream...sounds beautiful

  • @oat_phipps said:
    I don't really see why anyone would buy even more presets for this. Its limitations make it very easy to program, and what it can do is well represented in the 4 banks it comes with. $20 bucks for 64 of those Luftrum presets seems ridiculously steep.

    And whoever called Zeeon a Minilogue can get right out of town. Zeeon blows that dinky thing out of the water in sound quality and you can do things with it you couldn't dream of on the Minilogue. I proudly use my Minilogue as MIDI keys for Zeeon (and other synths)...otherwise it has no value to me.

    My point was Zeeon is a similar architecture to Minilogue, and so if you have Zeeon you basically don't need a Minilogue. Just like how this covers Juno sounds. So yes, we are saying the same thing. Also Minilogue is a horrible midi controller, those keys are terrible.

    On the point of presets, people like presets. People buy presets, so what? Also, Lufstrum is a great sound designer and his pack sounds epic.

  • @oat_phipps said:
    $20 bucks for 64 of those Luftrum presets seems ridiculously steep.

    Not suggesting to buy them, but I did notice that the Luftrum shop has a 20% off code for April right now "april2020".

    Personally I’m happy with the additional free presets on the TAL site for now.

  • https://audiobombs.com/?q=TAL+u-no-lx&devices.qualname.75=Synth.TAL-U-NO-LX&filters.qualname.163=&filters.qualname.165=&rating=&category=Synth+Presets&page=1&limit=24&sort=utc_created_at:desc&price=All

    This is a link to all the free TAL U-NO-LX presets on the AudioBombs site...if you do some Googling and get the presets off the links already in the thread you’re looking at a bumper crop of presets available.

    I hope TAL sees the interest in this synth from our community and moves over their entire line. This synth is just so cool...

  • edited April 2020

    am i the only one having a hard time using those faders?and i have anything else than big fingers :)

  • @Crabman said:
    am i the only one having a hard time using those faders?and i have anything else than big fingers :)

    Now trying to picture you using anything else than fingers...

  • @Crabman said:
    am i the only one having a hard time using those faders?and i have anything else than big fingers :)

    It looks like if you first drag horizontally it goes into fine-precision mode. For vertical movements I've found it easier to just star dragging from an empty area.

  • @NoiseFloored said:

    @Crabman said:
    am i the only one having a hard time using those faders?and i have anything else than big fingers :)

    It looks like if you first drag horizontally it goes into fine-precision mode. For vertical movements I've found it easier to just star dragging from an empty area.

    Once you get a fader going you can slide your finger anywhere on the screen to better see the fader and get a nice smooth motion.

  • @BCKeys said:

    @Bill_Brasky said:

    @Crabman said:

    @aplourde said:

    @auxmux said:
    @aplourde AU works fine.

    Dammit that wasn't the answer I wanted :D

    @Clueless said:

    @aplourde said:

    @Clueless said:
    Also worth to mention that it seems to offer microtuning. A thing i would like in ALL synths.

    Does this work in the AU? I believe @Carnbot indicated that it might only be in the standalone.

    This is the thing that might push me off the fence.... Yes it sounds great, but for 99% of what I would use a Juno for (pads down in the mix) I'm sure I wouldn't be able to tell the difference between this or Zeeon or iSEM. Microtuning however....

    Well, for me personally Zeeon sounds better anyway and is a lot more versatile but not as plug and play.

    Yeah, Zeeon + FAC Chorus have me covered sonically for "Juno" sounds, but microtuning is tempting...

    really? I tried really hard to like Zeeon but to me it sounded too "agressive"most of the time.Definitely not silky smooth like a Juno.Not by a mile.And yes,i know how to build this kind of sounds or how to avoid overloading mixer levels etc. :)

    Strange, I have had no problems getting a syrupy smooth analogesque sound out of Zeeon.

    It’s all about the analog grain, Zeeon sounds really great to my ears, but still a bit too shiny compared to a ModelD/15 or this brand new Tal-U-No Lx.

    Magellan 2 is also making analog wonderful waves !

    No I need a U-he Repro on iOS to be fully satisfied 😍 (I think @Samu posted something about U-he working on this a few months ago !)

    Magellan 2 is excellent at analog modeling. I picked it up yesterday and was pleasantly surprised. At the time when Zeeon was released it was certainly at the top of analog modeling synthesis for me. As with most of Beepstreets synths I feel the true potential lies in sound design and patch creation but Sunrizer and Zeeon both have excellent presets.

  • I bought it a little while ago, sounds fantastic Immediately. It definitely has its own sound, not just another subtractive synth. I broke my no app buying rule for the near future rule with this one but well worth it.

  • @BCKeys said:

    No I need a U-he Repro on iOS to be fully satisfied 😍 (I think @Samu posted something about U-he working on this a few months ago !)

    Nope, I've not posted anything about U-he, but mentioned TAL at one point...

    I'm happy with the TAL-U-NO-LX thing but miss the unison trick that could be done on the original by pressing down poly 1&2 at the same time to make all 6 voices play in unison...

  • @anickt said:

    @NoiseFloored said:

    @Crabman said:
    am i the only one having a hard time using those faders?and i have anything else than big fingers :)

    It looks like if you first drag horizontally it goes into fine-precision mode. For vertical movements I've found it easier to just star dragging from an empty area.

    Once you get a fader going you can slide your finger anywhere on the screen to better see the fader and get a nice smooth motion.

    maybe i need more practice then cause often enough the fader jumps into the opposite direction when i move the finger away from the fader.

    Anyone knows what the"Midi Lock" does?

    The Poly Portamento is also a little...unpredictable :)

    And hold the preset menu with a finger open is stupid.

    Besides this it's AWESOME

  • McDMcD
    edited April 2020

    @dendy said:
    There is one good reason why everybody should buy this synth. Just looks at TAL portfolio of plugins.

    Thats it! I'm in... more high quality Desktop products needed. Show U-he the way.

    Once we get 20-30 of these vendors then people can go crazy on Black Friday scooping up real high quality/proven apps for under $10.

  • @Carnbot said:
    There's a voice tuning mode in the AU, but you can't load .tun files as far as I can see.

    Thanks!

  • @Crabman said:

    @aplourde said:
    Yeah, Zeeon + FAC Chorus have me covered sonically for "Juno" sounds, but microtuning is tempting...

    really? I tried really hard to like Zeeon but to me it sounded too "agressive"most of the time.Definitely not silky smooth like a Juno.Not by a mile.And yes,i know how to build this kind of sounds or how to avoid overloading mixer levels etc. :)

    Well, it's all about context. Head-to-head one could tell them apart, no doubt. But I'm not making Synthwave or anything where I need verisimilitude. Buried in my mix, with effects and EQs carving the sound, Zeeon does it for me.

    And for anyone struggling with Zeeon being too aggressive or too bright, try the OTA filter model and turn the Tone most of the way up. Also realize that the range of the Cutoff is greater than on many synths, so you have to close it down more than you might think to get a "vintage" sound.


    Anyway, getting back on topic, when / if microtuning gets sorted in the AU I'll probably get this.

  • @Crabman said:

    @anickt said:

    @NoiseFloored said:

    @Crabman said:
    am i the only one having a hard time using those faders?and i have anything else than big fingers :)

    It looks like if you first drag horizontally it goes into fine-precision mode. For vertical movements I've found it easier to just star dragging from an empty area.

    Once you get a fader going you can slide your finger anywhere on the screen to better see the fader and get a nice smooth motion.

    maybe i need more practice then cause often enough the fader jumps into the opposite direction when i move the finger away from the fader.

    Anyone knows what the"Midi Lock" does?

    The Poly Portamento is also a little...unpredictable :)

    And hold the preset menu with a finger open is stupid.

    Besides this it's AWESOME

    I'm having the same fader sliding issues

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