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Song Of The Month Club - May 2024

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Comments

  • @DavidEnglish said:
    This is a music track that I improvised on two MIDI keyboards connected to Bitwig Studio on a desktop PC. There the MIDI was routed to Solo for the bassoon, oboe, violin, and flute; Dolce for the basses; and Omnisphere, ZebraHZ, and Alchemy for the other instruments.

    After bringing the audio recording into Vegas Pro, I applied the Lurssen Mastering Console plug-in to the audio mix.

    It's titled Beneath the Trees.

    Beautiful and soothing, with an occasional undertone of “menace”.

  • @BillS said:
    Another one featuring my fledgling piano playing…it’s quite scary being this exposed!!

    The Man In The Restaurant

    Brilliant. Great voice , interesting lyrics and perfect accompaniment on the piano. Great stuff

  • @matdun25848834 said:
    Morning all. Here’s my May offering

    Full on synth and it’s mainly about the Melodies in the chorus. All done within Logic pro iOS with a mix of inbuilt patches and iM1. I created the video using a mix of google earth studio, some drone footage and basically staring 80s New Romantic style into the camera :) - edited within davinci resolve.

    Hope you enjoy

    Wow Mat, this is great - looks like you’re down there in Portland! The music is melancholic, almost threatening in nature, and very beautiful. Really good track. I felt that the drums could have done with more ‘oomph’ to drive it along, but that’s just my slant on things, it’s great as it stands.

    Then there’s the video - it matches the music perfectly. Menacing!

    Thanks for your nice words about my track - especially appreciate the nod to my vocals, cheers!

  • @matdun25848834 said:
    Morning all. Here’s my May offering

    Full on synth and it’s mainly about the Melodies in the chorus. All done within Logic pro iOS with a mix of inbuilt patches and iM1. I created the video using a mix of google earth studio, some drone footage and basically staring 80s New Romantic style into the camera :) - edited within davinci resolve.

    Hope you enjoy

    I thought you were heading for my house at the start before veering down to Portland at the last second! There are apparently a fair amount of tunnels and bunkers in Portland, maybe just beneath the drone footage. I read that they used to transfer munitions underground from the cordite factories around Wareham/Portland. Anyway….

    I like the anthemic synths and melody, nice big synth sounds and a cool atmosphere. Gives me early 80s sci-fi TV show vibes. Airwolf spring to mind but that might be due to the drone footage lol.

  • @matdun25848834 said:

    @richardyot said:
    My entry for the month,

    Very nice, voice goes perfectly with the song and I really like the synth/guitar patch on the intro and mid break. Are the combos of built in iPad sounds/external ? Some really interesting chord changes as well

    I just wished I had a voice to do more vocal tracks :)

    Thanks :)

    Voice and guitar are obviously external, and I don't tend to use iOS amp sims the so the guitar tone is from a Strymon Iridium pedal, but delays and modulation are in the box (usually Other Desert Cities, Super VHS, and FAC Medusa).

    All the rest is done in Logic for iPad using the usual array of apps. The synth in the intro is Zeeon.

  • @richardyot said:
    My entry for the month, lyrics in the spoiler:

    When you fight you stand your ground
    You don’t give in or turn around
    You won’t let me answer
    I have to concede

    And I found
    When you are around
    The things you say the things you do
    All the words that don’t ring true

    How
    Can you be so wrong?
    You thought you would never
    Be the only one

    Tell me why again
    I don’t know what or when
    What is it you want feel?
    What is it is it for real?

    You and I we’ve been around
    I’ve kept my ear close to the ground
    So I know you’re not quite
    The man you believe

    And I found
    When you stare me down
    The things unsaid between us two
    The words you speak that don’t ring true

    How
    Can you be so wrong?
    You thought you would never
    Be the only one

    Tell me why again
    I don’t know what or when
    What is it you want feel?
    What is it is it for real?

    Hi I'm new to audiobus forum and to IOS music making but I stumbled on this Song of the month club last month and think it's a great idea for mutual feedback and not feeling like shouting into the void. Last months song of yours I slightly preferred but both are of high quality, they are also a bit 'annoying' :-) in that my mind is trying to place them as something I have heard and known during the eighties and I know well..but...I don't, but it feels like I do (think this is a compliment) and I keep trying to place them and can't because I don't!!

    ...This one does seem to have borrowed some notes from wicked games separate from the eighties mystery song....good stuff.

  • @klownshed said:
    Here's my entry, from my Burnt Earth project with my old bandmate Steve. It's another orchestral slab of misery. :lol:

    I like me some melancholic music and this delivers...a third of the way through I'm visualising wire fences and people in tattered clothing, towards the end it has become film noir with the protagonist smoking in the rain waiting for the person that will never come...

  • @BillS said:
    Another one featuring my fledgling piano playing…it’s quite scary being this exposed!!

    The Man In The Restaurant

    He’s stone cold sober, he walks in quite alone
    Diners raise their gazes, his head, tilts to check his phone
    Takes a table in the corner, pulls his chair in tight
    He catches no one’s eyes stares out the window, into the black of night

    The man in the restaurant, his story untold, behind his
    Fixed smile someone ran off with his soul, don’t you know that
    The man in the restaurant he’s dying inside, as he fights
    Memories pretending he’s nothing to hide

    A foreign waitress politely asks “Sir, will you be dining tonight”?
    He orders from the a la carte and a single glass of white wine
    He’s still, he waits and a circle of tension weaves around his table
    Inside his head, it’s exploding with his thoughts, and he’d run if he felt able

    Without warning he jumps to his feet, storms past discerning diners
    Demands to see the maitre d’, though the food could not be finer
    Arms raised in front of blood shot face “Sir, are you alright”?

    Don't think you have anything to worry about regarding the piano playing, you put expression, emotion and a certain rawness into it...do not lose this as you get more technically proficient. Last months, I listened to three times on the trot just to listen to the build up and chorus, reminded me of one of the tracks from Tommy by the Who. Definitely a musical theatre vibe to your work, good storytelling.

  • @deadpoetlive said:

    @richardyot said:
    My entry for the month, lyrics in the spoiler:

    When you fight you stand your ground
    You don’t give in or turn around
    You won’t let me answer
    I have to concede

    And I found
    When you are around
    The things you say the things you do
    All the words that don’t ring true

    How
    Can you be so wrong?
    You thought you would never
    Be the only one

    Tell me why again
    I don’t know what or when
    What is it you want feel?
    What is it is it for real?

    You and I we’ve been around
    I’ve kept my ear close to the ground
    So I know you’re not quite
    The man you believe

    And I found
    When you stare me down
    The things unsaid between us two
    The words you speak that don’t ring true

    How
    Can you be so wrong?
    You thought you would never
    Be the only one

    Tell me why again
    I don’t know what or when
    What is it you want feel?
    What is it is it for real?

    Hi I'm new to audiobus forum and to IOS music making but I stumbled on this Song of the month club last month and think it's a great idea for mutual feedback and not feeling like shouting into the void. Last months song of yours I slightly preferred but both are of high quality, they are also a bit 'annoying' :-) in that my mind is trying to place them as something I have heard and known during the eighties and I know well..but...I don't, but it feels like I do (think this is a compliment) and I keep trying to place them and can't because I don't!!

    ...This one does seem to have borrowed some notes from wicked games separate from the eighties mystery song....good stuff.

    Thanks for listening :)

    I think Wicked Game might come to mind because of the falsetto note at the start of the chorus, but luckily for me it's not the same melody. :)

  • @DavidEnglish said:
    This is a music track that I improvised on two MIDI keyboards connected to Bitwig Studio on a desktop PC. There the MIDI was routed to Solo for the bassoon, oboe, violin, and flute; Dolce for the basses; and Omnisphere, ZebraHZ, and Alchemy for the other instruments.

    After bringing the audio recording into Vegas Pro, I applied the Lurssen Mastering Console plug-in to the audio mix.

    It's titled Beneath the Trees.

    Beautiful high quality production. Perfect for a short meditation and stillness. As a song/general listening I would have liked some more movement, perhaps whispers/violin scrapings or etc etc....flowing in and out of the stereo field from left and right leaving the solid substance of the track but floating around barely touching.

  • @wired2moon said:
    And here's mine...

    A short piece based on quick experiment with Spacecraft and some voice samples.

    Went for a lighter summery oceanic vibe instead of my usual darker tone. Had fun with the visuals too

    Production not on par with the other entries here, but hey B)

    Like this...some Lemon Jelly vibes going on. Perhaps the attack on the piano needs a little smoothing to balance with the rest of the track and not overpower it. If you've not got it I'd recommend you downloading Xinematix as I feel you would be able to incorporate some of the many sounds into your work.

  • @deadpoetlive said:

    @klownshed said:
    Here's my entry, from my Burnt Earth project with my old bandmate Steve. It's another orchestral slab of misery. :lol:

    I like me some melancholic music and this delivers...a third of the way through I'm visualising wire fences and people in tattered clothing, towards the end it has become film noir with the protagonist smoking in the rain waiting for the person that will never come...

    Thanks for listening. I love these comments — being able to evoke the images you did with this music makes me very happy. Thank you.

  • @ecamburn said:
    A May entry... I'm going with trippy, folk, glitch waltz for a description. This started out as a single loop in "Endless" Studio (the part that begins about 3:07).

    @ecamburn said:
    A May entry... I'm going with trippy, folk, glitch waltz for a description. This started out as a single loop in "Endless" Studio (the part that begins about 3:07).

    Had to listen a couple of times as I wasn't sure what to make of this one. Second time it made me think of 'Love makes you crazy' by Mike Batt which was a part of an eighties sci fi musical, zero zero. Not sure why because it very different but it felt like it would fit in as part of it. :-)

  • @yellow_eyez said:
    “Check reality”

    Pardon my break in commenting and delay in posting mine. But here it is for May.

    produced on TE OP-1 Field - Mastered in Logic Pro for IPad 2

    Smooth and relaxing...or 'gently nice' as my partner has just commented from the other room. Interesting movement/development throughout, could be longer, I would personally have turned the drums down just a tad.

  • @matdun25848834 said:
    Morning all. Here’s my May offering

    Full on synth and it’s mainly about the Melodies in the chorus. All done within Logic pro iOS with a mix of inbuilt patches and iM1. I created the video using a mix of google earth studio, some drone footage and basically staring 80s New Romantic style into the camera :) - edited within davinci resolve.

    Hope you enjoy

    Grows on me with more listening, I like the dystopian vibe when watched with the video, although the music almost seems to be too upbeat...but it also feels threatening as well so it works. The contrasting volumes and the build ups give interesting dynamic range. Nice package.

  • @squeals said:
    Here’s my entry. A remix that’s about as far away from the original as possible. Stripping the vocal track left behind some interesting things. Only vocal was used.

    https://on.soundcloud.com/eeE1VDHGiRaT4yn8A

    Original

    Listening in a club environment this would not be out of place, I actually preferred the instrumental interludes to the vocal parts. Listening to the original I much preferred the vocals, it feels the stem splitting removed the breathiness and nuance of his voice.

  • @reasOne said:
    I’m new to this thread but I’ve been jamming out to the jams. Gotta say we got some talent in here!

    Just been saying this to t'other 'alf, they blow most of the commercial top ten these days out of the water.

  • @unlink said:
    My submission for the month. I wanted to post another track but I'm not really sure about that one so I'll ask for your opinion.

    It's an electronic/ambient track, I experimented a bit with vocal choirs and new apps (Nerd Synth). God I love distortion effects so much :D Also Patterning 3 is a really great piece of software.

    @unlink said:
    My submission for the month. I wanted to post another track but I'm not really sure about that one so I'll ask for your opinion.

    It's an electronic/ambient track, I experimented a bit with vocal choirs and new apps (Nerd Synth). God I love distortion effects so much :D Also Patterning 3 is a really great piece of software.

    Beautiful intro and build up. The second time listening I felt a 'time squeeze and release' (mild warp and release) of the whole track (all stems) might add to one segment somewhere around the middle, so patterning 3 does not get too settled and your input is regularly reminded to the whole. ;-)

  • it feels the stem splitting removed the breathiness and nuance of his voice.

    Yeah it’s weird what stem spitting can take out and leave with a track.
    Considering returning to it at some point and developing it as an instrumental.

  • @deadpoetlive said:

    Beautiful intro and build up. The second time listening I felt a 'time squeeze and release' (mild warp and release) of the whole track (all stems) might add to one segment somewhere around the middle, so patterning 3 does not get too settled and your input is regularly reminded to the whole. ;-)

    Hmm that's interesting. You mean like a slow change of tempo around the middle of the track?

  • @deadpoetlive said:

    @BillS said:
    Another one featuring my fledgling piano playing…it’s quite scary being this exposed!!

    The Man In The Restaurant

    He’s stone cold sober, he walks in quite alone
    Diners raise their gazes, his head, tilts to check his phone
    Takes a table in the corner, pulls his chair in tight
    He catches no one’s eyes stares out the window, into the black of night

    The man in the restaurant, his story untold, behind his
    Fixed smile someone ran off with his soul, don’t you know that
    The man in the restaurant he’s dying inside, as he fights
    Memories pretending he’s nothing to hide

    A foreign waitress politely asks “Sir, will you be dining tonight”?
    He orders from the a la carte and a single glass of white wine
    He’s still, he waits and a circle of tension weaves around his table
    Inside his head, it’s exploding with his thoughts, and he’d run if he felt able

    Without warning he jumps to his feet, storms past discerning diners
    Demands to see the maitre d’, though the food could not be finer
    Arms raised in front of blood shot face “Sir, are you alright”?

    Don't think you have anything to worry about regarding the piano playing, you put expression, emotion and a certain rawness into it...do not lose this as you get more technically proficient. Last months, I listened to three times on the trot just to listen to the build up and chorus, reminded me of one of the tracks from Tommy by the Who. Definitely a musical theatre vibe to your work, good storytelling.

    Thank you very much for listening. I think I could plateau quite soon with the piano, but I’m chuffed to have got to this point.

  • @unlink said:

    @deadpoetlive said:

    Beautiful intro and build up. The second time listening I felt a 'time squeeze and release' (mild warp and release) of the whole track (all stems) might add to one segment somewhere around the middle, so patterning 3 does not get too settled and your input is regularly reminded to the whole. ;-)

    Hmm that's interesting. You mean like a slow change of tempo around the middle of the track?

    No not a change in tempo. I'm finding it hard to explain and it might not work at all but around 3:40 as a kind of transition, more like a subtle wobble/vibration as if an external force was trying to invade your track and the track shakes it off (3sec max) and just continues. It all sounds a bit weird as I'm trying to explain what I mean and TBF it was only a minor thought as I was listening through again to a wonderfully constructed piece. :-)

  • edited May 2024

    @deadpoetlive said:

    @unlink said:

    No not a change in tempo. I'm finding it hard to explain and it might not work at all but around 3:40 as a kind of transition, more like a subtle wobble/vibration as if an external force was trying to invade your track and the track shakes it off (3sec max) and just continues. It all sounds a bit weird as I'm trying to explain what I mean and TBF it was only a minor thought as I was listening through again to a wonderfully constructed piece. :-)

    I think I get what you mean. To my ears there’s a crescendo and then there’s a (resolved ?) cadence. It gives the impression that it’s going to kick into a big loud finish with drums strings and all the choir ramping up, very reminiscent of Sigur ros or to an extent Mogwai It’s very short but I find that can be beneficial in achieving that thing. but when the piano typetheme returns it banishes it. I kind of like it the way it is tbh, there’s a nice familiarity with it.

  • @richardyot
    Really like the soaring opening with the Vangelis-like synth sound. As usual, it’s a very polished production. The restrained guitar is especially powerful in this one.

    @klownshed
    Nice sounds. I especially like the cello. Has a strong sense of mystery and anticipation. Feels like it’s from a slow and visually entrancing movie.

    @BillS
    A fine slice-of-life song. It’s an interesting story told with a restrained presentation. We’re given enough info to speculate the whys and wherefores of his condition, but not so much that he is pigeonholed into a caricature. Very well done.

    @studs1966
    Professional-quality production with a solid beat and great vocals. Terrific mix with the vocals being super-clear and striking.

    @wired2moon
    Cool other-worldly feel to the music that’s enhanced by the voice samples. Being brief, it leaves the listener yearning for more.

    @ecamburn
    Excellent stereo separation with a rewarding placement of musical elements. Really like the change of direction at the 1:38 mark. Strong bass towards the end. Nicely atmospheric.

    @yellow_eyez
    The voice-like instrument gives it an exotic flavor. Love the bell sound as set against the bass drum. Gently mysterious.

    @matdun25848834
    Hits the ground running and then evolves with calm melodies and musical explorations. It works well with the chosen video clips.

    @Kmatic
    Really like how the song moves back and forth between the musical elements and documentary-type sounds. It’s as though the radio signal is fading in and out due to some random atmospheric conditions.

    @squeals
    I find your remix much more interesting than the original. You’ve kept what was already strong, but emphasized and isolated elements to make it even stronger. Different from, yet much improved.

    @unlink
    Love the metallic twinge in this ever-changing ambient journey. It presents calm waters with dark undercurrents bubbling below. Positively serene in places.

  • I know I’m a month late but just wanted to say there are some great tracks here.
    So much diverse talent on show 🙏
    Now onto June 😊

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