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Beepstreet Drambo

1155156158160161178

Comments

  • @palms said:

    @oat_phipps said:
    And did someone actually suggest to someone else to be more "professional" when they post? Come on now

    yes, it's important to exhibit professional behavior when one is trolling!

    Surely there’s such thing as troll’s code of conduct!

  • edited March 2020

    .

  • edited March 2020

    .

  • @drez said:
    In high school my buddy worked as the overnight DJ on weekends for a local AM country station. I’d always call in to the request line and say hey, can you play some Clash? and we’d laugh every time.

    Man, high school was great. Seriously. It was a blast for little stuff like that. I feel bad for the people who had a shit time of things in high school.

  • edited March 2020

    @Zaubrer said:

    @dreamsaremaps said:
    Sorry if this has been asked. Upon release will it be one base price for everything? Or will some modules be IAP right off the bat? Personally, I don’t have a preference knowing either would generally average out.

    Afaik at release one price for all launch modules, more modules may require an IAP later.

    @espiegel123 said:
    London Calling

    @giku_beepstreet : even a Drambo with some rough edges might help us keep our minds off the apocalypse...

    If anyone deserves a demo/beta of Drambo, it’s @espiegel123

    Have a heart..

  • @ALB said:

    @ALB said:

    @RockySmalls said:

    @ALB said:
    You are all beyond the pale. Stop trolling me with your anti-Clash sentiments. What were you listening to in 1979 - Journey? Assuming you were alive...

    The Pop Group, aproximately eleven more fingers on the pulse of the nation/world

    Can’t recall if “We Are All Prostitutes” had been released by 1979...

    Edit: yes it was - just checked.

    which, funnily enough, was Exactly the track i was thinking of :) . i much preferred the Dennis Bovelled torture dungeon of the first album to any “white man in hammersmith palais”
    but, y’know...each to his own..
    “there are NO spectators.. you participate whether you like it or not “
    seems entirely appropriate for the current hand wringing/washing climate..

  • @RajahP said:

    @Zaubrer said:

    @dreamsaremaps said:
    Sorry if this has been asked. Upon release will it be one base price for everything? Or will some modules be IAP right off the bat? Personally, I don’t have a preference knowing either would generally average out.

    Afaik at release one price for all launch modules, more modules may require an IAP later.

    @espiegel123 said:
    London Calling

    @giku_beepstreet : even a Drambo with some rough edges might help us keep our minds off the apocalypse...

    If anyone deserves a demo/beta of Drambo, it’s @espiegel123

    Have a heart..

    Naw. I'll wait till it's released. Just given giku food for thought.

  • dramantine

  • @RockySmalls said:

    @ALB said:

    @ALB said:

    @RockySmalls said:

    @ALB said:
    You are all beyond the pale. Stop trolling me with your anti-Clash sentiments. What were you listening to in 1979 - Journey? Assuming you were alive...

    The Pop Group, aproximately eleven more fingers on the pulse of the nation/world

    Can’t recall if “We Are All Prostitutes” had been released by 1979...

    Edit: yes it was - just checked.

    which, funnily enough, was Exactly the track i was thinking of :) . i much preferred the Dennis Bovelled torture dungeon of the first album to any “white man in hammersmith palais”
    but, y’know...each to his own..
    “there are NO spectators.. you participate whether you like it or not “
    seems entirely appropriate for the current hand wringing/washing climate..

    The Pop Group certainly had a harder edge than the Clash. IIRC, critics of the time took both to task for different reasons: The Clash for their yob-ish self-mythologizing. The Pop Group for their humorless, pronouncements. I liked them both, but they inhabited different worlds for me.

  • edited March 2020

    @Clueless said:

    @drez said:
    What about distortion modules? I use distortion on everything. Cereal. Friendships. Reality. I love distortion.

    Indeed, i´m a saturation sucker. Tube saturation is my drug but i also take others.
    Distortion/saturation is also the way to make a sound really organic if it adds some harmonics at certain gain stages.
    I guess it has all the Zeeon saturation modes?

    @Shiro said:
    @rs2000 can you help out? I would cheat and use the sampler.

    The secret weapon is the Graphic Shaper in bipolar mode.
    You can create a multi-segment "curve" to map any input signal level to any output signal level.
    A simple, classic saturation curve would look like this but nothing stops you from going wild like in wavetable distortion etc.:

    In this case, a triangle waveform is (roughly, I should have been more precise at curve editing 😅) re-shaped to a sine-like waveform.

  • Nice!
    But let us hear how it sounds. I prefer audio demos. In theory a lot synths offer kind of multi stage envelopes for saturation but at the end the the output is what counts.
    Let me hear a saturated brass :)

  • edited March 2020

    Oh man @rs2000 that looks sweet!!! Is that curve automatable?

    EDIT: NM, I see it. This will be industrial AF

  • edited March 2020

    @espiegel123 said:

    @RajahP said:

    @Zaubrer said:

    @dreamsaremaps said:
    Sorry if this has been asked. Upon release will it be one base price for everything? Or will some modules be IAP right off the bat? Personally, I don’t have a preference knowing either would generally average out.

    Afaik at release one price for all launch modules, more modules may require an IAP later.

    @espiegel123 said:
    London Calling

    @giku_beepstreet : even a Drambo with some rough edges might help us keep our minds off the apocalypse...

    If anyone deserves a demo/beta of Drambo, it’s @espiegel123

    Have a heart..

    Naw. I'll wait till it's released. Just given giku food for thought.

    I see you have been very thoughtful and concerned about the current Corona virus situation. Keep up the good work! Infact I now have flu symptoms. I have to stay home for two weeks.

    Drambo can’t be released until it is ready or it will cause issue for the dev. Plus some users will be unhappy if they came across any issue.

  • @drez said:
    Oh man @rs2000 that looks sweet!!! Is that curve automatable?

    EDIT: NM, I see it. This will be industrial AF

    What you can do is crossfade between two (or more) shapers and that can be automated indeed.

  • edited March 2020

    @Clueless said:
    Nice!
    But let us hear how it sounds. I prefer audio demos. In theory a lot synths offer kind of multi stage envelopes for saturation but at the end the the output is what counts.
    Let me hear a saturated brass :)

    As you seem to have a specific sound in mind, I suggest to do it the other way 'round:
    Feed a triangle waveform through your favorite saturator (make sure you try different input gain settings!), record it and watch the resulting waveform.
    That's basically what you'd have to draw in the shaper.

    People who know how to code could make this an automatic process because @giku_beepstreet was wise enough to use the XML format for presets so a good coder might convert a saturation waveform snippet to an XML dict which can be loaded in the graphic shaper.
    The bottom left is coordinate (0.0,0.0) and the upper right is (1.0,1.0).
    High-resolution floating point values are supported.

  • @rs2000 said:

    @drez said:
    Oh man @rs2000 that looks sweet!!! Is that curve automatable?

    EDIT: NM, I see it. This will be industrial AF

    What you can do is crossfade between two (or more) shapers and that can be automated indeed.

    🤯🤯🤯

  • @shiro: I wish you a speedy recovery.

  • @rs2000 said:
    The secret weapon is the Graphic Shaper in bipolar mode.
    You can create a multi-segment "curve" to map any input signal level to any output signal level.
    A simple, classic saturation curve would look like this but nothing stops you from going wild like in wavetable distortion etc.:

    Does the graphic envelope have a similar interface?

    With those modules it would be really cool to have an A and B state that you could morph bethween.

  • @Dalle said:

    @rs2000 said:
    The secret weapon is the Graphic Shaper in bipolar mode.
    You can create a multi-segment "curve" to map any input signal level to any output signal level.
    A simple, classic saturation curve would look like this but nothing stops you from going wild like in wavetable distortion etc.:

    Does the graphic envelope have a similar interface?

    With those modules it would be really cool to have an A and B state that you could morph bethween.


  • @ALB said:

    @RockySmalls said:

    @ALB said:

    @ALB said:

    @RockySmalls said:

    @ALB said:
    You are all beyond the pale. Stop trolling me with your anti-Clash sentiments. What were you listening to in 1979 - Journey? Assuming you were alive...

    The Pop Group, aproximately eleven more fingers on the pulse of the nation/world

    Can’t recall if “We Are All Prostitutes” had been released by 1979...

    Edit: yes it was - just checked.

    which, funnily enough, was Exactly the track i was thinking of :) . i much preferred the Dennis Bovelled torture dungeon of the first album to any “white man in hammersmith palais”
    but, y’know...each to his own..
    “there are NO spectators.. you participate whether you like it or not “
    seems entirely appropriate for the current hand wringing/washing climate..

    The Pop Group certainly had a harder edge than the Clash. IIRC, critics of the time took both to task for different reasons: The Clash for their yob-ish self-mythologizing. The Pop Group for their humorless, pronouncements. I liked them both, but they inhabited different worlds for me.

    in the in the initial flurry of all those seven inchers turning up in those years i did get both Remote Control & Complete Control from the seedy underground market stall in manchester city centre.. but my tastes soon veered off into more esoteric sounds.. i was, after all, a spotty angst ridden teen myself with many a humourless/earnest moment to come.. one thing that really put me off the Clash vibe was a so called friend called Jonathon who was into Strummer big time, he persuaded me and another friend to have a fun weekend in Blackpool and then handily ‘forgot’ his wallet, i ended up paying his B&B bill and everything else for him over 3 days.. never got the money back and discovered after the fact how much all his Strummer bondage trousers and other Clash wannabe clothing cost from his Kings Road trips to the south..
    that line “ they got Burtons suits , you think its funny, turning rebellion into money “ always stuck in my throat as a deep hypocrisy on messrs Strummer and his ilks part . though, of course, they are not responsible for Jonathons dickheadedness.. probably! :)

  • @RockySmalls said:

    @ALB said:

    @RockySmalls said:

    @ALB said:

    @ALB said:

    @RockySmalls said:

    @ALB said:
    You are all beyond the pale. Stop trolling me with your anti-Clash sentiments. What were you listening to in 1979 - Journey? Assuming you were alive...

    The Pop Group, aproximately eleven more fingers on the pulse of the nation/world

    Can’t recall if “We Are All Prostitutes” had been released by 1979...

    Edit: yes it was - just checked.

    which, funnily enough, was Exactly the track i was thinking of :) . i much preferred the Dennis Bovelled torture dungeon of the first album to any “white man in hammersmith palais”
    but, y’know...each to his own..
    “there are NO spectators.. you participate whether you like it or not “
    seems entirely appropriate for the current hand wringing/washing climate..

    The Pop Group certainly had a harder edge than the Clash. IIRC, critics of the time took both to task for different reasons: The Clash for their yob-ish self-mythologizing. The Pop Group for their humorless, pronouncements. I liked them both, but they inhabited different worlds for me.

    in the in the initial flurry of all those seven inchers turning up in those years i did get both Remote Control & Complete Control from the seedy underground market stall in manchester city centre.. but my tastes soon veered off into more esoteric sounds.. i was, after all, a spotty angst ridden teen myself with many a humourless/earnest moment to come.. one thing that really put me off the Clash vibe was a so called friend called Jonathon who was into Strummer big time, he persuaded me and another friend to have a fun weekend in Blackpool and then handily ‘forgot’ his wallet, i ended up paying his B&B bill and everything else for him over 3 days.. never got the money back and discovered after the fact how much all his Strummer bondage trousers and other Clash wannabe clothing cost from his Kings Road trips to the south..
    that line “ they got Burtons suits , you think its funny, turning rebellion into money “ always stuck in my throat as a deep hypocrisy on messrs Strummer and his ilks part . though, of course, they are not responsible for Jonathons dickheadedness.. probably! :)

    why are you trolling? are you angry?

  • @Shiro Your rocky mountain painting gave me a new idea:
    Rhythmic envelopes! 😃

  • @rs2000 said:
    @Shiro Your rocky mountain painting gave me a new idea:
    Rhythmic envelopes! 😃

    nice to have a sync to that but a request for the future...

  • @rs2000 said:
    @Shiro Your rocky mountain painting gave me a new idea:
    Rhythmic envelopes! 😃

    Good one. I love the ones in Alchemy where you can drag several points at the same time or stretch them and so on.
    Oh and while i see the graphic envelope. Do it also allows adjusting the curve between points?

  • @Shiro said:

    @RockySmalls said:

    @ALB said:

    @RockySmalls said:

    @ALB said:

    @ALB said:

    @RockySmalls said:

    @ALB said:
    You are all beyond the pale. Stop trolling me with your anti-Clash sentiments. What were you listening to in 1979 - Journey? Assuming you were alive...

    The Pop Group, aproximately eleven more fingers on the pulse of the nation/world

    Can’t recall if “We Are All Prostitutes” had been released by 1979...

    Edit: yes it was - just checked.

    which, funnily enough, was Exactly the track i was thinking of :) . i much preferred the Dennis Bovelled torture dungeon of the first album to any “white man in hammersmith palais”
    but, y’know...each to his own..
    “there are NO spectators.. you participate whether you like it or not “
    seems entirely appropriate for the current hand wringing/washing climate..

    The Pop Group certainly had a harder edge than the Clash. IIRC, critics of the time took both to task for different reasons: The Clash for their yob-ish self-mythologizing. The Pop Group for their humorless, pronouncements. I liked them both, but they inhabited different worlds for me.

    in the in the initial flurry of all those seven inchers turning up in those years i did get both Remote Control & Complete Control from the seedy underground market stall in manchester city centre.. but my tastes soon veered off into more esoteric sounds.. i was, after all, a spotty angst ridden teen myself with many a humourless/earnest moment to come.. one thing that really put me off the Clash vibe was a so called friend called Jonathon who was into Strummer big time, he persuaded me and another friend to have a fun weekend in Blackpool and then handily ‘forgot’ his wallet, i ended up paying his B&B bill and everything else for him over 3 days.. never got the money back and discovered after the fact how much all his Strummer bondage trousers and other Clash wannabe clothing cost from his Kings Road trips to the south..
    that line “ they got Burtons suits , you think its funny, turning rebellion into money “ always stuck in my throat as a deep hypocrisy on messrs Strummer and his ilks part . though, of course, they are not responsible for Jonathons dickheadedness.. probably! :)

    why are you trolling? are you angry?

    you are mistaken, a polite conversation with mr @ALB is far removed from trolling. my reminiscing is partially an explanation of my Clash allergy. newcomers ( youngsters?) like yrself might not quite ‘get’ the anecdote culture of this forum.. but calling someone a Troll definitely should be kept in reserve for occasions when it’s appropriate.
    .. and no, not even slightly angry, just, as usual, bemused :)

  • @RockySmalls said:

    @Shiro said:

    @RockySmalls said:

    @ALB said:

    @RockySmalls said:

    @ALB said:

    @ALB said:

    @RockySmalls said:

    @ALB said:
    You are all beyond the pale. Stop trolling me with your anti-Clash sentiments. What were you listening to in 1979 - Journey? Assuming you were alive...

    The Pop Group, aproximately eleven more fingers on the pulse of the nation/world

    Can’t recall if “We Are All Prostitutes” had been released by 1979...

    Edit: yes it was - just checked.

    which, funnily enough, was Exactly the track i was thinking of :) . i much preferred the Dennis Bovelled torture dungeon of the first album to any “white man in hammersmith palais”
    but, y’know...each to his own..
    “there are NO spectators.. you participate whether you like it or not “
    seems entirely appropriate for the current hand wringing/washing climate..

    The Pop Group certainly had a harder edge than the Clash. IIRC, critics of the time took both to task for different reasons: The Clash for their yob-ish self-mythologizing. The Pop Group for their humorless, pronouncements. I liked them both, but they inhabited different worlds for me.

    in the in the initial flurry of all those seven inchers turning up in those years i did get both Remote Control & Complete Control from the seedy underground market stall in manchester city centre.. but my tastes soon veered off into more esoteric sounds.. i was, after all, a spotty angst ridden teen myself with many a humourless/earnest moment to come.. one thing that really put me off the Clash vibe was a so called friend called Jonathon who was into Strummer big time, he persuaded me and another friend to have a fun weekend in Blackpool and then handily ‘forgot’ his wallet, i ended up paying his B&B bill and everything else for him over 3 days.. never got the money back and discovered after the fact how much all his Strummer bondage trousers and other Clash wannabe clothing cost from his Kings Road trips to the south..
    that line “ they got Burtons suits , you think its funny, turning rebellion into money “ always stuck in my throat as a deep hypocrisy on messrs Strummer and his ilks part . though, of course, they are not responsible for Jonathons dickheadedness.. probably! :)

    why are you trolling? are you angry?

    you are mistaken, a polite conversation with mr @ALB is far removed from trolling. my reminiscing is partially an explanation of my Clash allergy. newcomers ( youngsters?) like yrself might not quite ‘get’ the anecdote culture of this forum.. but calling someone a Troll definitely should be kept in reserve for occasions when it’s appropriate.
    .. and no, not even slightly angry, just, as usual, bemused :)

    You are trolling even if bemused :-)

  • @Shiro The future is now! Why not use the graphic envelope for rhythmic modulation as-is? 😉

    @Clueless No curves between points, you'd have to approximate them manually. Usually that's good enough and the editor is quite a large window, good for rather precise editing.

  • @RockySmalls said:

    @ALB said:

    @RockySmalls said:

    @ALB said:

    @ALB said:

    @RockySmalls said:

    @ALB said:
    You are all beyond the pale. Stop trolling me with your anti-Clash sentiments. What were you listening to in 1979 - Journey? Assuming you were alive...

    The Pop Group, aproximately eleven more fingers on the pulse of the nation/world

    Can’t recall if “We Are All Prostitutes” had been released by 1979...

    Edit: yes it was - just checked.

    which, funnily enough, was Exactly the track i was thinking of :) . i much preferred the Dennis Bovelled torture dungeon of the first album to any “white man in hammersmith palais”
    but, y’know...each to his own..
    “there are NO spectators.. you participate whether you like it or not “
    seems entirely appropriate for the current hand wringing/washing climate..

    The Pop Group certainly had a harder edge than the Clash. IIRC, critics of the time took both to task for different reasons: The Clash for their yob-ish self-mythologizing. The Pop Group for their humorless, pronouncements. I liked them both, but they inhabited different worlds for me.

    in the in the initial flurry of all those seven inchers turning up in those years i did get both Remote Control & Complete Control from the seedy underground market stall in manchester city centre.. but my tastes soon veered off into more esoteric sounds.. i was, after all, a spotty angst ridden teen myself with many a humourless/earnest moment to come.. one thing that really put me off the Clash vibe was a so called friend called Jonathon who was into Strummer big time, he persuaded me and another friend to have a fun weekend in Blackpool and then handily ‘forgot’ his wallet, i ended up paying his B&B bill and everything else for him over 3 days.. never got the money back and discovered after the fact how much all his Strummer bondage trousers and other Clash wannabe clothing cost from his Kings Road trips to the south..
    that line “ they got Burtons suits , you think its funny, turning rebellion into money “ always stuck in my throat as a deep hypocrisy on messrs Strummer and his ilks part . though, of course, they are not responsible for Jonathons dickheadedness.. probably! :)

    p.s. “critics of the time” Parsons, Birchall et al calling bands humourless or self-mythologising was a whole other level of hypocrisy.. i knew an ex girlfriend of Mr Stewarts for a time and by all accounts he was/is a very funny & intelligent gent.. any aversion to the Little Strummer Boys pales into insignificance next to my exasperation with music journalists (still)

  • edited March 2020

    @thatguysmitty @ExAsperis99
    In light of the earlier Jay Elec jokes...

    JAY-ELECTRONICA ALBUM DROPPED TODAY AND DRAMBO IS STILL UNRELEASED!!!

    LMAO!!!

  • @Shiro said:

    @RockySmalls said:

    @Shiro said:

    @RockySmalls said:

    @ALB said:

    @RockySmalls said:

    @ALB said:

    @ALB said:

    @RockySmalls said:

    @ALB said:
    You are all beyond the pale. Stop trolling me with your anti-Clash sentiments. What were you listening to in 1979 - Journey? Assuming you were alive...

    The Pop Group, aproximately eleven more fingers on the pulse of the nation/world

    Can’t recall if “We Are All Prostitutes” had been released by 1979...

    Edit: yes it was - just checked.

    which, funnily enough, was Exactly the track i was thinking of :) . i much preferred the Dennis Bovelled torture dungeon of the first album to any “white man in hammersmith palais”
    but, y’know...each to his own..
    “there are NO spectators.. you participate whether you like it or not “
    seems entirely appropriate for the current hand wringing/washing climate..

    The Pop Group certainly had a harder edge than the Clash. IIRC, critics of the time took both to task for different reasons: The Clash for their yob-ish self-mythologizing. The Pop Group for their humorless, pronouncements. I liked them both, but they inhabited different worlds for me.

    in the in the initial flurry of all those seven inchers turning up in those years i did get both Remote Control & Complete Control from the seedy underground market stall in manchester city centre.. but my tastes soon veered off into more esoteric sounds.. i was, after all, a spotty angst ridden teen myself with many a humourless/earnest moment to come.. one thing that really put me off the Clash vibe was a so called friend called Jonathon who was into Strummer big time, he persuaded me and another friend to have a fun weekend in Blackpool and then handily ‘forgot’ his wallet, i ended up paying his B&B bill and everything else for him over 3 days.. never got the money back and discovered after the fact how much all his Strummer bondage trousers and other Clash wannabe clothing cost from his Kings Road trips to the south..
    that line “ they got Burtons suits , you think its funny, turning rebellion into money “ always stuck in my throat as a deep hypocrisy on messrs Strummer and his ilks part . though, of course, they are not responsible for Jonathons dickheadedness.. probably! :)

    why are you trolling? are you angry?

    you are mistaken, a polite conversation with mr @ALB is far removed from trolling. my reminiscing is partially an explanation of my Clash allergy. newcomers ( youngsters?) like yrself might not quite ‘get’ the anecdote culture of this forum.. but calling someone a Troll definitely should be kept in reserve for occasions when it’s appropriate.
    .. and no, not even slightly angry, just, as usual, bemused :)

    You are trolling even if bemused :-)

    oh! you’re one of THOSE. and we were thinking the Covid was the main contagion to worry about 😷

This discussion has been closed.