Loopy Pro: Create music, your way.

What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.

Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.

Download on the App Store

Loopy Pro is your all-in-one musical toolkit. Try it for free today.

100$ apps, iOS music market, sustainability, dog farts and Apple = communism

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Comments

  • wimwim
    edited April 2021

    @tahiche said:
    My example seems to have gone terribly wrong 😑 it was meant to mean the opposite of “freaking out”.

    Characterization retracted. B)

    “Assigning significance to...” “and “seems odd to me” would have been a better choice of words on my part.

  • ecouecou

    @gregsmith said:

    @tahiche said:

    There will be a tipping point when ableton or logic etc makes producers take the platform more seriously after which a £5-10 app will reach a bigger audience and be a lot more profitable

    I have serious doubts about the benefits and overall impact of a Logic for iOS.

    iOS music should be modular. Pick and choose specific apps for specific tasks, build your own system and workflow. It’s hard enough as it is, but there’s been good steps in that direction. AUM with Lk, now Atom2 and the upcoming Loopy Pro. There’s still a lot to be done, but it’s evolving. I’m afraid something like Logic for iOS would just kill that. Not only that, from a dominant position they’d probably make their own standards. Devs will have to work with Apple AND Logic’s constrains. Do you think Logic would be worried about providing Audiobus integration?. Or making sure you could record the output into Aum?.

    Yeah, there would probably be downsides. I love the modular approach too but it’s not for everyone.

    >
    I am one of those who are not a fan of the modular approach. I always seem to be counter current on this forum but that’s me. I own audiobus and I bought it to support the creator of this fine forum but I hardly ever use It. I see no reason why I would buy AUM or Drambo.

    I like the DAW paradigm, when I have time for music, I do not wanna to waste it on plugging stuff together. I record and sequence in CB2 (CB3 buggy), and my audio editing and mixing in Auria Pro. My very poor skills at mastering are done in Grand Finale.

    So why am I telling you all of this? Not to attack the modular crowd. Many people on this forum are trying to figure out their work flow . So I want to say to them, modular is not the only way.

  • wimwim

    Hey @tahiche - I just confirmed the Nembrini Voice DC30 problem in Zenbeats and did a bug report through their portal.

    (Cc: @MatthewAtZenbeats )

  • gregsmithgregsmith

    @ecou said:

    @gregsmith said:

    @tahiche said:

    There will be a tipping point when ableton or logic etc makes producers take the platform more seriously after which a £5-10 app will reach a bigger audience and be a lot more profitable

    I have serious doubts about the benefits and overall impact of a Logic for iOS.

    iOS music should be modular. Pick and choose specific apps for specific tasks, build your own system and workflow. It’s hard enough as it is, but there’s been good steps in that direction. AUM with Lk, now Atom2 and the upcoming Loopy Pro. There’s still a lot to be done, but it’s evolving. I’m afraid something like Logic for iOS would just kill that. Not only that, from a dominant position they’d probably make their own standards. Devs will have to work with Apple AND Logic’s constrains. Do you think Logic would be worried about providing Audiobus integration?. Or making sure you could record the output into Aum?.

    Yeah, there would probably be downsides. I love the modular approach too but it’s not for everyone.

    >
    I am one of those who are not a fan of the modular approach. I always seem to be counter current on this forum but that’s me. I own audiobus and I bought it to support the creator of this fine forum but I hardly ever use It. I see no reason why I would buy AUM or Drambo.

    I like the DAW paradigm, when I have time for music, I do not wanna to waste it on plugging stuff together. I record and sequence in CB2 (CB3 buggy), and my audio editing and mixing in Auria Pro. My very poor skills at mastering are done in Grand Finale.

    So why am I telling you all of this? Not to attack the modular crowd. Many people on this forum are trying to figure out their work flow . So I want to say to them, modular is not the only way.

    I totally get it. If there was a daw that did all the things I wanted I probably would never have made the jump to modular. I’m glad I did though - I like having (almost) no limitations and I’m a bit of a nerd so happy to plug things together 🤓

  • supadomsupadom

    @gregsmith said:

    @ecou said:

    @gregsmith said:

    @tahiche said:

    There will be a tipping point when ableton or logic etc makes producers take the platform more seriously after which a £5-10 app will reach a bigger audience and be a lot more profitable

    I have serious doubts about the benefits and overall impact of a Logic for iOS.

    iOS music should be modular. Pick and choose specific apps for specific tasks, build your own system and workflow. It’s hard enough as it is, but there’s been good steps in that direction. AUM with Lk, now Atom2 and the upcoming Loopy Pro. There’s still a lot to be done, but it’s evolving. I’m afraid something like Logic for iOS would just kill that. Not only that, from a dominant position they’d probably make their own standards. Devs will have to work with Apple AND Logic’s constrains. Do you think Logic would be worried about providing Audiobus integration?. Or making sure you could record the output into Aum?.

    Yeah, there would probably be downsides. I love the modular approach too but it’s not for everyone.

    >
    I am one of those who are not a fan of the modular approach. I always seem to be counter current on this forum but that’s me. I own audiobus and I bought it to support the creator of this fine forum but I hardly ever use It. I see no reason why I would buy AUM or Drambo.

    I like the DAW paradigm, when I have time for music, I do not wanna to waste it on plugging stuff together. I record and sequence in CB2 (CB3 buggy), and my audio editing and mixing in Auria Pro. My very poor skills at mastering are done in Grand Finale.

    So why am I telling you all of this? Not to attack the modular crowd. Many people on this forum are trying to figure out their work flow . So I want to say to them, modular is not the only way.

    I totally get it. If there was a daw that did all the things I wanted I probably would never have made the jump to modular. I’m glad I did though - I like having (almost) no limitations and I’m a bit of a nerd so happy to plug things together 🤓

    I am not a modular head and love to just sit down and make music. However I like flexibility and this led me to apps like Drambo.

    Don’t for one second imagine that I spend much time plugging and rearranging stuff though. Once my presets are in place all I do is recall them and play. The difference is that I can do what I desire even if it’s out of ordinary.

  • ecouecou

    @gregsmith said:

    @ecou said:

    @gregsmith said:

    @tahiche said:

    There will be a tipping point when ableton or logic etc makes producers take the platform more seriously after which a £5-10 app will reach a bigger audience and be a lot more profitable

    I have serious doubts about the benefits and overall impact of a Logic for iOS.

    iOS music should be modular. Pick and choose specific apps for specific tasks, build your own system and workflow. It’s hard enough as it is, but there’s been good steps in that direction. AUM with Lk, now Atom2 and the upcoming Loopy Pro. There’s still a lot to be done, but it’s evolving. I’m afraid something like Logic for iOS would just kill that. Not only that, from a dominant position they’d probably make their own standards. Devs will have to work with Apple AND Logic’s constrains. Do you think Logic would be worried about providing Audiobus integration?. Or making sure you could record the output into Aum?.

    Yeah, there would probably be downsides. I love the modular approach too but it’s not for everyone.

    >
    I am one of those who are not a fan of the modular approach. I always seem to be counter current on this forum but that’s me. I own audiobus and I bought it to support the creator of this fine forum but I hardly ever use It. I see no reason why I would buy AUM or Drambo.

    I like the DAW paradigm, when I have time for music, I do not wanna to waste it on plugging stuff together. I record and sequence in CB2 (CB3 buggy), and my audio editing and mixing in Auria Pro. My very poor skills at mastering are done in Grand Finale.

    So why am I telling you all of this? Not to attack the modular crowd. Many people on this forum are trying to figure out their work flow . So I want to say to them, modular is not the only way.

    I totally get it. If there was a daw that did all the things I wanted I probably would never have made the jump to modular. I’m glad I did though - I like having (almost) no limitations and I’m a bit of a nerd so happy to plug things together 🤓

    What is it that you are missing from a DAW ? In my case I use two DAW, playing on their strength at each stage of production. Also in my mind it makes a lot of sense to separate recording/sequencing from mixing/editing and mastering.

  • ecouecou

    @supadom said:

    @gregsmith said:

    @ecou said:

    @gregsmith said:

    @tahiche said:

    There will be a tipping point when ableton or logic etc makes producers take the platform more seriously after which a £5-10 app will reach a bigger audience and be a lot more profitable

    I have serious doubts about the benefits and overall impact of a Logic for iOS.

    iOS music should be modular. Pick and choose specific apps for specific tasks, build your own system and workflow. It’s hard enough as it is, but there’s been good steps in that direction. AUM with Lk, now Atom2 and the upcoming Loopy Pro. There’s still a lot to be done, but it’s evolving. I’m afraid something like Logic for iOS would just kill that. Not only that, from a dominant position they’d probably make their own standards. Devs will have to work with Apple AND Logic’s constrains. Do you think Logic would be worried about providing Audiobus integration?. Or making sure you could record the output into Aum?.

    Yeah, there would probably be downsides. I love the modular approach too but it’s not for everyone.

    >
    I am one of those who are not a fan of the modular approach. I always seem to be counter current on this forum but that’s me. I own audiobus and I bought it to support the creator of this fine forum but I hardly ever use It. I see no reason why I would buy AUM or Drambo.

    I like the DAW paradigm, when I have time for music, I do not wanna to waste it on plugging stuff together. I record and sequence in CB2 (CB3 buggy), and my audio editing and mixing in Auria Pro. My very poor skills at mastering are done in Grand Finale.

    So why am I telling you all of this? Not to attack the modular crowd. Many people on this forum are trying to figure out their work flow . So I want to say to them, modular is not the only way.

    I totally get it. If there was a daw that did all the things I wanted I probably would never have made the jump to modular. I’m glad I did though - I like having (almost) no limitations and I’m a bit of a nerd so happy to plug things together 🤓

    I am not a modular head and love to just sit down and make music. However I like flexibility and this led me to apps like Drambo.

    Don’t for one second imagine that I spend much time plugging and rearranging stuff though. Once my presets are in place all I do is recall them and play. The difference is that I can do what I desire even if it’s out of ordinary.

    Interesting way to look at it. I guess the music I make would be considered more traditional maybe that’s why I am satisfied wiping the DAW paradigm. Can you describe your product base setup?

  • tahichetahiche

    @ecou said:

    @gregsmith said:

    @ecou said:

    @gregsmith said:

    @tahiche said:

    There will be a tipping point when ableton or logic etc makes producers take the platform more seriously after which a £5-10 app will reach a bigger audience and be a lot more profitable

    I have serious doubts about the benefits and overall impact of a Logic for iOS.

    iOS music should be modular. Pick and choose specific apps for specific tasks, build your own system and workflow. It’s hard enough as it is, but there’s been good steps in that direction. AUM with Lk, now Atom2 and the upcoming Loopy Pro. There’s still a lot to be done, but it’s evolving. I’m afraid something like Logic for iOS would just kill that. Not only that, from a dominant position they’d probably make their own standards. Devs will have to work with Apple AND Logic’s constrains. Do you think Logic would be worried about providing Audiobus integration?. Or making sure you could record the output into Aum?.

    Yeah, there would probably be downsides. I love the modular approach too but it’s not for everyone.

    >
    I am one of those who are not a fan of the modular approach. I always seem to be counter current on this forum but that’s me. I own audiobus and I bought it to support the creator of this fine forum but I hardly ever use It. I see no reason why I would buy AUM or Drambo.

    I like the DAW paradigm, when I have time for music, I do not wanna to waste it on plugging stuff together. I record and sequence in CB2 (CB3 buggy), and my audio editing and mixing in Auria Pro. My very poor skills at mastering are done in Grand Finale.

    So why am I telling you all of this? Not to attack the modular crowd. Many people on this forum are trying to figure out their work flow . So I want to say to them, modular is not the only way.

    I totally get it. If there was a daw that did all the things I wanted I probably would never have made the jump to modular. I’m glad I did though - I like having (almost) no limitations and I’m a bit of a nerd so happy to plug things together 🤓

    What is it that you are missing from a DAW ? In my case I use two DAW, playing on their strength at each stage of production. Also in my mind it makes a lot of sense to separate recording/sequencing from mixing/editing and mastering.

    You can still be modular while working with a DAW. For example using Atom2 as the midi editor because the one in your daw sucks plus you get many extra features. The same can be said about using Drambo or something like it to sequence drums with all the extra randomization, probability, etc...

  • ecouecou

    @tahiche said:

    @ecou said:

    @gregsmith said:

    @ecou said:

    @gregsmith said:

    @tahiche said:

    There will be a tipping point when ableton or logic etc makes producers take the platform more seriously after which a £5-10 app will reach a bigger audience and be a lot more profitable

    I have serious doubts about the benefits and overall impact of a Logic for iOS.

    iOS music should be modular. Pick and choose specific apps for specific tasks, build your own system and workflow. It’s hard enough as it is, but there’s been good steps in that direction. AUM with Lk, now Atom2 and the upcoming Loopy Pro. There’s still a lot to be done, but it’s evolving. I’m afraid something like Logic for iOS would just kill that. Not only that, from a dominant position they’d probably make their own standards. Devs will have to work with Apple AND Logic’s constrains. Do you think Logic would be worried about providing Audiobus integration?. Or making sure you could record the output into Aum?.

    Yeah, there would probably be downsides. I love the modular approach too but it’s not for everyone.

    >
    I am one of those who are not a fan of the modular approach. I always seem to be counter current on this forum but that’s me. I own audiobus and I bought it to support the creator of this fine forum but I hardly ever use It. I see no reason why I would buy AUM or Drambo.

    I like the DAW paradigm, when I have time for music, I do not wanna to waste it on plugging stuff together. I record and sequence in CB2 (CB3 buggy), and my audio editing and mixing in Auria Pro. My very poor skills at mastering are done in Grand Finale.

    So why am I telling you all of this? Not to attack the modular crowd. Many people on this forum are trying to figure out their work flow . So I want to say to them, modular is not the only way.

    I totally get it. If there was a daw that did all the things I wanted I probably would never have made the jump to modular. I’m glad I did though - I like having (almost) no limitations and I’m a bit of a nerd so happy to plug things together 🤓

    What is it that you are missing from a DAW ? In my case I use two DAW, playing on their strength at each stage of production. Also in my mind it makes a lot of sense to separate recording/sequencing from mixing/editing and mastering.

    You can still be modular while working with a DAW. For example using Atom2 as the midi editor because the one in your daw sucks plus you get many extra features. The same can be said about using Drambo or something like it to sequence drums with all the extra randomization, probability, etc...

    Thanks, I will look at Atom 2 it maybe the solution to my frustration with CB3 midi editor.

    Drambo is not for me and for drums I am trying out DigiStix lately. Seems like it will work for me. I do wish Toontrack would join the iOS game. That would be my dream setup.

  • tahichetahiche

    @ecou said:

    @tahiche said:

    @ecou said:

    @gregsmith said:

    @ecou said:

    @gregsmith said:

    @tahiche said:

    There will be a tipping point when ableton or logic etc makes producers take the platform more seriously after which a £5-10 app will reach a bigger audience and be a lot more profitable

    I have serious doubts about the benefits and overall impact of a Logic for iOS.

    iOS music should be modular. Pick and choose specific apps for specific tasks, build your own system and workflow. It’s hard enough as it is, but there’s been good steps in that direction. AUM with Lk, now Atom2 and the upcoming Loopy Pro. There’s still a lot to be done, but it’s evolving. I’m afraid something like Logic for iOS would just kill that. Not only that, from a dominant position they’d probably make their own standards. Devs will have to work with Apple AND Logic’s constrains. Do you think Logic would be worried about providing Audiobus integration?. Or making sure you could record the output into Aum?.

    Yeah, there would probably be downsides. I love the modular approach too but it’s not for everyone.

    >
    I am one of those who are not a fan of the modular approach. I always seem to be counter current on this forum but that’s me. I own audiobus and I bought it to support the creator of this fine forum but I hardly ever use It. I see no reason why I would buy AUM or Drambo.

    I like the DAW paradigm, when I have time for music, I do not wanna to waste it on plugging stuff together. I record and sequence in CB2 (CB3 buggy), and my audio editing and mixing in Auria Pro. My very poor skills at mastering are done in Grand Finale.

    So why am I telling you all of this? Not to attack the modular crowd. Many people on this forum are trying to figure out their work flow . So I want to say to them, modular is not the only way.

    I totally get it. If there was a daw that did all the things I wanted I probably would never have made the jump to modular. I’m glad I did though - I like having (almost) no limitations and I’m a bit of a nerd so happy to plug things together 🤓

    What is it that you are missing from a DAW ? In my case I use two DAW, playing on their strength at each stage of production. Also in my mind it makes a lot of sense to separate recording/sequencing from mixing/editing and mastering.

    You can still be modular while working with a DAW. For example using Atom2 as the midi editor because the one in your daw sucks plus you get many extra features. The same can be said about using Drambo or something like it to sequence drums with all the extra randomization, probability, etc...

    Thanks, I will look at Atom 2 it maybe the solution to my frustration with CB3 midi editor.

    Drambo is not for me and for drums I am trying out DigiStix lately. Seems like it will work for me. I do wish Toontrack would join the iOS game. That would be my dream setup.

    DigiStix added midi pattern switching in the latest update. You can program the drum patterns there and trigger them from the daw,

  • ecouecou

    ' 1> @tahiche said:

    @ecou said:

    @tahiche said:

    @ecou said:

    @gregsmith said:

    @ecou said:

    @gregsmith said:

    @tahiche said:

    There will be a tipping point when ableton or logic etc makes producers take the platform more seriously after which a £5-10 app will reach a bigger audience and be a lot more profitable

    I have serious doubts about the benefits and overall impact of a Logic for iOS.

    iOS music should be modular. Pick and choose specific apps for specific tasks, build your own system and workflow. It’s hard enough as it is, but there’s been good steps in that direction. AUM with Lk, now Atom2 and the upcoming Loopy Pro. There’s still a lot to be done, but it’s evolving. I’m afraid something like Logic for iOS would just kill that. Not only that, from a dominant position they’d probably make their own standards. Devs will have to work with Apple AND Logic’s constrains. Do you think Logic would be worried about providing Audiobus integration?. Or making sure you could record the output into Aum?.

    Yeah, there would probably be downsides. I love the modular approach too but it’s not for everyone.

    >
    I am one of those who are not a fan of the modular approach. I always seem to be counter current on this forum but that’s me. I own audiobus and I bought it to support the creator of this fine forum but I hardly ever use It. I see no reason why I would buy AUM or Drambo.

    I like the DAW paradigm, when I have time for music, I do not wanna to waste it on plugging stuff together. I record and sequence in CB2 (CB3 buggy), and my audio editing and mixing in Auria Pro. My very poor skills at mastering are done in Grand Finale.

    So why am I telling you all of this? Not to attack the modular crowd. Many people on this forum are trying to figure out their work flow . So I want to say to them, modular is not the only way.

    I totally get it. If there was a daw that did all the things I wanted I probably would never have made the jump to modular. I’m glad I did though - I like having (almost) no limitations and I’m a bit of a nerd so happy to plug things together 🤓

    What is it that you are missing from a DAW ? In my case I use two DAW, playing on their strength at each stage of production. Also in my mind it makes a lot of sense to separate recording/sequencing from mixing/editing and mastering.

    You can still be modular while working with a DAW. For example using Atom2 as the midi editor because the one in your daw sucks plus you get many extra features. The same can be said about using Drambo or something like it to sequence drums with all the extra randomization, probability, etc...

    Thanks, I will look at Atom 2 it maybe the solution to my frustration with CB3 midi editor.

    Drambo is not for me and for drums I am trying out DigiStix lately. Seems like it will work for me. I do wish Toontrack would join the iOS game. That would be my dream setup.

    DigiStix added midi pattern switching in the latest update. You can program the drum patterns there and trigger them from the daw,

    I was not aware of that. Thank you for the info.

  • gregsmithgregsmith
    edited April 2021

    @ecou said:

    @gregsmith said:

    @ecou said:

    @gregsmith said:

    @tahiche said:

    There will be a tipping point when ableton or logic etc makes producers take the platform more seriously after which a £5-10 app will reach a bigger audience and be a lot more profitable

    I have serious doubts about the benefits and overall impact of a Logic for iOS.

    iOS music should be modular. Pick and choose specific apps for specific tasks, build your own system and workflow. It’s hard enough as it is, but there’s been good steps in that direction. AUM with Lk, now Atom2 and the upcoming Loopy Pro. There’s still a lot to be done, but it’s evolving. I’m afraid something like Logic for iOS would just kill that. Not only that, from a dominant position they’d probably make their own standards. Devs will have to work with Apple AND Logic’s constrains. Do you think Logic would be worried about providing Audiobus integration?. Or making sure you could record the output into Aum?.

    Yeah, there would probably be downsides. I love the modular approach too but it’s not for everyone.

    >
    I am one of those who are not a fan of the modular approach. I always seem to be counter current on this forum but that’s me. I own audiobus and I bought it to support the creator of this fine forum but I hardly ever use It. I see no reason why I would buy AUM or Drambo.

    I like the DAW paradigm, when I have time for music, I do not wanna to waste it on plugging stuff together. I record and sequence in CB2 (CB3 buggy), and my audio editing and mixing in Auria Pro. My very poor skills at mastering are done in Grand Finale.

    So why am I telling you all of this? Not to attack the modular crowd. Many people on this forum are trying to figure out their work flow . So I want to say to them, modular is not the only way.

    I totally get it. If there was a daw that did all the things I wanted I probably would never have made the jump to modular. I’m glad I did though - I like having (almost) no limitations and I’m a bit of a nerd so happy to plug things together 🤓

    What is it that you are missing from a DAW ? In my case I use two DAW, playing on their strength at each stage of production. Also in my mind it makes a lot of sense to separate recording/sequencing from mixing/editing and mastering.

    I can’t remember now exactly but I enjoyed using different ones for a while then always found a limitation that bugged me. In the end I wanted to be able to use FAC Envolver properly and the only place I could at the time was AUM with multi out, at least I think it was multi out.

    Exactly like you though, I do my mixing and mastering in a daw (cubasis 3). I think of AUM as my recording studio, exactly as you suggest.

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