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Song Of The Month Club - October 2017

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Comments

  • @JeffChasteen, wow! This intro is gorgeous! Congrats for this. Nice transition to the main beat, nice tones. Liked it a lot!

  • @trackedout, this one has almost a early Grunge vibe, reminds me of Mudhoney, and I really enjoyed it a lot. IMO it’s the cleanest and most polished track you’ve ever posted. Great song, great job, keep following this direction!

  • edited November 2017

    @Shaken&;Stirred, great song, reminiscent of more complex pop rock of the 80’s like Peter Gabriel or Talking Heads. Bravo!

  • @Bluepunk, great lyrics as usual, and great job with the vocal parts with this one. Also loved the beat, reminds me a little of Chemical Brothers, but that’s where the similarity ends. All the other elements sound like pure post punk to my ears. Amazing job!

  • @DefRobot, loved this song. Your mixing and arranging skills improved to a huge amount, and I love the way the choruses really come strong, the dynamics are really working. Bravo!

  • edited November 2017

    @richardyot, this is easily and by far your best vocal performance. In fact everything is so good in this song, perhaps the best you’ve ever posted. Catchy choruses, really enjoying this.

  • edited November 2017

    Browser went nuts, perhaps because of an unstable connection. Willl continue with the reviews later.

  • @richardyot said:

    @Bluepunk said:
    SOTMC Reviews.

    Great that there's so many lithe bods in The Tub this month. Very healthy. Give yourselves a clap. :) The tums are toned, time to silk the skin. Apologies for whatever is on these 'offcuts' that you will/won't see, as had little spare time and most were recorded evening/night. Unlikely they'll be time to 'do everyone' next month and was pushing Punk posterior to do so this time. Think the audio is out but could be my tired head. Night. :)

    Usual Punk Rules Apply. Pinch of salt. Happy Halloween. :)

    This beats being playlisted by MTV. Get Mr Bluey to gently rip the piss out of your music. Lovely.

    Thanks Richard. If I get the MTV gig, the 'gently' part shall be reserved for the kind Clubsters down here only. Have you heard the Top 5 in the charts? Songs for Slaughtering or what? :)

    What a month of song and comment! The Club is a popular place to hang out these days and wonderful to see new faces jumping in with their music every month. Thank you.

    Viva The Club. :)

  • With all the excellent submissions to review, I've fallen behind on my expression of gratitude to you all for your awesome feedback!

    @JohnnyGoodyear said:
    This is a very accomplished piece of business. Redolent of REM with extra spite. It is a thing of parts (I suppose most songs are) and I was particularly sucked in by the opening (suggested a never-made Pink Panther cartoon at the waning end of an acid trip). I also was really impressed with what I guess would be called the bridge or break. I found that, as a piece of design, genuinely unsettling, more so than the main church of the song. Quibble would be entirely personal and that would be that the repeated cup runneth over lyric eventually made me spend too much time wondering about its meaning or connection, but I’m sure that’s just me. I envy the clarity of your production, especially the vox.

    thanks Johnny G., yeah, I've gotta a few comments over the months regarding over use of repetition, and I've kept that in mind when arranging my track for November. I really appreciate the props for the clarity of the production. I'm working hard trying to better my chops in that area, so it feels good to hear that it's paying off.

    @crouchie said:
    I think the first one for me. Although the second gives the vocal more space which is good, it just drags a little and no. 1 has a bit more impetus - but what do I know. Good tune and clever lyric. Really nicely done

    Thanks for listening to both! Most, including myself, prefer the first version, but part of me also likes the second, which is why I had the idea to included them both. thanks for the kind words!

    @Retzilence said:
    I totally preffer the second version.
    I like that it breaths out. Really energetic but also a bit dreamy at times.
    Awesome mix.
    I love the sudden turns of the lyrics

    Your's is the only vote for the second version, which I think it kinda cool, I'm glad it wasn't unanimous for the first, and glad that you liked it, cheers!

    @JeffChasteen said:
    Baroque in the best way. Full, complex, but not overly busy. I may love the toy piano best of all. Nice touch. I really like this song.

    Thanks Jeff. The "not overly busy" comment means a lot. with so much available, it feels like a constant struggle to not go overboard. Glad you like it!

    @lukesleepwalker said:
    @Shaken&;Stirred Are you a fan of They Might Be Giants? I mean this as a compliment, because I am a fan of TMBG: "Murder" recalls their classic late 80s stuff. The toy piano is brilliant; perfect accompaniment. The left turn at about the two minute mark is my favorite part of the tune because I was not expecting the turn and it builds the momentum for the last section of the song, where the energy picks up to a satisfying conclusion. If I was the producer of this song, I'd actually back off on the power chord guitar part in the chorus. There's a hook in the vocal and the rest of the song woozes along nicely--the power chords bring it back to a more traditional arrangement that felt like a bit of the air was let out of the balloon. That's probably just me and my "guitar" fatigue, though. Enjoyed this one.

    Thanks Luke! Yeah, @zpxlng made the same TMBG reference earlier in the thread, as did a friend of mine, not on the forum. I like them, saw them live years ago, but not a hardcore fan and definitely not enough to consider them an influence. I do like them, though, so it's cool to be likened to someone who has been as successful with their music as they have been.

    Being a rocker at heart, I have a hard time not putting some power chords in every track I produce. Maybe I should make that a goal for a future track. Thanks for the feedback!

    @theconnactic said:
    @Shaken&;Stirred, great song, reminiscent of more complex pop rock of the 80’s like Peter Gabriel or Talking Heads. Bravo!

    Wow, them are some heavy hitters! Thank you very much, I appreciate it!

    Lastly @Bluepunk
    your review video this month is amazing. I can't say it any better than @JohnnyGoodyear and his great granddad comment is spot on, and brilliant! Thanks so much for this. Just know it's not just me, but my whole family that is thoroughly entertained by your artform! Best wishes!

  • @richardyot said:
    My entry for the month. The song is about the dark side of fame. Fame is glamourised and celebrated, but it's pretty common for famous people to be surrounded with people who would just use them for money and influence. At that point it becomes very difficult to have normal human relationships with others, because of the creeping paranoia that they might want something from you, not a genuine friendship. As a result I think some stars end up with poisonous entourages, and live a very lonely life, trapped by their celebrity and wealth. The original draft was based on Whitney Houston, but the final is about Elvis - I liked the image of dying on the throne and it applied much better to him, because he did actually die on the toilet, and he was also The King, so it was perfect. The fire of the title is fame itself.

    I listened to this one during a break from my work day and what immediately struck me was that the tune has a strong emotional core. The chord progression and melody (especially in the chorus), the gorgeous synth lead tone/part, and the vocal inflections all contribute to a wistfulness that perfectly matches the subject matter. Kind of a cold rainy day as I stare out the window so the tone of the tune matches up quite nicely. Nit-picking would be the level of the lead vocal might be a bit high, timing slightly off in one spot... but nit-picking for sure.

  • @Shaken&;Stirred said:

    >

    Lastly @Bluepunk
    your review video this month is amazing. I can't say it any better than @JohnnyGoodyear and his great granddad comment is spot on, and brilliant! Thanks so much for this. Just know it's not just me, but my whole family that is thoroughly entertained by your artform! Best wishes!

    WHAT! Did you say WHOLE family! Please don't tell me the kids cry and the grannies groan because I won't sleep at night. Sorry to put your family through so much pain and may I suggest you press play when X factor is on like my mum does. The headache is less severe she reported back. :) Thank you so much. Appreciate it.

  • @zpxlng said:
    OK so I released an album at the end of September which I posted here to a very, uh, peaceful response! "You overwhelm us, Patrick," said the silence. "Please, one slice of genius at a time. We are but mortal."

    I understand, friends. But which track to choose? In the end I've chosen 'I AM A CAMEL', mostly because it's the one I think people here would appreciate best, not least because it's a finished song (or 'song') made mostly with Yellofier, and I know y'all chow down on that granola. It's the oddest, proggiest song of an eclectic bunch; I hope it brings you some kind of pleasure, even if it's the simple pleasure of recognising which apps and sounds I used. (Sans mastering, the whole project was done on my ipad pro.)

    Bandcamp and soundcloud -- I'm at wherever you're at!

    https://patrickalexander.bandcamp.com/track/i-am-a-camel

    Lyrics:

    I might look like a little caterpillar
    I might look like a little caterpillar
    I might look like a little caterpillar
    I might look like a little caterpillar
    I might seem like a tiny caterpillar on a leaf
    Nothing but a drop of dew and me

    Am I a little caterpillar?
    I might look like a little caterpillar
    I might look like a little caterpillar
    I might look like a little caterpillar

    I might seem like a tiny caterpillar on a leaf
    But that’s your belief

    I am a camel!
    I am a camel!
    I am a camel! I am a camel! I am a camel!
    I am a camel! I am a camel, and I’ve got lots of friends!

    I am a camel (She is a camel)
    I am a camel (She is a camel)
    I am a camel (She is a camel)
    I’m a big, big camel (Oh what a camel)

    (La, la, la-la-la, la, la-la)
    (La, la, la-la-la, la, la-la)
    (La, la, la-la-la, la, la-la)
    (La, la, la-la-la, la, la-la)

    Well a camel, which is what I am,
    Is tall enough to ride a man
    Yes it’s easy to climb up a tree
    For a camel, for example me

    Well a camel, which is what I am,
    (I am a dromedarian strong furry lumpy mammal)
    Is tall enough to ride a man
    (A man can’t step on me)
    Yes it’s easy to climb up a tree
    (‘Tremendous’ and ‘fleet’ are my bywords)
    For a camel like me
    (And a camel eats birds)

    Camels live in the desert. That’s a place that’s yellow and empty. And in fact, you can see it from where we are right now. That’s right — I’m talking about the moon.

    I am a camel. I can live for a thousand years on a single drop of water.

    I am a camel. People show me respect, and if they don’t, I can spit in their face.

    I am a camel. I sing to the night, a sweet baritone roar, rolling across the dunes.

    I am a camel. And one day soon, I will become the biggest, hairiest butterfly you’ve ever seen.

    I am a camel
    I really am a camel
    Why doesn’t anyone believe me?

    Further babble:

    My friend Ben said this reminded him of "that cool '80s Max Headroom song," so I acquainted and reacquainted myself (depending) with the Art of Noise's oeuvre, and wow, man... I did not aim to make an Art-of-Noisy song, but heck if I didn't make a pretty bloody Art-of-Noisy song. But that is a happy outcome, surely!

    I like it. Actually I liked the first couple of minutes a lot and it made me laugh. I just kind of worried it went on a touch too long, but it is really well put together and I am looking forward to hearing more from the album. You’ve mixed it very nicely and all the components come through clearly. Great stuff

  • @richardyot said:
    My entry for the month. The song is about the dark side of fame. Fame is glamourised and celebrated, but it's pretty common for famous people to be surrounded with people who would just use them for money and influence. At that point it becomes very difficult to have normal human relationships with others, because of the creeping paranoia that they might want something from you, not a genuine friendship. As a result I think some stars end up with poisonous entourages, and live a very lonely life, trapped by their celebrity and wealth. The original draft was based on Whitney Houston, but the final is about Elvis - I liked the image of dying on the throne and it applied much better to him, because he did actually die on the toilet, and he was also The King, so it was perfect. The fire of the title is fame itself.

    Tantalising fire, you burn so hot and red
    He looked into your embers, but all he saw was charred and dead
    He wanted to control you, but you would feed on him instead
    Where the fire will cast a shadow, only darkness lies ahead.

    He took it all on faith
    Stepped out to fall from grace
    And lost everything that he believed in

    He took it all on faith
    Stepped out to meet his fate
    And lost everyone that he believed in

    With a retinue of courtiers, it's easy to forget
    That people got to know him, just to see what they could get
    But no-one ever told him that he would die sick and alone
    A King in a gilded bathroom, sitting on the throne

    He took it all on faith
    Stepped out to fall from grace
    And lost everything that he believed in

    He took it all on faith
    Stepped out to meet his fate
    And lost everyone that he believed in

    I really enjoyed this, loved the gentle synth melody, liked the structure and feel to the whole thing. Beautifully mixed as always. There’s something about the snare sound that troubles me but I think that’s a taste thing. I did agree with an earlier poster that it feels like tightening up the lyrics/vocal timing just a bit would help a great deal, although I would say this is one of my favourite by your good self, I think because of the mellow uncluttered feel. Great stuff

  • @lukesleepwalker, I loved it! The punchy, in your face sound you get right from the beginning with the drums and bass... Just a great, full, punchy tone. The 2 vocal parts fit perfectly together, just the right amount of reverb, and nice job panning them away from each other. I loved the "knocking" sound you brought in the right channel around the :52 mark. I honestly wasn't a huge fan of the acoustic guitar (the sound, not the part). A little too "jangly" and "buzzy" for my ears. I might have tried a relatively clean electric with just the slightest touch of distortion. I liked the first entrance of the electric guitar in the left channel, but the solo sounded a bit too loud and bright for my taste. Other than that, I thought the mix was really good, and performance all the way around was top notch. Great first submission!

  • @AndyPlankton, definitely liked the bass and drums, both the sounds and the parts themselves. I'm a sucker for that '80s drum sound, and though I'm not positive that's what you were going for, I thought it worked great. I went back and forth on whether the keyboard/organish part worked, but I'm leaning toward yes! Only thing that didn't do it for me (and this is very different from what I normally write and listen to) is the "vocals". Again, there's nothing "wrong" with them; I just normally use vocals as a melody source, and here they seemed more of a sound effect. All in all, an enjoyable listen!

  • @Retzilience, one of the coolest drum grooves I've heard in a while, had a nice swing to it. I also like using an acoustic guitar sound almost as a pad. The electric guitar entrance at 1:45 was nice, and the little "whistle" sound that pokes in toward the end jumped out at me in a positive way. Only gripe would be one of personal preference: As mentioned in an earlier review, I'm not so much a "sound effect" writer/listener as I am one who is drawn to chord progressions and melodies. Hence, pieces that sort of substitute interesting sounds and vocal samples for sung or played melodies aren't always going to do it for me. But I certainly appreciate the creativity it takes to put all that together, and like I said, loved the drum groove!

  • I know we're ALREADY into the thrum of November, but wanted to say I thought this was a fine month's worth, now consigned like chip paper, but all the same. Good submissions and great commentary. I like this place!

  • I don't think we're quite done yet, a few stragglers still have the odd review to submit.

  • @richardyot said:
    I don't think we're quite done yet, a few stragglers still have the odd review to submit.

    Uh-oh, forgot about the big red pencil and the big black book Guv'nor....

  • Quite a high cost of entry nowadays.

  • @Jocphone said:
    Quite a high cost of entry nowadays.

    True, doing decent reviews is a pretty time-consuming endeavor. But the whole edifice is built on reciprocity, without it we're just a bunch of children shouting for attention. :D

  • @richardyot said:

    @Jocphone said:
    Quite a high cost of entry nowadays.

    True, doing decent reviews is a pretty time-consuming endeavor. But the whole edifice is built on reciprocity, without it we're just a bunch of children shouting for attention. :D

    Back to the creche for me :tired_face:

  • @richardyot Sorry to say this one disagrees with me, and I've been having a hard time deciding exactly why. Something about how all the parts follow so closely together. The "tum.. bap.. tumtum" of the bass drum seems to permeate the rhythm of every part, making it lurch in a way that seems to drag everything down. The organ's single chord per bar doesn't help.

    If I can draw an anology, it's like you're painting with a single brush and limited colors, so bring some more notes into the rhodes, or maybe change it to a drone. Either technique may help. I like the solos, but they follow the rhythmic patterns too closely, too. Stretch some of its notes clear across two bars and make it cry a little maybe.

    One thing I just noticed, listening again, is that you almost invariably emphasize the syllable at the beginning of each bar, right along with the organ. I think this might be the main thing that was bugging me. Sometimes you gang up a syllable group right on the ones, too, so if you can find a way to make the vocal rhythm more varied, things might really start falling more into place. Hope this helps.

  • @Retzilience, nice blend of sampled vocals, acoustic instruments and electronic stuff. Loved it. The reverse guitar (was it really a guitar) stood out. Well done!

  • @lukesleepwalker, great pop tune, really enjoyed the blend of acoustic guitar and the techno loop. Great vocal duo, really awesome! The melody is catchy, like pop songs must be. Thanks for sharing!

  • edited November 2017

    @AndyPlankton, interesting compsoition. The moogy bass line reminded me of Vangelis’ Blade Runner ending. Great song that could as well work as a soundtrack for an acion/sci fi movie.

  • @Bartlinux, great, infectious beat! I love old school techno, which your song reminds me of. Keep it up!

  • @MonzoPro, great experimental stuff. Heavily processed, isn’t it? This song, like many others of yours, have a soundtrack-like quality. Enjoyed this.

  • @aaronpc, despite being purposedly an experimental work, your song is clearly structured in a very traditional manner, verse-bridge-chorus, with a quite catchy melody. In fact I enjoyed this, sounded like modern pop music worh a twist. Keep them coming!

  • @crouchie, your voice is so good - a great baritone, reminds me of bowie a little. So why the heck you keep on burying it in the mix? Other than that, a great song, perhaps my favorite of this month. Bravo!

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