Loopy Pro: Create music, your way.

What is Loopy Pro?Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.

Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.

Download on the App Store

Loopy Pro is your all-in-one musical toolkit. Try it for free today.

Stay At Home Cause Everything is Canceled Sales

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Comments

  • @reasOne That Malibu Ken album kicks ass. I love Tobacco and everything he does. Same with Aesop Rock, or at least from what I’ve heard of him so far. Haven’t listened to a ton though

  • edited November 2020

    @joniqwest said:
    Which app is this ?

    @mulletsaison said:

    @Charlesalbert said:
    Decent samples iap sounds are super discounted. I got them all and they really worth it.

    Really glad I saw this! Fell in love with this after it was mentioned on another thread and I really like the samples on this. I'm not someone with a huge sample library, but I find these to be really live and warm sounding. Picked up a 5 IAPs for less than the normal price for the indie bass!

    Thanks @Charlesalbert

    Decent Samples; potentially the worst name ever. I was trying to find the thread where I heard about the glockenspiel sound to give credit to whoever it was, but difficult to find with that generic a name...

    https://apps.apple.com/us/app/decent-samples/id1530441977

  • @Strizbiz said:

    @Poppadocrock said:
    I do not have either yet, but From what I can tell, it seems like almost everyone in the forum is recommending the MDE stereo version especially since the price points are so close with the current sale. Apparently they do sound similar though, so I don’t know...

    I bought MDE stereo, but from what I gather from what I’ve read the MDE stereo is aimed more towards mastering and using it on the master channel and the original for individual tracks but I’m kinda thinking you can use it for mastering if you want too.
    I might bite the bullet and get the original to see.

    That's the impression I'm starting to gather as well. Some compressors are the glue-the-mix type and MDE Stereo is apparently for that.

    I've only used a limiter on the master channel when mixing in a DAW. Without experience using a compressor on master channel, I wasn't sure which MDE was right for the glue job.

  • @BCKeys said:

    @jolico said:

    @GovernorSilver said:

    @jolico said:

    @GovernorSilver said:

    @spiteface said:
    Can someone convince me which MDE I should buy?

    I have a similar question, except I'm more interested in which MDE compressor is the easiest to use, as I am not a power user at all on the mixing/mastering end . I don't want to get the stereo one if it is a lot more complicated than NYCompressor for example.

    If less features = easier to use. MDE

    Which MDE though? There are 2.

    https://appsliced.co/apps?search=magicdeatheye+compressor

    The one is MDE (MagicDeathEye)
    The other is MDES (MagicDeathEyeStereo)

    MDES has more features, but that doesn’t necessarily make it more difficult to use.

    So many people record stereo sources ?

    They’re both stereo plugins.
    The one just has the word “stereo” in the name.

    The older one was modeled after the original mono device, but DDMF gives us two simultaneous instances (one for each side)

  • @Poppadocrock said:
    Symphony Pro went down again, just $1 this time to $11.99

    https://apps.apple.com/us/app/symphony-pro-music-notation/id412380315

    That must have lasted a few minutes. Back up again.

  • It's possible to resist MDES :D

    I have a LOT of compressors both iPad and desktop. Spent a lot of time ABing and luckily I am happy with what I have.

  • @GovernorSilver said:

    @Strizbiz said:

    @Poppadocrock said:
    I do not have either yet, but From what I can tell, it seems like almost everyone in the forum is recommending the MDE stereo version especially since the price points are so close with the current sale. Apparently they do sound similar though, so I don’t know...

    I bought MDE stereo, but from what I gather from what I’ve read the MDE stereo is aimed more towards mastering and using it on the master channel and the original for individual tracks but I’m kinda thinking you can use it for mastering if you want too.
    I might bite the bullet and get the original to see.

    That's the impression I'm starting to gather as well. Some compressors are the glue-the-mix type and MDE Stereo is apparently for that.

    I've only used a limiter on the master channel when mixing in a DAW. Without experience using a compressor on master channel, I wasn't sure which MDE was right for the glue job.

    They both have the same “mojo”, but the newer one has a few more convenient features.

  • @jolico said:

    @GovernorSilver said:

    @Strizbiz said:

    @Poppadocrock said:
    I do not have either yet, but From what I can tell, it seems like almost everyone in the forum is recommending the MDE stereo version especially since the price points are so close with the current sale. Apparently they do sound similar though, so I don’t know...

    I bought MDE stereo, but from what I gather from what I’ve read the MDE stereo is aimed more towards mastering and using it on the master channel and the original for individual tracks but I’m kinda thinking you can use it for mastering if you want too.
    I might bite the bullet and get the original to see.

    That's the impression I'm starting to gather as well. Some compressors are the glue-the-mix type and MDE Stereo is apparently for that.

    I've only used a limiter on the master channel when mixing in a DAW. Without experience using a compressor on master channel, I wasn't sure which MDE was right for the glue job.

    They both have the same “mojo”, but the newer one has a few more convenient features.

    Sorry to keep asking but by newer you mean MDE Stereo right?

  • @GovernorSilver said:

    @jolico said:

    @GovernorSilver said:

    @Strizbiz said:

    @Poppadocrock said:
    I do not have either yet, but From what I can tell, it seems like almost everyone in the forum is recommending the MDE stereo version especially since the price points are so close with the current sale. Apparently they do sound similar though, so I don’t know...

    I bought MDE stereo, but from what I gather from what I’ve read the MDE stereo is aimed more towards mastering and using it on the master channel and the original for individual tracks but I’m kinda thinking you can use it for mastering if you want too.
    I might bite the bullet and get the original to see.

    That's the impression I'm starting to gather as well. Some compressors are the glue-the-mix type and MDE Stereo is apparently for that.

    I've only used a limiter on the master channel when mixing in a DAW. Without experience using a compressor on master channel, I wasn't sure which MDE was right for the glue job.

    They both have the same “mojo”, but the newer one has a few more convenient features.

    Sorry to keep asking but by newer you mean MDE Stereo right?

    Yes.
    The original hardware was a mono unit, so they needed to have two mono units to process stereo.

    The stereo version was then created, which is basically two mono units in one box, but also includes a few extra features.

  • @jolico said:

    @GovernorSilver said:

    @jolico said:

    @GovernorSilver said:

    @Strizbiz said:

    @Poppadocrock said:
    I do not have either yet, but From what I can tell, it seems like almost everyone in the forum is recommending the MDE stereo version especially since the price points are so close with the current sale. Apparently they do sound similar though, so I don’t know...

    I bought MDE stereo, but from what I gather from what I’ve read the MDE stereo is aimed more towards mastering and using it on the master channel and the original for individual tracks but I’m kinda thinking you can use it for mastering if you want too.
    I might bite the bullet and get the original to see.

    That's the impression I'm starting to gather as well. Some compressors are the glue-the-mix type and MDE Stereo is apparently for that.

    I've only used a limiter on the master channel when mixing in a DAW. Without experience using a compressor on master channel, I wasn't sure which MDE was right for the glue job.

    They both have the same “mojo”, but the newer one has a few more convenient features.

    Sorry to keep asking but by newer you mean MDE Stereo right?

    Yes.
    The original hardware was a mono unit, so they needed to have two mono units to process stereo.

    The stereo version was then created, which is basically two mono units in one box, but also includes a few extra features.

    Thank you for the patient replies. I'll go for the MDES since you say it has a few more convenient features. I like convenient.

  • @GovernorSilver said:

    @jolico said:

    @GovernorSilver said:

    @jolico said:

    @GovernorSilver said:

    @Strizbiz said:

    @Poppadocrock said:
    I do not have either yet, but From what I can tell, it seems like almost everyone in the forum is recommending the MDE stereo version especially since the price points are so close with the current sale. Apparently they do sound similar though, so I don’t know...

    I bought MDE stereo, but from what I gather from what I’ve read the MDE stereo is aimed more towards mastering and using it on the master channel and the original for individual tracks but I’m kinda thinking you can use it for mastering if you want too.
    I might bite the bullet and get the original to see.

    That's the impression I'm starting to gather as well. Some compressors are the glue-the-mix type and MDE Stereo is apparently for that.

    I've only used a limiter on the master channel when mixing in a DAW. Without experience using a compressor on master channel, I wasn't sure which MDE was right for the glue job.

    They both have the same “mojo”, but the newer one has a few more convenient features.

    Sorry to keep asking but by newer you mean MDE Stereo right?

    Yes.
    The original hardware was a mono unit, so they needed to have two mono units to process stereo.

    The stereo version was then created, which is basically two mono units in one box, but also includes a few extra features.

    Thank you for the patient replies. I'll go for the MDES since you say it has a few more convenient features. I like convenient.

    👍
    Here is the official website of the original hardware:
    http://magicdeatheye.com/buy/

  • @jolico said:

    @GovernorSilver said:

    @Strizbiz said:

    @Poppadocrock said:
    I do not have either yet, but From what I can tell, it seems like almost everyone in the forum is recommending the MDE stereo version especially since the price points are so close with the current sale. Apparently they do sound similar though, so I don’t know...

    I bought MDE stereo, but from what I gather from what I’ve read the MDE stereo is aimed more towards mastering and using it on the master channel and the original for individual tracks but I’m kinda thinking you can use it for mastering if you want too.
    I might bite the bullet and get the original to see.

    That's the impression I'm starting to gather as well. Some compressors are the glue-the-mix type and MDE Stereo is apparently for that.

    I've only used a limiter on the master channel when mixing in a DAW. Without experience using a compressor on master channel, I wasn't sure which MDE was right for the glue job.

    They both have the same “mojo”, but the newer one has a few more convenient features.

    Doesn't the newer one also have oversampling which reduces/eliminates the aliasing present in the original release?

  • @Strizbiz said:

    @Poppadocrock said:
    I do not have either yet, but From what I can tell, it seems like almost everyone in the forum is recommending the MDE stereo version especially since the price points are so close with the current sale. Apparently they do sound similar though, so I don’t know...

    I bought MDE stereo, but from what I gather from what I’ve read the MDE stereo is aimed more towards mastering and using it on the master channel and the original for individual tracks but I’m kinda thinking you can use it for mastering if you want too.
    I might bite the bullet and get the original to see.

    Think you might be right about that

  • edited November 2020

    6 FREE sample packs from Slate Digital - Ends January 1st 2021
    All you need is an email.

    https://slatedigital.com/?__s=grnc1fzmd7npwwlcdmwb#bfHomeSamplePack

    Includes:
    Drum Machines Volumes 1, 2, & 3
    808 pack
    EDM pack
    Hip Hop Pack

    PS - scroll down to the 2nd or 3rd ad on the page to see it.

  • @espiegel123 said:

    @jolico said:

    @GovernorSilver said:

    @Strizbiz said:

    @Poppadocrock said:
    I do not have either yet, but From what I can tell, it seems like almost everyone in the forum is recommending the MDE stereo version especially since the price points are so close with the current sale. Apparently they do sound similar though, so I don’t know...

    I bought MDE stereo, but from what I gather from what I’ve read the MDE stereo is aimed more towards mastering and using it on the master channel and the original for individual tracks but I’m kinda thinking you can use it for mastering if you want too.
    I might bite the bullet and get the original to see.

    That's the impression I'm starting to gather as well. Some compressors are the glue-the-mix type and MDE Stereo is apparently for that.

    I've only used a limiter on the master channel when mixing in a DAW. Without experience using a compressor on master channel, I wasn't sure which MDE was right for the glue job.

    They both have the same “mojo”, but the newer one has a few more convenient features.

    Doesn't the newer one also have oversampling which reduces/eliminates the aliasing present in the original release?

    Yes.
    It also has a control to turn the harmonics all the way down to 0% or all the way up to 100% (50% is the default modeled after the hardware)

  • @Obo said:
    Man, huge thanks for the heads up on Nori U! I’d just been in the synthmaster player iap store no less than 30 mins prior to reading this (my shopaholic brain convinced me it must be fate and I snatched up several more IAPs lol 😂)

    Ah, my absolute pleasure, mate! He's absolutely incredible isn't he? The Dawn of Electronic Music patches are absolutely beautiful and instantly evocative of so many things.

  • @Strizbiz said:

    @Poppadocrock said:
    I do not have either yet, but From what I can tell, it seems like almost everyone in the forum is recommending the MDE stereo version especially since the price points are so close with the current sale. Apparently they do sound similar though, so I don’t know...

    I bought MDE stereo, but from what I gather from what I’ve read the MDE stereo is aimed more towards mastering and using it on the master channel and the original for individual tracks but I’m kinda thinking you can use it for mastering if you want too.
    I might bite the bullet and get the original to see.

    They use different compression curves. MDES is smoother, MDE is steeper. I heard MDES hits the cpu much harder (can anyone confirm?). That would explain why there are still two of them. Seems we have good reasons to get them both.

    Noooooo....

  • @Knoepfe said:
    That would explain why there are still two of them. Seems we have good reasons to get them both.

    They are software copies of 2 physical hardware units you can purchase from:

    http://magicdeatheye.com/

    The story of the real hardware is fascinating. The designer works as a mastering engineer
    at Capitol Records in Hollywood where the greats recorded classic albums.

    All the DDMF apps are simulations of vintage studio gear that sells for a mint. Studio collectables turned into IOS Apps.

    If you care about studio recording arts you should want them all and to see if you can hear
    what they contribute to make something like a classic analog studio album have that sonic
    beauty. It about NOT adding extras we don't want and delivering something truly wonderful we didn't know existed. It's anti-noise.

  • @PeteSasqwax said:

    @Obo said:
    Man, huge thanks for the heads up on Nori U! I’d just been in the synthmaster player iap store no less than 30 mins prior to reading this (my shopaholic brain convinced me it must be fate and I snatched up several more IAPs lol 😂)


    Ah, my absolute pleasure, mate! He's absolutely incredible isn't he? The Dawn of Electronic Music patches are absolutely beautiful and instantly evocative of so many things.

    He really is, epic stuff man! I was seriously stunned going through that world pack with all small touches in those preset sounds. The previews don’t even come close to doing really any of the sound packs justice but his.

    Say no more, I was wondering about the dawn of electronic music, going to check it out! I actually think I probably would have picked some of these up a while back if there had just been no preview at all as opposed to the weak previews they have going on sound cloud.

  • New Festive Bundle (4Pockets) will be available for a limited period and comprises 3 of the most recent and best selling plugins not previously available in bundle deals.
    -MIDI Strummer
    -NuRack
    -SlowMoFX

    https://apps.apple.com/app-bundle/festive-bundle/id1540062221

  • @royor said:
    New Festive Bundle (4Pockets) will be available for a limited period and comprises 3 of the most recent and best selling plugins not previously available in bundle deals.
    -MIDI Strummer
    -NuRack
    -SlowMoFX

    https://apps.apple.com/app-bundle/festive-bundle/id1540062221

    Bargain?

        App Bundle $21.99
        Purchased Separately: $20.97
    
  • Actually it look like yet another one of those frequent Apple bundle price errors:

    Makes me want to make an extra effort to scrutinize my App Store purchase prices.

    Do these guys really know how to add?!?!?!

  • @Poppadocrock said:
    6 FREE sample packs from Slate Digital - Ends January 1st 2021
    All you need is an email.

    https://slatedigital.com/?__s=grnc1fzmd7npwwlcdmwb#bfHomeSamplePack

    I've been looking for a collection of one shot samples to use as my core drum library. This will do nicely. Thanks for the heads up.

  • @Obo said:
    The previews don’t even come close to doing really any of the sound packs justice but his.

    So true! I've no idea how that works - it almost feels like you'd have to deliberately set out to make them that poor for some reason!

  • @itsaghost said:
    @reasOne That Malibu Ken album kicks ass. I love Tobacco and everything he does. Same with Aesop Rock, or at least from what I’ve heard of him so far. Haven’t listened to a ton though

    man that malibu ken albums in my top 10 favs of all time! def go back and jam all aesops older stuff especially skelethon and float!!! so goood

  • @McD said:

    @Knoepfe said:
    That would explain why there are still two of them. Seems we have good reasons to get them both.

    They are software copies of 2 physical hardware units you can purchase from:

    http://magicdeatheye.com/

    No doubts that this is the story. I was referring to the question if they sound the same, what are the differences and which one is to prefer, the original MDE or the feature rich MDES. The apps. The two apps ;-)

    I don‘t have them both but I‘m pretty shure it does make a difference if one uses only MDES.

  • @Knoepfe said:
    I was referring to the question if they sound the same, what are the differences and which one is to prefer, the original MDE or the feature rich MDES. The apps. The two apps ;-)

    I prefer MDES... when I push a audio file through them I can apply them both and the slide them in and out of service. They both add coloring that is slightly unique but I never use them both. But I like the fact that I can and the quality of the audio final product is not diminished by too much processing or extra FX side-effects. It just adds more harmonic coloring.

    Of course, I can push the compression really hard and use it like a traditional guitar stomp pedal to give me tremendous sustain.

    But I almost always throw it on my master bus for that tube color. It just fattens up the sound and I never regret and remove it with the one exception: I have no CPU resource left and it adds audible clicking. But even in that case I check every there effect and remove it to keep that mix down benefit.

    I tend to like music that sounds like it was mastered in a classic hardware-based studio and NOT bit-crushing, noise drenched productions. I dabble in that genre but I find that those
    industrial concoctions also seem more interesting with some MDES added.

    I'm a real fan of DDMF's work. He's a sonic simulation rock star and looks for the classic studio gear that engineers pay the big bucks to collect (Neve, etc).

  • Of course, I can push the compression really hard and use it like a traditional guitar stomp pedal to give me tremendous sustain.

    @McD what are the settings you use for that?

    Got a lil free time this weekend with my axe!

  • @Crawlingwind said:
    Best hot sauce in the world! 50% off for one more hour. Free shipping!
    (I bought 8 bottles...)

    https://www.yellowbirdfoods.com/

    Nope, the best hot sauce in the world is on sale at hanksauce.com . 😂

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