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Comments
Very impressive! I was asking about the lessons but I’ve just found the thread. 😂
Cheers!
It’s ancient history now. 😏
No worries.
Is there a way to visualize the lfos and modulations?
Yes, you can either use the Oscilloscope or long press on an input
and the inbuilt oscilloscopes/spectrum analyzer should appear.
Use the Morph module. You get a moving colored dot on the target knob(s).
Of course, the lfo signal itself can be visualized by connecting an oscilloscope. Or by long-pressing on the signal connector.
@cokomairena
@bleep ooh the morph module works great, it should be always like this.
@Gravitas thanks!
I agree! I prefer to use the Morph module over the triangle connection thing, for better visualization and more intuitive setting of the range.
In the latest update, you can now double-tap the Morph amount knob and unassign all of its targets.
In some future update, I’m hoping we get a Morphs module with multiple Morph, similar to the Knob/Knobs modules. It takes a lot of horizontal scrolling if you have many currently.
+1 nice idea.
@giku_beepstreet ?
The other thing to know about Morph is that if you put them inside a Layer, they can’t have targets outside the layer, unfortunately. That’s why I need to put them as part of the “outer” rack in the screenshot below, and they quickly eat up horizontal space.
I guess the ideal situation here would be if each Morph could be inside its Envelope layer (and still target knobs outside), or if there was such a multiple Morphs module.
Requested long ago already but the more people want it, the more they'll push the feature's priority in the endless list of existing feature requests 😉
Thanks to your advice to post the feedback on the Beepstreet Forum @espiegel123, giku responded almost immediately and said that the ‘hide note names’ feature would be made optional from the Settings. Thanks again for the advice @espiegel123 and to everyone else who commented here, appreciate it. Cheers.
+1
I would also welcome some kind of floating label that appeared above the destination knob while being assigned, displaying the precise value range
what is the midi sequencer module? what does it do?
You are doing this only to have a visualization of the modulation or is there other advantages?
Probably using it as a macro
@cokomairena note that a simple signal output visualization wouldn't work for polyphonic signals (I know because at some point I asked for the same :P)
Most plyphonic synths has a visualization for mod. They just show you the last one.
The 12 envelopes? They are not for a synth voice, but for controlling various parts of loops; fades, pan, filter, sends, etc. On-the-fly automation triggered by midi, or sequenced automation (where benefits are easy to move it around, probability and cycle conditions, etc.)
@rs2000 yep, sketching helps and a whiteboard is a must! Only way I cobbled some Max things together. Wouldn't change much about Drambo, I think I just really need to map it to a controller so there's more feel to it. Like how Thumbjam stil gets use like an instrument you can play with eyes closed.
Which controllers do you own?
AMAZING!!
H
+1. I'm happy that Live supports AUv3.
So much more fun than Max ☺️
Nice! 🙌🏻 I’ve only owned the mid tier Elektron stuff (Digitakt, Digitone) but would definitely check out a video about it because I’ve always been interested in the Octatrack. The iPad has always kept me from taking the plunge though.
One thing that could be nice to have from the Octatrack workflow, though I have no idea how it could work from a UI point of view, is the concept of recording buffer that can be referenced from multiple places, so you could have a Flexi sampler on one track recording from its input and other Flexis (or, now, Wave Scanners) that just play back whatever is present in the first Flexi.
Having predefined Flexi length with continuous recording and overdub would make such an arrangement even better for live performance.
That would be fantastic.
Another thing I’d like to see is the entire synth parameter locking option Elektron gear has. So you can completely change the sound with one single knob and then take it back off. It’s a great performance trick.
I had to try this with a melody exported from Piano Motifs. Getting some nice motif variations by using slightly non-linear time signals!
Manual scrubbing with the knob worked. Env into Morph module assigned to the knob’s full range worked. Sending env directly to the knob using the triangle automation didn’t work, however. Why is that?
Btw, I couldn’t get to import the PM file properly. What worked was to first import it into LK, do an export there, and import that into the Sequencer module. Could be a midi file type 1/2 issue?
@bleep "Could be a midi file type 1/2 issue?"
A user over in the dRambo FB group had a
similar issue when importing some of their midi files.
@giku_beepstreet
Answering myself: env directly into knob also works, but the value must be properly scaled to match the knob range. Makes perfect sense.
I could be wrong and have no idea of Elektrons, but what you describe sounds to me like you can do that with the morph module, mapping it to all sorts of parameters.
Here's s video about it (haven't rewatched it now, but seem to remember, he does something like that):