Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.
Download on the App StoreLoopy Pro is your all-in-one musical toolkit. Try it for free today.
Comments
I tried changing instruments within the same gadget the other day and it changes the sound in all of the scenes also which is understandable but I had to try it.
@jamMaestro sorry, missed your question earlier. Yes, depending on the scale and the number of octaves, the keyboard will resize.
Yeah... Taking it to Apple store later today. Only 20 days old and I have AppleCare for it, so hopefully they will just swap it out.
Also of note, you can in fact access and save the project file through iTunes. yay
@firejan82 said:
That's Portishead south of Bristol
Nah I think they meant Massive Attack
And frankly, if there's a Bristol synth that can make me sound like RSD, Korg should have put it out yesterday
@shortbus said:
@supadom said:
That shows reference to black/white keys and knobs so I guess that means it's another synth.
Pyramid - 2 (above track) is awesome, got that laid back "dub-by" sound to it. That didn't make any sence...I'm thinking early the streets or something, minus vocals...
Korg Gadget ditty - Really chilled dub step, cool melody. Sounds lush. Did you post process it outside Gadget with Audio Mastering?
I learned on the internets that trip-hop used to be also known as the "Bristol sound" and that it started there.
Kansas was known for jazz I think....
@ChrisG said:
Cheers dude, vocals will come in when KG gets AB or audio track or both lol
.
I think I'm going to have a love hate relationship with Gadget.
I love it because it sounds great it looks great its great to play and its even made by a great musical company, but being so great has its down side it makes me lazy !!
I've only made one song and already I can see myself thinking i can't be bothered to hook that synth up to that arp and hook the drum machine up to the sequencer and hook the looper up and check the midi channels then set master and slave clocks then check who's audio is patched in and pray.
Korg has done a very good job with Gadget and its workflow, its so (dam quick and easy)
Just like fast food and I'm going to try, not to eat too much !
A Kansas City jazz blues sax guitar synth would be interesting.
@chrisg thanks! Yup, used the new AudioMastering 2.0 to make it bigger. Quite surprised myself on how big it sounds with such minimal mixing and processing. I think I'm in love with Gadget
Minimal mixing and processing is often the key to a big sound. People over process things all the time these days
Hope Korg looking to see what users want
Could you sidechain as yet, I didn't get that far in the app as yet, just purchase it.
FX slot with FX you could adjust is needed
AudioTracks
AudioBus
IAA
.
Lots of good tings coming out of this thread.
This app has been one giant leap for ipad music creation.
Alright, so I have good news and not so good news. Took the ipad Air into Apple today and they gave me a new one... which once I got it home and restored it etc, was doing to same exact thing the other one was.... Making that ever-present ringing while playing any bass material in Gadget. Maddening. So I spent the past few hours trouble shooting the device and all other factors, changing AIs etc to no avail, so then I had a good poke around in Gadget because that was the only possibility remaining.
After creating a project with 1 track/scene per gadget and choosing sounds for each that best showed the horrid tinny sound! as I was intending to share the project file here and see if you guys had the same results. Then it decided to have one more good look at any possible setting or parameter that could be responsible... And I found it. It's the Limiter. At zero it should have zero effect and act as if OFF, but it does not, it makes everything sound like you have tin cans on your ears.
Firstly, a new project should default to having both the limiter and reverb OFF, but moreover, the limiter really needs to be tweaked so that zero actually means zero. I simply assumed it was having no effect since it was at zero, and I now see others doing the same. Listening back to some of the tracks posted in this thread, I can hear that metallic ring throughout. I really hope this gets addressed soon, but in the meantime, gotta hit the button.
(Totally embarrassing that I spent the better part of a day finding one button that needed pushing.)
Nice one mate. I hear artifacts in bass in electronic devices very often. Sometimes it is the sampling, sometimes da converters, sometimes speakers and some other times simply ringing in my ears. The issue for some will be the threshold at which you start hearing it and when it becomes unacceptable. I haven't reached that threshold and to be honest with you while I can hear a slight ring it doesn't bother me as believe me I've heard worse in ios software I shall not mention as it has quite a following on this forum. Anyway at least you have a brand new one day ipad on your hands now and one more person will be delighted with a cheaper refurb. lol
.
I beg to differ... It is far from subtle, very noticeable and prominent, you just cannot hear it when there is mid or high content present because it gets washed out. I will share the project file mentioned, but in the meantime, you can do a simple test yourselves.
Create a new project.
Turn off Master Reverb but leave the Limiter on yet at zero.
Create a track loaded with London.
Fill London with BD sounds that are bass heavy and absent of high end.
Play the pads with the limiter on, and then off.
There you have it plain as day.
With the knob at zero there should be no effect on the sound, but as you can see it is quite drastic, and horribly tinny.
It could also be related to age. A lot of us are older and can't hear some frequencies.
.
Hah, @raz I'm 36 and spent half my life in clubs etc (stupidly without hearing protection) so I am quite sure you would hear this too. Try it.
@Simon, yes... yes you do. :-p
.
@omnilimbo,have you selected bypass in the 'ifx'?
I don't have this app yet either, but I think it is important to know that PCM synths can very often have a metallic, whistling effect, especially with multiple PCM sounds layered together at the same time. I learned that lesson from the Xenon app specifically, and it is part of the reason I didn't jump for this app right when it dropped. I believe the issue has something to do with unsympathetic overtones for those who can hear this sort of thing.
@OmnilimbO said:
You're right. Limiter disconnected. Will use audio mastering for the final mix anyway.
London times - Say they were the best of times!
So many kicks! So little time.