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Comments
Glad you dig it. Will be exploring it more with the MPC One to try a bit more structure. Maybe it’s time for an IceGear SpiderIceMidas Jam session tonight. 👊🏼™️
Keep up the great work mate. 🙏🏼💕
Cheers! 😊🙏
Cheers! 😊🙏> @lukesleepwalker said:
Yeah. That was a very helpful feature for sure! It’s something I would have liked to have also in Continua seeing as there are three OSC and so many routing options for each one, it would save a lot of time just being able to copy the settings over from one OSC to another for working on variations without wandering so far and losing what you nailed down in the first OSC! Synths that have multiple OSCs and complex routing possibilities for each OSC would totally be quicker and easier to work with with this copy paste ability. Especially when you want to just be able to duplicate everything you did for one OSC and just make slight adjustments to the copy for making a thicker sound or something slightly different to boost or enhance the sound from the first OSC.
Exactly the same here! Had Kronecker since it first dropped on app store but wasn’t inspired by the factory presets so left it alone for so long! Only decided to pick it up and have a go with it two weeks ago, as I’d like to get a bank into every IceGear synth. They are very good once you dive in. 👍
Big thanks for the presets!!
And again, I‘m lost in understanding the Particle Trigger thing🥺🤯
It’s a feature you don’t find in any other iOS synth, as far as I can tell. I wish more of them incorporated it as it is just awesome! Yeah it takes a little head scratching at first. Best to have only one emitter switched on at first just for practising with the routing, envelope settings and trigger settings. These presets might help you for some reverse engineering to see how it works. 😊
To be clear about how to do this: look for the orange and yellow squares that have A, B, C, D associated with them. The orange square is the selector for which emitter you are currently working on in the UI. Any changes you make will only affect the selected layer. The yellow squares next to the orange one are the on/off controls for each layer. So, turn off B, C, and D and select the orange A and you will have isolated just the A layer. From there, find the yellow/gray squares with numbers in them. Those control the rhythmic sequence of the emitters--change the "steps" that are on by making them yellow and you should hear how the emitter changes its rhythmic pattern.
Spidericemidas, thank you so much for these excellent presets.
No problem! They were very enjoyable to make. 🙏
Hi there
Spent the evening with these presets and chords and tunes were flying everywhere. Thanks so much spidericemidas really inspiring. Ice gear should include them in the presets
Great sounding presets, thanks to Spidericemidas, Doug for the demo, and Icegear for the app!
Mission accomplished! 😃 That’s very good to hear, thank you very much! 🙏
It’s always great hearing Doug play my sounds. 🎧😎🎹🎶
Many thanks. In the best or most creative sense some of these are very inspiring.
Thanks, man! 🙏
Thanks so much! Really great!
Thanks a lot. I think, I had the buffer size problem in AUM - the particles didn‘t go in play modus. After trying it in standalone and AB it works in AUM also. So the Particle Trigger thing isn‘t too complicated.
Hope you find them useful in some way 😊
Just a quick play with some of the presets...
All sounds are spiders presets except the kick drum. I've added a little extra spice with FAC Chorus, TB Reverb and Alteza...
Doug rules:
Hey! This is brilliant! I didn’t think about it whilst making the presets, but now you’ve put them together in this way, they’re sounding very 80’s, which has put a big smile on my face! 😃 Love it! Thank you!
It was a great demo! @thesoundtestroom
Thanks for posting here, Andrea. 👍
Thanks!
these really should come with kronecker when people new to it download it
Just received an email from Satoshi, so I took the chance in my reply to mention that perhaps this bank could be included in Kronecker’s library for future buyers. 😉👍
Thanks again to @Spidericemidas not just for some excellent Kronecker presets but for resurrecting this synth for me and showing its scope beyond the factory presets.
Here’s a tune I did today which incorporates two Kronecker instances, one for a mellow pad and the other a percussive arp. Both of those began life as Spider’s presets, but given the new impetus they’ve given me to explore this synth I ended up tweaking them quite a bit.
The tune is for friends I know who lost a beloved family pet of 17 years and I wanted to capture the mixture of sadness and celebration that comes when remembering someone or a pet who is dearly missed but who brought a lot of joy into your life. Thanks @Spidericemidas for helping me put a sound to those emotions today
It’s 10 mins plus so if that’s TLDL territory (too long didn’t listen), then skip around and get the different sections of it.
Great idea and great patches! My compliments...
This is lush and amazing! Well done! That wash of sound....💕
Thanks! That wash is a mixture of TB Reverb cranked up, delay + Some hidden tricks ... I send all my ambient tracks to a submix, which then splits to a pass through and a Borderlands Granular submix (which contains a few different live input loops and grain clouds), and both then sum into an ambient effects channel
This is really good stuff. I keep coming back to it. Kinda reminds me of Sigur Ros in a way. It is both sad and uplifting and seems very reflective. It gets uplifting and happy when the beats are playing, and then mellows out again with a sad and reflective feeling. I’m glad to have provided some sounds that got you started on this piece and inspired you to tweak further with them. I’m not from the TLDL brigade. I come from an era where things happened slower, lasted longer and we were all required to wait for things and have full attention spans. So 10 mins plus is not exactly a challenge for me. 10 mins was about the loading time of a Spectrum or Atari cassette game, wasn’t it? Never really a problem to me. Keep up the great work, man! Listening to what you, @lasselu and @echoopera have done with my sounds so far, I am sitting back with a pleased smile thinking, “mission accomplished”. If I can produce a sound that people find useful and inspiring in some way for their own sound design and music production, and I get to hear what they’re doing from it, then that is my biggest reward. 🙏