Loopy Pro: Create music, your way.
What is Loopy Pro? — Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.
Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.
Download on the App StoreLoopy Pro is your all-in-one musical toolkit. Try it for free today.
Comments
@Nathan There's enough cheap and even free iOS apps to satisfy even the poorest of iOS device owners. It's you who's greedy for wanting years of hard work's worth of an optional upgrade being given to you for free. Call me fanboy all you like, if I see you smearing hard working developers by calling them greedy I will say something
I would add:
Developers set their price and users decide if the apps are worth it to them. It seems new threads about forth coming apps are being injected with discussions about how developers are trying to make too much money for what they offer and attributing this to moral deficiencies of the developers. On a forum paid for by a developer, this seems very inappropriate and disrespectful.
If people are on a budget, in my opinion, it's not the responsibility of the developers to help them out any more than it is for any of us.
So, let's say AUM turns out to be everything it appears to be and more. It looks like there are some obvious advantages to using AUM over AudioBus. But, are there benefits to using AudioBus over AUM? The only thing I can think of is that AudioBus is obviously a mature product. And there's AudioBus Remote.
I'm guessing AUM will be rock solid and play well with everything with mixing and other advantages built-in. With the exception of being able to use Remote in AB... are there situations where you'd use AudioBus instead of AUM?
I would also like to add. How can anyone judge the price of an app that they don't know?
If an FX app is OK at one price, but an app that has multiple uses has to be the same price?
A DAW or multi use app surely takes more effort to code than one FX app.
Let's look at it a different way. A production line guitar will not cost as much as a custom hand varnished guitar, as the later takes more man hours and skill to make. They are both still guitars.
The same happens with apps. Some take a lot more man hours to code. Some need the use of individuals with a greater degree of skill to code than something more basic. They are both still apps. One should cost more.
In both cases, cost to make is offset by the size of the market for the product at each price point. Much of this is guess work and why products often then get cheaper in price as time goes by. Yet we expect a sale at the start of an app, then later on too.
The market will ultimately decide if an apps price is too high for the desire for the app. Reducing an apps price though, will not always be equate to enough sales to cover cost.
I’ll tell you who the greedy ones are — those record companies, like EMI, Polydor and RAK, making a fortune out of the poor pop stars. And that’s another thing — those greedy pop stars, like Taylor Swift, making nearly £200 a year from people listening to her tunes on Spotty fi. And that’s another thing, streaming services like Snoudcloud and last.fm making so much money it’s obscene. And that’s another thing, the internet — why does it cost so much?
I'm sorry but this kind of remark is completely inflammatory and really does not belong on this forum. If developer spends 3 years creating an update, they simply cannot afford to give it away for free. What's greedy is expecting free updates for ever, especially when most devs are really struggling as things are.
The music app market is tiny, most music apps sell in very low numbers and most devs can't afford to do this full time. The only reason that the better more professional apps exist at all is precisely because users support the devs by buying updates.
To call sensible and sustainable pricing "greedy" is ignorant beyond belief.
LaLaLaLaLaLaLaLa Can't hear you
Yay AUM! Can't wait.
I'm just wondering if AUM will be able to 'remote-trigger' recording on other devices running AUM?
This would be totally awesome and make it easy to multi-track multiple iOS devices without having to worry if the recordings are in sync or not
That would be cool
So far every single app from Kymatica for iOS has been a high quality product so and that makes the expectations on AUM are pretty high
I mean there's already support for Link so theoretically it should somehow be possible to 'bake in' some 'start/stop recording' information. (Maybe this feature is already there but not announced yet?).
Hey, was the question about AUM being able to mix surround & save in AC3 a dumb question?
I'm only curious because He mentioned being able to create a surround scenario & I've got this old zoom recorder that did a kind of hybrid surround recording that sounded like it'd be fun to play with in iOS.
It seems that there is trigger loop quantize, if you pause fast enough in the presentation video you'll notice a quantize setting to trigger the audioshare loops "a la" ableton live (number of bar...)
OK, so I guess that means you wanted to pay, but just a little bit? You actually think you know better how much it should cost than the developer who spend years of his life creating it? If that is so, why not just say you disagree with the price without calling him greedy? It's his product, it's his choice, no one is forcing you to buy it.
You keep saying he abandoned the original Auria but he did update it for free and he keeps doing that. You also said that the owners were invited to buy another version at an ever higher rate which is not quite true, the upgrade is same as the new version and costs less and that is what the owners were invited to.
Wait a minute, though. The AC3 codec is festooned with patents. AC-3 Dolby Surround is an encoding scheme which encodes analogue surround into two channels. AC-3 5.1 is a digital surround mix. AC-3 4.1 similarly is also a digital surround mix. In the case of AC-3 that is Dolby Digital 5.1-channel Surround, there are six discrete channels, but the front two are also encoded by having a stereo mix down matrixed into the front left and right channels for backward compatibility with older versions of Dolby ProLogic hardware.
This would be awesome if I understand what you're saying. If audioshare could capture a loop of fixed length while recording a synth that is in sync via link, that would be tres cool.
Aren't you the one hurling insults by calling people greedy?
Don't feed the troll
Come on ladies... Oooh, watch out now...
is this going to be a universal app? I'd love to use this on my iPhone 6 also
yes
ohhhhh that is exciting
With some creativity, yes. But channels in AUM are stereo (though you can select a blend between L and R converted to mono, or balance a mono signal between L and R for output). It has no built-in 5.1 panner, but with bus sends and balance controls you can control the amount of sound each speaker in such a setup gets.
There's no remote-triggers like that. But there's Ableton Link support, and when recording it starts at the next sync quantum (default 1 bar, configurable). So, fire up two devices running AUM, synced with Link, and tap REC on both devices before the current sync quantum ends - voila! both will start recording at exactly the same time.
Currently it synchronizes the start of a recording. Adding synchronized end of recording (as in SECTOR) is on my TODO, and will allow sampling precise loops (that can then be loaded up in a new channel using the built in fileplayer, etc..)
This is looking amazinger every day!
Could you set up a MIDI cc over network to record simultaneously?
This would be the piece that allows me to use AUM as an all in one solution, rather than having to use a separate live looper. Could be very convenient!
Sure, you could do that. But since it waits for the Ableton Link sync quantum you don't even need that, just tap record on one and then another, as long as it's before the current sync quantum ends (one bar is the default, but you could set it to 100 bars and have a coffee before it starts recording
)
Did I understand this correctly that there is an option to automatically set up a new channel with the recorded file?
To make perfect loops it's enough if the recording stops at next quantum since the start is synced.
So in practice to make a 'perfect' loop, press record just before the quantum and during the recording press 'stop' and the recording will automatically stop the next quantum. If that's the way it works it's more than enough.
Currently no, but an option like that would save a couple of taps.
Exactly, that's what's on my TODO, and is how it works in SECTOR (where the quantum is fixed to the length of the SEQ though). In the first version of AUM, only the start of the recording is synchronized like that.